I can hear some of them singing. They sound like men on a bus coming home from a picnic.
The night buzzes with insects and great grey clouds roll across the sky, whipped across by a high, warm wind. Occasionally lightning flickers around the edge of the sky. Out in the scrub the mosquitoes must be fierce and relentless. It must be a poor feast for them.
Although the gate is guarded and the perimeter patrolled I have chosen to set up my own guard in this darkened window. It was not a popular decision. An open window makes the air-conditioning behave badly. Sergei thinks that I am being an alarmist but I have always been an alarmist.
I have spent my life in a state of constant fear that could be understood by very few. I have anticipated disaster at every turn, physical attack at every instant. To be born small and thin and poor, one learns, very quickly, of one’s vulnerability. My fear kept me in constant readiness and it also gave me fuel for my most incredible defence. My strength has been my preparedness to do anything, to be totally crazy, to go past the limits that only the strongest will dare to contemplate. The extent of my terrible quaking fear was in exact correspondence with the degree of my craziness. For I performed unthinkable acts of cruelty to others, total bluffs that would prevent all thought of retaliation.
I learned this early, as a child, when I got my nose busted up by a boy four years older and much, much bigger. I can still remember the bastard. He had wire-framed glasses and must have been blind in one eye because he had white tape obscuring one lens. I can remember the day after he bashed me. I can remember as if it were yesterday. I waited for him just around the side of the Catholic church. There was a lane there which he always walked down and beside the lane was a big pile of house bricks, neatly stacked. I was eight years old. I waited for the bastard as he came down the lane kicking a small stone. He looked arrogant and self-confident and I knew I couldn’t afford to fail. As he passed me I stood up and threw the first brick. It sounded soft and quiet as it hit his shoulder, but I’d thrown it so hard it knocked him over. He looked round with astonishment but I already had the second brick in the air. It gashed his arm. He started crying. His glasses had gone. They were on the ground. I stood on them. Then I kicked him for good measure.
The effectiveness of this action was greatly enhanced by the fact that I had been seen by others. It helped me get a reputation. I built on this with other bricks and great lumps of wood. I cut and burned and slashed. I pursued unthinkable actions with the fearful skill and sensitivity of someone who can’t afford to have his bluff called. I developed the art of rages and found a way to let my eyes go slightly mad and, on occasions, to dribble a little. It was peculiar that these theatrical effects often became real. I forgot I was acting.
But there was no real defence against the fires of the unemployed. They were nothing more than threatening phantoms licking at the darkness. My mind drifted in and out of fantasies about them and ended, inevitably, with the trap corridors of a maze, at the place where they killed or tortured me.
Below me Bart was sitting on the steps. I could hear him fiddling with his weapon. All week he has been working on a new, better, hand-tooled leather holster. Now it is finished he wears it everywhere. He looks good enough for the cover of Rolling Stone.
The unemployed are singing “Blowing in the Wind”. Bart starts to hum the tune along with them, then decides not to. I can hear him shifting around uncomfortably, but there is nothing I can say to him that would make his mind any more at ease.
The unemployed will have the benefit of their own holy rage.
It is difficult to see across the plant. The spotlights we rigged up seem to create more darkness than light. I stare into the darkness, imagining movements, and thinking about my day’s work. Today I went through the last three months’ cost reports and discovered that our raw material costs are up over 10 per cent on eight of our lines. This is making me edgy. Something nags at me about it. I feel irritable that no one has told me. But there is nothing that can be done until tomorrow.
The movement across the face of the No. 1 store is vague and uncertain. I rub my eyes and squint. Below me I can hear Bart shift. He has taken off his boots and now he moves out towards the No. 1, sleek as a night cat, his gun hand out from his side like a man in a movie. I hold my breath. He fades into almost-dark. The figure near the No. 1 stops and becomes invisible to me. At that moment there is a shot. The figure flows out of the dark, dropping quietly like a shadow to the ground.
I am running down the stairs and am halfway across the apron before Bart has reached the No. 1. I pray to God he hasn’t shot a guard.
“Not bad, eh? That’s about fifty yards.”
I don’t say anything. He is fussing over his gun, replacing the dead shell with a live bullet. I let him walk ahead. I’m not going to get any fun out of this. He walks forward, as nonchalant as if he were going to change a record or go and get another drink.
I see his flashlight turn on and then a pause as he kneels to look at the body. And then the light goes out and he is running around and around in circles. He is yelping and running like a dog whose foot has been run over. As he circles he says, “Shit, Shit, Shit, oh fucking Christ.” He looks comical and terrible dancing in his bare feet. He can’t stay still. He runs around saying shit.
Then I am looking at the body. In the yellow light of my flashlight I see the face of a sixteen-year-old boy. I notice strange things, small details: golden down on the cheeks, bad pimples, and something else. At first, in dumb shock, I think it’s his guts coming up. And a pea rolls out. In his mouth is a chunk of TV dinner, slowly thawing.
11.
When I was six years old I threw a cat into an incinerator. It wasn’t until the cat came running out the grate at the bottom, burning, screaming, that I had any comprehension of what I had done.
The burning cat still runs through my dreams, searing me with its dreadful knowledge.
When I saw the dead boy I knew it was Bart’s burning cat.
He is like the girls in Vogue, wearing combat clothes and carrying guns and smoking pink cigarettes. He is like the intellectuals: he lives on the wrong side of the chasm between ideas and action. The gap is exactly equal to the portion of time that separates the live cat from the burning cat.
That is the difference between us.
It should be said to him: “If you wear guns on your hip you will need to see young boys lying dead at your feet and confront what ‘dead’ is. That is what it takes to live that fantasy. If you cannot do this, you should take off your uniform. Others will perform the unpleasant acts for you. It is the nature of business that as a result of your decisions some people will starve and others be killed. It is simply a matter of confronting the effects of your actions. If you can grasp this nettle you will be strong. If you cannot you are a fool and are deluding yourself.”
12.
Our burning cats are loose.
Bart’s is sedated, slowed down, held tightly on a fearful leash by Mandies or some other downer. Perhaps he has been shooting up with morphine. His eyes are dull and his movements clumsy but his cat stirs threateningly within him, intimidating him with its most obvious horror.
My cat is loose and raging and my eyes are wide. Black smoke curls like friendly poison through my veins and bubbles of rage course through my brain. My cat is clawing and killing, victim and killer. I am in an ecstasy. I can’t say. My eyes stretch wide and nostrils, also, are flaring.