I started for 'em and they all p'inted their Winchesters at me.
"Keep back!" said the detective. "I'm grateful for you leadin' us into this den, and layin' out these criminals for us, but I don't hanker after no battle in a cave with a human grizzly like you."
Well, what could I do? If I'd had my guns, or even my knife, I'd of took a chance with the whole eleven men, officers or not, but even I can't fight eleven .45-90's with my bare hands. I stood speechless with rage whilst they filed out, and then I went for Cap'n Kidd in a kind of a daze. I felt wuss'n a hoss-thief. Them fellers would be put in the pen safe out of my rech, and Uncle Jeppard's sculp was unavenged! It was awful. I felt like bawling.
Time I got my hoss back onto the trail, the posse with their prisoners was out of sight and hearing. I seen the only thing to do was to go back to Grizzly Claw and get my outfit, and then foller 'em and try to take their prisoners away from 'em some way.
Well, the wagon-yard was dark and still. The wounded had been carried away to have their injuries bandaged, and from the groaning that was still coming from the shacks and cabins along the street, the casualities had been plenteous. The citizens of Grizzly Claw must have been shook up something terrible, because they hadn't even stole my guns and saddle and things yet; everything was in the cabin jest like I'd left 'em.
I put on my boots, hat and belt, saddled and bridled Cap'n Kidd and sot out on the road I knowed the posse had took. But they had a long start on me, and when daylight come I hadn't overtook 'em, though I knowed they couldn't be far ahead of me. But I did meet somebody else. It was Tunk Willoughby riding up the trail, and when he seen me he grinned all over his battered features.
"Hey, Breck!" he hailed me. "After you left I sot on that there log and thunk, and thunk, and I finally remembered what Jack Gordon told me, and I started out to find you again and tell you. It was this: he said to keep a close lookout for a feller from Grizzly Claw named Bill Croghan, because he'd gypped yore Uncle Jeppard in a deal."
"What?" I said.
"Yeah," said Tunk. "He bought somethin' from Jeppard and paid him in counterfeit money. Jeppard didn't know it was phoney till after the feller had got plumb away," said Tunk, "and bein' as he was too busy kyorin' some b'ar meat to go after him, he sent word for you to git him."
"But the sculp--" I said wildly.
"Oh," said Tunk, "that was what Jeppard sold the feller. It was the sculp Jeppard taken offa old Yeller Eagle, the Comanche war-chief forty years ago, and been keepin' for a souvenear. Seems like a Eastern dude heard about it and wanted to buy it, but this Croghan feller must of kept the money he give him to git it with, and give Jeppard phoney cash. So you see everything's all right, even if I did forgit a little, and no harm did--"
And that's why Tunk Willoughby is going around saying I'm a homicidal maneyack, and run him five miles down a mountain and tried to kill him--which is a exaggeration, of course. I wouldn't of kilt him if I could of caught him--which I couldn't when he taken to the thick bresh. I would merely of raised a few knots on his head and tied his hind laigs in a bow-knot around his fool neck, and did a few other little things that might of improved his memory.
Chapter IX - CUPID FROM BEAR CREEK
WHEN I reined my hoss towards War Paint again, I didn't go back the way I'd come. I was so far off my route that I knowed it would be nearer to go through the mountains by the way of Teton Gulch than it would be to go clean back to the Yavapai-War Paint road. So I headed out.
I aimed to pass right through Teton Gulch without stopping, because I was in a hurry to get back to War Paint and Dolly Rixby, but my thirst got the best of me, and I stopped in the camp. It was one of them new mining towns that springs up overnight like mushrooms. I was drinking me a dram at the bar of the Yaller Dawg Saloon and Hotel, when the barkeep says, after studying me a spell, he says: "You must be Breckinridge Elkins, of Bear Creek."
I give the matter due consideration, and 'lowed as how I was.
"How come you knowed me?" I inquired suspiciously, because I hadn't never been in Teton Gulch before, and he says: "Well, I've heard tell of Breckinridge Elkins, and when I seen you, I figgered you must be him, because I don't see how they can be two men in the world that big. By the way, there's a friend of yore'n upstairs--Blink Wiltshaw, from War Paint. I've heered him brag about knowin' you personal. He's upstairs now, fourth door from the stair-head, on the left."
So Blink had come back to Teton, after all. Well, that suited me fine, so I thought I'd go up and pass the time of day with him, and find out if he had any news from War Paint, which I'd been gone from for about a week. A lot of things can happen in a week in a fast-moving town like War Paint.
I went upstairs and knocked on the door, and bam! went a gun inside and a .45 slug ripped through the door and taken a nick out of my off-ear. Getting shot in the ear always did irritate me, so without waiting for no more exhibitions of hospitality, I give voice to my displeasure in a deafening beller and knocked the door off'n its hinges and busted into the room over its rooins.
For a second I didn't see nobody, but then I heard a kind of gurgle going on, and happened to remember that the door seemed kind of squishy underfoot when I tromped over it, so I knowed that whoever was in the room had got pinned under the door when I knocked it down.
So I reched under it and got him by the collar and hauled him out, and sure enough it was Blink Wiltshaw. He was limp as a lariat, and glassy-eyed and pale, and was still trying to shoot me with his six-shooter when I taken it away from him.
"What the hell's the matter with you?" I demanded sternly, dangling him by the collar with one hand, whilst shaking him till his teeth rattled. "Didn't Dolly make us shake hands? What you mean by tryin' to 'sasserinate me through a hotel door?"
"Lemme down, Breck," he gasped. "I didn't know it was you. I thought it was Rattlesnake Harrison comin' after my gold."
So I sot him down. He grabbed a jug of licker and taken him a swig, and his hand shook so he spilt half of it down his neck.
"Well?" I demanded. "Ain't you goin' to offer me a snort, dern it?"
"Excuse me, Breckinridge," he apolergized. "I'm so derned jumpy I dunno what I'm doin'. You see them buckskin pokes?" says he, p'inting at some bags on the bed. "Them is plumb full of nuggets. I got a claim up the Gulch, and the day I got back from War Paint I hit a regular bonanza. But it ain't doin' me no good."
"What you mean?" I ast.
"The mountains around Teton is full of outlaws," says he. "They robs and murders every man which makes a strike. The stagecoach has been stuck up so often nobody sends their dust out on it no more. When a man makes a pile he sneaks out through the mountains at night, with his gold on pack-mules. I aimed to do that last night. But them outlaws has got spies all over the camp, and I know they got me spotted. Rattlesnake Harrison's their chief, and he's a ring-tailed he-devil. I been squattin' over this here gold with my pistol in fear and tremblin', expectin' 'em to come right into camp after me. I'm dern nigh loco!"
And he shivered and cussed kind of whimpery, and taken another dram, and cocked his pistol and sot there shaking like he'd saw a ghost or two.
"You got to help me, Breckinridge," he said desperately. "You take this here gold out for me, willya? The outlaws don't know you. You could hit the old Injun path south of the camp and foller it to Hell-Wind Pass. The Chawed Ear-Wahpeton stage goes there about sundown. You could put the gold on the stage there, and they'd take it on to Wahpeton. Harrison wouldn't never think of holdin' it up after it left Hell-Wind. They always holds it up this side of the Pass."
"What I want to risk my neck for you for?" I demanded bitterly, memories of Dolly Rixby rising up before me. "If you ain't got the guts to tote out yore own gold--"