Metrias Corodin was a maker of scientific instruments, and a good one too. By day he worked in a small but adequate shop on the second level of the western balcony of the instrument-makers’ courtyard, torturing his eyes as he marked out the tiny calibrations on the scales and barrels of the instruments and scorching his fingers over the soldering lamp. In the evenings, he was the sergeant of his watch district; it was a social function as much as anything else, an honour bestowed on him by his neighbours in recognition of a useful and industrious life. He enjoyed the duty; a few hours a week of drill, a little paperwork, a good excuse to hold meetings that people could linger after to talk shop and share news and a jug or two of cider. The drill wasn’t particularly irksome; as a young man he’d been something of an athlete, and he wasn’t so much out of condition that half an hour’s square-bashing or a morning at the butts was a problem for him, even if the straps had had to be let out a few times since the shirt was new.
Now he was standing in front of a line of bleary-eyed nervous men drawn up across the entrance to the coopers’ square. His small company was wedged in between the coopers and the nailmakers, two substantial detachments, each with several sergeants. By a quirk of seniority and guild etiquette, however, he found himself in overall command of the defence of the lower city.
Until the real soldiers get here, he reassured himself, which must be soon, surely. Somewhere ahead, an indeterminate distance away, there were unnerving noises, shouts and yells and sporadic clashes of metal on metal. Something was coming this way, and he had a nasty feeling it was the war.
He tried to remember his basic theory; Ninas Elius’ Art of Urban Defence, required reading for watch officials for the last hundred and twenty years. Defensive actions in a confined space against an oncoming enemy – he could remember swotting up on the section for his lance-corporal’s examination twenty years ago – are to be conducted in two phases, comprising the disruptive use of archery and the obstructive effect of an infantry line. He’d learnt it, yes, but never stopped to think what it might mean. Shoot the buggers first and then hit them, he guessed. It seemed to be the sensible thing to do.
As he peered into the darkness ahead he cursed his poor eyesight, and the years of crouching over his bench that had bowed his legs and cramped his back. His helmet felt loose on his head, despite his wife’s last-minute packing with a woollen scarf, and with the sideflaps tied down he was sure he could only hear about half as well as usual.
The disruptive effect of archery… Well, time to get ready to do something about that. Nervously, his voice higher and squeakier than it should have been, he gave the order to string bows, and set about bending his own; the end of the bottom limb trapped against the outside of the right foot, then the left leg steps over the bow until the underside of the knee is brought to bear on the inside of the bow, just below the handle; grip the upper limb firmly in the left hand and flex it inwards (and every time he did it, he felt sure the bow would snap, though it hadn’t done so yet), while the right hand brings the loop of the bowstring over the nock, thus completing the manoeuvre. Standard bow drill, he’d done it many thousands of times; but tonight he had to try three times before he got it right.
The noise was nearer, close enough that he could make a good estimate of where they were; just inside the plumbers’ quarter, where the tank-makers had their shops. He tried to imagine the scene, but couldn’t; bloodthirsty savages swarming past shops he’d known since he was a boy, the idea was so incongruous as to be laughable. He gave the order to nock arrows.
A fairly new bow, this. Last spring, when the tournament season started, he’d finally been forced to admit that his old bow, twenty-five years old and still as sound as the day it was made, was getting too heavy for him to draw, and so he’d treated himself to a brand new one, a hickory and lemonwood ninety-five pounder instead of the hundred and twenty pound draw of the old self yew. Ninety-five was still too stiff, if the truth be told, but a man has his pride. The string felt dry against his fingers – shame on him for neglecting to wax it, he’d have nobody to blame but himself if it broke on him now. As for the arrow, he’d instinctively chosen the worst of the set, slightly bowed and a bit shabby in the fletchings; it always flew left and a little high; he knew the degree of variance well enough. This would almost certainly be the last time he drew it; other things more important in a battle than retrieving spent arrows, after all. The thought of aiming it deliberately at someone was quite bizarre; hadn’t he spent the last fifteen years as range officer telling the archers never under any circumstances to point a bow at anyone?
Movement under the archway opposite-
Too dark to make anything out except a general impression of moving bodies, a wave of men advancing steadily, cautious on unfamiliar ground. Not our men, anyway. Without looking round, he stepped back into the line, heard his own voice giving the order to mark and draw…
(The strain of the bow against his left wrist; a sharp twinge in his back as he brought his shoulder blades together. He looked for a single target to aim at but there wasn’t one, just a featureless line seventy-five yards away across the square)
… Hold and loose; his fingers relaxed and the string pulled away, slapping the inside of his left arm where the bracer protected it. He tried to follow the course of his arrow, but it was lost among so many, and now his voice was calling, Nock, mark, draw, hold, loose! and he was doing the drill in time to his own commands, as if he was once more a young boy under the sergeant’s eye. He felt a muscle protesting in his left forearm, easy to pull something if you don’t take care, but there wasn’t time to worry about that, he had to keep up with the commands (nock, mark, draw, hold, loose) or else get hopelessly out of step, be the laughing-stock of the quarter-
A shape loomed up at him in the darkness and turned into a man; short, thickset, in early middle age, a spear in both hands and his eyes full of terror, plunging towards him not twenty yards away. So that’s what the enemy looks like, he realised as he lowered his aim, picking a spot a hand and two finger’s breadth above the handle and letting his fingers relax. He saw the arrow strike, the shaft vanish into the man’s chest until only the fletchings and the nock were left; he saw the man run on two, three paces until his legs folded under him so that he pitched forward on his face; and behind him another – enough time to nock another arrow, he wondered dispassionately, as one second expanded into a substantial part of a lifetime. Perhaps, but if he was wrong he’d never have time to draw his sword. He let the bow fall (my beautiful new bow, and someone’s bound to tread on it) and dropped his hand to his belt, feeling for the pommel of the old standard-issue sword that had been his father’s-
Horrible, heavy great thing, cruel to the hands of a man who made his living by fine work; sword drill was compulsory but he’d never made an effort at it; enough that he should cut his fingers to the bone with a bowstring without rubbing the skin off his palms with a wire-bound sword-hilt…)
– Which slid out of its scabbard with a rasping, grating noise and felt hopelessly heavy, lumpish in his hand, as the enemy came forward, running straight towards him-
He’s got his eyes shut, Corodin noticed with amazement. Bugger’s charging with his eyes shut. Poor bastard must be scared stiff.