The conference room was at the opposite end on nine from Archibald's suite on twelve, so it was a view of a different quadrant of the city, but not that much different. Still, the room was large and airy and empty, with thick gray-green carpet and a large free-form conference table and some tan leatherette sofas along the inner wall.
"Come look," she said, and when he went over to stand beside her she hooked her arm through his. "I love the way the sunlight bounces off that roof," she said, pointing with her free hand. "See it?"
'Yes."
She smiled at him, came close to laughing at him. "You don't care much for views, do you?"
"Depends," he said, and bit that swollen lower lip.
"Oo, careful," she said. "No marks."
Beneath his hand, her breast was so firmly contained in place it might have been made of kapok. This wasn't going to work; she might as well be a sofa. "Not a good idea," he said, and backed away, disengaging her arm.
"You don't think so?" She stood by the window, facing him, letting the full light from outside make her argument.
Three floors up, they'd surely be making phone calls by now, and not all of them for a doctor. Parker said, "Sometimes the time isn't the right time."
"All times are the right time," she corrected him, and slowly smiled. "As the Bible says, Hope deferred maketh the heart sick."
"That's the Bible?"
"I always do what the Bible tells me," she said, and stretched, and smiled again. "Come, let us take our fill of love, until the morning. It says that, too."
She was a true pistol. He said, "What about Archibald?"
She laughed at the idea that he cared about
Archibald. "Stolen waters are sweet," she quoted, "and bread eaten in secret is pleasant."
"I'm sure it is," Parker told her. "And it'll be even better later. I'll take a rain check."
The smile disappeared. The body snapped to attention. Behind the horn-rim glasses, the blue eyes flashed at him. "Rain check? I'm not a game."
That wasn't from the Bible.
Part FOUR
1
It was called Sherenden, and it was a house from the twenties, modern architecture of the time, designed by someone famous in his day and built at the edge of a ravine in what had then been the outskirts of town. On two steep acres of brush-covered rocky hill, at the end of a narrow winding road from the nearest city avenue, the house had been constructed of fieldstone and native woods and stainless steel, fitted into the broken shape of the landscape, with a large airy living room at the top, four windowed walls around a central black-stone fireplace. The rest of the house spread away beneath, for a total of four stories with an interior elevator, its shaft blasted into the rock.
The original owner was a lawyer, also famous in his day, and the bottom level of the house, enclosed by two jutting rock ledges of ravine, had been his study, with accompanying bath and small kitchen. From his desk in there he could look out through plate glass at the wildness of his ravine as though suspended from a balloon, and not see the slightest corner of the rest of the house.
When it was built, the place was considered daring and original and one of the templates that would describe the future. It was written up approvingly in newspapers and magazines of its day, and was still mentioned, with small black-and-white photos, in books on modern architecture.
Time had not been kind to the house. First there had been the divorce, as acrimonious as any divorce in the history of law, which had seen Sherenden fought over but unlived in for more than ten years. The winner, the ex-wife, had had no real use for the house but had wanted it out of spite, and had thereafter ignored it almost completely. Her heirs sold it as soon as they could.
Then there was the city, which had grown in ways and directions not expected by the town planners. This rocky area just within the city limits, full of inaccessible ravines, had seemed the least likely direction for the city to grow. But then, after World War Two, the interstate highway system was born, and an on-ramp was placed just outside the city line in this direction, and it suddenly made sense to knock down hills and fill ravines and put in working-class housing developments; a thousand homes from the same blueprint, girdling the two acres that contained Sherenden.
In the early sixties, one of the subsequent owners turned Sherenden into two apartments, by means of a lot of plywood and the removal of about half the original windows. (The elevator had ceased to function years before, and now became an additional closet on each level.) In the late seventies, another owner decided to restore the place to its former glory, despite the fact that the views from the living room were now of many small Monopoly-board houses stretching away toward infinity and the view from the bottom floor study was of the dump that had been made at the base of the ravine. However, he went bankrupt while the work was still under way, and so the plywood went back up, even more than before, sealing the house away.
The bank that took over at that point enclosed Sherenden with a tall wire fence, and waited. They were always on the verge of selling the two acres—nobody at the bank ever thought about the house itself, except as a problem—to someone who would demolish the "existing structure" and level the land and put in eight houses, but the deals always fell through.
Kids and vagrants and drunks had made a sieve of the fence and a sty of the house. In the last decade, homeowners in Golden Heights and Oak Valley Ridge Estates, the neighboring development communities, had put forth a number of petitions against this eyesore in their midst, but the bank wouldn't tear the place down without a purchaser, and so the stalemate continued.
2
Parker took a cab to a shopping center, out away from the middle of town. He had lunch in a bar there—despite its fake Tiffany lamps, it was a bar—and watched the television up on its high shelf, full of excited local bulletins, one after another. A whole lot of stuff happening around here these days. The bartender thought it was probably the work of a private army, stocking up money and supplies for the revolution, and Parker said he thought the guy was right. The bartender had known after one look that Parker was a kindred spirit.
From the phone booth in the back of the bar, Parker called the Midway Motel and asked for Mr. or Mrs. Fawcett, and was told they'd checked out. No, the woman on the phone didn't know when they'd left, they were just gone. He asked to be connected to Mr. Grant's room, and let the phone ring in the black emptiness there for a good long time. The woman who'd switched him over never did come back to tell him his party wasn't answering and might be out and did he want to leave a message, so eventually he hung up.
Brenda had her compact, anyway. And Liss was probably not at the motel. Was he at the house, he and Quindero?
A city bus line ran past this shopping center and on out to the developments by the interstate. Parker took it, at two-thirty that afternoon, a time when the passengers were a few schoolkids getting home early, some maids and cleaning women done with their day's work, and shoppers sitting slumped in the middle of their mounds of parcels.
Parker left the bus at the first corner in Oak Valley Ridge Estates and walked back down Oak Valley Ridge Avenue the way he'd come. In just over a hundred yards he got to the road leading in to the right. A pair of crumbling stone pillars, once graceful but now anemic, with bad rusted gouges at the top where the light fixtures had long ago been stolen, flanked a blacktop road that immediately curved down and away to the right, disappearing into a tangle of shrubs and trees. Wild rose vines knitted the underbrush together, interweaving their tough thorny stalks with the tamer junipers and maples, making it impossible for a human being to travel anywhere in there except on the road.