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"Mr Presley," Shiba said to him, "your opinion?"

Elvis thought it through. "Well, it's not my place to make suggestions, but I have to go to the Cape. If you came along, I'd feel a whole lot safer. Whatever the Josephites are up to, I want it stopped. I'll carry a gun and take orders if I have to. I don't really know what kind of a set-up they have at Canaveral, but my guess is that they won't be easy to take out. Those Donny and Marie things are as tough to get shot of as cockroaches."

Shiba was pondering.

"Very well," he said. "Captain Marcus, you have twenty-four hours. Ready a strike unit. We'll hit them tomorrow."

Raimundo expressed his approval with a tail-lashing frenzy.

V

Since Needlepoint came on line, Fonvielle had been seeing the tall, spear-shape take form out on the main pad. It was a rocket made of immobile smoke. He stood out on the firing grounds, remembering the long-ago times when golf-carts loaded down with generals and politicians and journalists scurried across the empty expanse for every launch. There had been stands like at Yankee Stadium for the spectators. Being wood, they had rotted into the water and now existed only as streaks of colour in the mud. The streaks were ghosts of a sort too, the Commander supposed. He put his hands into his flightsuit pockets and scratched his thighs.

The bent and rusted gantry didn't prop the rocketshape up, but he could see phantom lines running between them. He recognized the craft. It was the next-to-last of the Titan 7 series, the one that had exploded,under Circe IV, killing Mikko Griffith, Lester Mihailoff and Mildred Kuhn. That had been in 1976. Debris had rained all over the peninsula after the firework display, and there had been now-nameless ground casualties. Fonvielle wondered if those smitten-from-the-sky technicians and swamp-rats qualified for the elite ghost cadre, the sacrifices of outer space.

Fonvielle searched his arm for the patch, and found it. The three names were written around the circumference of the circle. A siren pouted against a starscape, posed like Marilyn Monroe in her nude calendar, the Roman numerals modestly concealing her body.

The Indians claimed that even inanimate objects had souls. They were called manitous. Once an object, be it a table, a 1968 Studebaker or a piece of sculpture, was destroyed, its manitou lingered on for the use of the discarnate spirits of men. The Happy Hunting Ground was stocked with spirit game, spirit trees, spirit lodges. Since the white men came to America, Fonvielle assumed that the Indian afterlife was also littered with manitou co-cola cans, drive-in motels and TV sets. There was no reason why a spacecraft should not have a ghost.

None of the Black Hats could see the Titan 7. They walked through it, disappearing into the smoke and emerging the other side. Fonvielle couldn't bring himself to try the experiment. He was afraid that the smoke would be as substantial as the real rocket for him. As far as he could tell, the smoke rocket was becoming denser, more solid. The only other person on the Cape who could see the ghosts was the First Lady. She must have a touch of the Dream…

"Commander?" Addams pulled him out of his reverie.

"Yes?"

"We're dry-firing the system in twenty-five minutes."

"I'll be with you."

The success of the Needlepoint Ring was a vindication, at last, of the programme. With this proven, the Prezz would surely authorize more funds. The Cape would live again. The next rocket wouldn't be a ghost. Mars called, and Deep Space. Camp Glenn should be re-manned. Now America owned the skies, it was time to put on a little show.

The Black Hats were staking out an animal in the sun, and sawing at its throat. It was one of the Suitcase People, a black-hided warthog thing with yellow tusks. Blood trickled across the tarmac, following the almost-erased markings. No spirit shape was coalescing in the air above the sacrifice. It didn't count.

Fonvielle walked towards the bunker. Grissom was waiting for him by the elevator platform, his helmet off. His stocky face was still wet, his hair plastered back with seawater. He looked ill, and his suit sloshed as he moved.

"Gus?" Fonvielle said. None of the ghosts had ever talked.

Grissom nodded his head in recognition. His face was greenish, and slightly swollen.

In 1962, Virgil Grissom had gone EVA in a blaze of glory, and been automatically photographed against the rising sun, waving a confident thumbs-up at the stars. There had been much speculation around the project as to whether Grissom or Glenn would be selected to captain the moon mission. Fred Flintstone and the Clean Marine, they had been called in the press. An artificial rivalry had been generated carefully by the publicity Suits NASA was saddled with, and soon the fake contest became a real one. Fonvielle wondered whether that had been what killed Gus. The board of inquiry said it was a faulty hatch, but the Commander sometimes imagined that Grissom had been pulling some grand gesture stunt, climbing out onto the surface of the capsule to be found sitting on top of it bobbing in the blue Pacific, and had it backfire. That was the Fred Flintstone style. He knew that after the disaster, the Clean Marine had shown his first traces of humanity, getting as drunk as a skunk. Grissom's re-entry had been perfect, but a hatch had opened as soon as he splashed down, and the capsule had sunk like an anvil. By dying after re-entry, he just missed being the first American to perish in space, losing that miserable honour to poor old orbiting Richard Rusoff. Fonvielle remembered the recriminatory inquisition canning every non-essential staff member who could conceivably have touched the hatch mechanism, from the designer down to the janitor. It hadn't been fair, but the purge had gone some way towards assuaging NASA's collective guilt. But, within three months, Rusoff was off his trajectory, and America had another martyr. And Cape Canaveral had another ghost.

"Gus, can you hear me?"

The drowned astronaut shook his head, and opened his mouth. Black brine leaked down the front of his silver suit. His eyes watered.

"What is it, Gus? What do you want?"

Grissom held up his hand, thumbs-down.

"Commander?"

It was Addams. Grissom was transparent, and fading fast. Addams was treating him like an idiot.

"Are you ready?"

Grissom was gone.

"Yes," Fonvielle told Addams. 'Take us down."

Addams worked the mechanism, and the platform sank towards the bunker.

The oblong of the sky receded above them.

The Prezz was waiting for them in the bunker, with the Joint Chiefs of Staff, the Board of General Motors, Governor Nelson Rockefeller, Walt Disney and Frank Sinatra. It was the full tum-out. They all saluted.

"Ah, Fonvielle," said the Prezz, "good to see you. I've reported to the Elder. He is well pleased with our progress."

Fonvielle expected he would get the Congressional Medal of Honour for this.

The First Lady exchanged looks with him. There was something about that one. She was hardly more than a girl. And she was wise to the Cape.

She could see Griffith, Mihailoff and Kuhn clustered in the corner, smouldering.

"Now Keystone is responding," Fonvielle told the Prezz, "it's vital we establish that the inter-satellite communications lasers are angled correctly. We took a certain amount of deviation into our original calculations, but no one has looked at the system for fifteen years."

The Prezz understood. He was up on Needlepoint. He didn't need the lecture really.

"Okay, let's reach for the skies."

VI

Hiroshi Shiba looked at the Op for the thousandth time, and had to force himself to believe that this really was Elvis Presley. He remembered the old films and television programmes he had watched in his dormitory in Kyoto. He remembered the time Inoshira Kube had made Shiba, Sonny Shamada and Tetsuya Ito abase themselves in front of the entire trainee corps after they had been caught greasing each other's hair into "Elvisu Pu-res-lieh" quaffs. Later, while taking the American culture courses all GenTech East execs had to qualify in before they were sent overseas, he had been able to put Elvis in context, tracing the influences on his work. The blues, country and western, Carl Perkins, Dean Martin, Chuck Berry, Al Jolson.