The gryphon backed away, whining.
Tall and white-armored, fair-haired, silver-capped in the glittering shadowless room, Rikard stood holding the open box, watching the thick dusk that dripped slowly from it. All around his body now, below his hands, was twilight. He stood still. Then slowly he raised the box up, clear up over his head, and turned it upside down.
Darkness flowed over his face. He looked about him, for the distant music had stopped and things were very silent. Candles burned, dots of light picking out flecks of gold and flashes of violet from walls and ceiling. But all the corners were dark, behind each chair lay darkness, and as Rikard turned his head his shadow leapt along the wall. He moved then, quickly, dropping the box, for in one of the black corners he had glimpsed the reddish glow of two great eyes. The gryphon, of course. He held out his hand and spoke to her. She did not move, but gave a queer metallic cry.
"Come on! Are you afraid of the dark?" he said, and then all at once was afraid himself. He drew his sword. Nothing moved. He took a step backward toward the door, and the monster jumped. He saw the black wings spread across the ceiling, the iron beak, the talons; her bulk was on him before he could stab upward. He wrestled, the great beak snapping at his throat and the talons tearing at his arms and chest, till he got his sword arm free and could slash down, pull away, and slash again. The second blow half severed the gryphon's neck. She dropped off, lay writhing in the shadows among splinters of glass, then lay still.
Rikard's sword dropped clattering on the floor. His hands were sticky with his own blood, and he could hardly see; the beating of the gryphon's wings had blown out or knocked over every candle but one. He groped his way to a chair and sat down. After a minute, though he still gasped for breath, he did as he had done on the dune top after battle: bowed his head and hid his face in his hands. It was completely silent. The one candle flickered in its sconce, mirrored feebly in a cluster of topazes on the wall behind it. Rikard raised his head.
The gryphon lay still. Its blood had spread out in a pool, black as the first spilt darkness from the box.
Its iron beak was open, its eyes open, like two red stones.
"It's dead," said a small soft voice, as the witch's cat came picking its way delicately among the fragments of the smashed table. "Once and for all. Listen, prince!" The cat sat down curling its tail neatly round its paws. Rikard stood motionless, blank-faced, till a sudden sound made him start: a little ting nearby! Then from the tower overhead a huge dull bell stroke reverberated in the stone of the floor, in his ears, in his blood. The clocks were striking ten.
There was a pounding at his door, and shouts echoed down the palace corridors mixed with the last booming strokes of the bell, screams of scared animals, calls, commands.
"You'll be late for the battle, prince," said the cat.
Rikard groped among blood and shadow for his sword, sheathed it, flung on his cloak, and went to the door.
"There'll be an afternoon today," the cat said, "and a twilight, and night will fall. At nightfall one of you will come home to the city, you or your brother. But only one of you, prince."
Rikard stood still a moment. "Is the sun shining now, outside?"
"Yes, it is—now."
"Well, then, it's worth it," the young man said, and opened the door and strode on out into the hubbub and panic of the sunlit halls, his shadow falling black behind him.
URSULA K. LEGUIN DARKROSE AND DIAMOND A Boat-Song from West Havnor Where my love is going There will I go. Where his boat is rowing I will row. We will laugh together, Together we will cry. If he lives I will live, If he dies
I die. Where my love is going There will I go. Where his boat is rowing I will row. In the west of Havnor, among hills forested with oak and chestnut, is the town of Glade. A while ago, the rich man of that town was a merchant called Golden. Golden owned the mill that cut the oak boards for the ships they built in Havnor South Port and Havnor Great Port; he owned the biggest chestnut groves; he owned the carts and hired the carters that carried the timber and the chestnuts over the hills to be sold. He did very well from trees, and when his son was born, the mother said, "We could call him Chestnut, or Oak, maybe?" But the father said, "Diamond," diamond being in his estimation the one thing more precious than gold. So little Diamond grew up in the finest house in Glade, a fat, bright-eyed baby, a ruddy, cheerful boy. He had a sweet singing voice, a true ear, and a love of music, so that his mother, Tuly, called him Songsparrow and Skylark, among other loving names, for she never really did like "Diamond." He trilled and carolled about the house; he knew any tune as soon as he heard it, and invented tunes when he heard none. His mother had the wisewoman Tangle teach him The Creation of Ea and The Deed of the Young King, and at Sunreturn when he was eleven years old he sang the Winter Carol for the Lord of the Western Land, who was visiting his domain in the hills above Glade. The Lord and his Lady praised the boy's singing and gave him a tiny gold box with a diamond set in the lid, which seemed a kind and pretty gift to Diamond and his mother. But Golden was a bit impatient with the singing and the trinkets. "There are more important things for you to do, son," he said. "And greater prizes to be earned." Diamond thought his father meant the business -- the loggers, the sawyers, the sawmill, the chestnut groves, the pickers, the carters, the carts -- all that work and talk and planning, complicated, adult matters. He never felt that it had much to do with him, so how was he to have as much to do with it as his father expected? Maybe he'd find out when he grew up. But in fact Golden wasn't thinking only about the business. He had observed something about his son that had made him not exactly set his eyes higher than the business, but glance above it from time to time, and then shut his eyes. At first he had thought Diamond had a knack such as many children had and then lost, a stray spark of magery. When he was a little boy, Golden himself had been able to make his own shadow shine and sparkle. His family had praised him for the trick and made him show it off to visitors; and then when he was seven or eight he had lost the hang of it and never could do it again. When he saw Diamond come down the stairs without touching the stairs, he thought his eyes had deceived him; but a few days later, he saw the child float up the stairs, just a finger gliding along the oaken banister-rail. "Can you do that coming down?" Golden asked, and Diamond said, "Oh, yes, like this," and sailed back down smooth as a cloud on the south wind. "How did you learn to do that?" "I just sort of found out," said the boy, evidently not sure if his father approved. Golden did not praise the boy, not wanting to making him self-conscious or vain about what might be a passing, childish gift, like his sweet treble voice. There was too much fuss already made over that. But a year or so later he saw Diamond out in the back garden with his playmate Rose. The children were squatting on their haunches, heads close together, laughing. Something intense or uncanny about them made him pause at the window on the stairs landing and watch them. A thing between them was leaping up and down, a frog? a toad? a big cricket? He went out into the garden and came up near them, moving so quietly, though he was a big man, that they in their absorption did not hear him. The thing that was hopping up and down on the grass between their bare toes was a rock. When Diamond raised his hand the rock jumped up in the air, and when he shook his hand a little the rock hovered in the air, and when he flipped his fingers downward it fell to earth. "Now you," Diamond said to Rose, and she started to do what he had done, but the rock only twitched a little. "Oh," she whispered, "there's your dad." "That's very clever," Golden said. "Di thought it up," Rose said. Golden did not like the child. She was both outspoken and defensive, both rash and timid. She was a girl, and a year younger than Diamond, and a witch's daughter. He wished his son would play with boys his own age, his own sort, from the respectable families of Glade. Tuly insisted on calling the witch "the wisewoman," but a witch was a witch and her daughter was no fit companion for Diamond. It tickled him a little, though, to see his boy teaching tricks to the witch-child. "What else can you do, Diamond?" he asked. "Play the flute," Diamond said promptly, and took out of his pocket the little fife his mother had given him for his twelfth birthday. He put it to his lips, his fingers danced, and he played a sweet, familiar tune from the western coast, "Where My Love Is Going." "Very nice,' said the father. "But anybody can play the fife, you know." Diamond glanced at Rose. The girl turned her head away, looking down. "I learned it really quickly," Diamond said. Golden grunted, unimpressed. "It can do it by itself," Diamond said, and held out the fife away from his lips. His fingers danced on the stops, and the fife played a short jig. It hit several false notes and squealed on the last high note. "I haven't got it right yet," Diamond said, vexed and embarrassed. "Pretty good, pretty good," his father said. "Keep practicing." And he went on. He was not sure what he ought to have said. He did not want to encourage the boy to spend any more time on music, or with this girl; he spent too much already, and neither of them would help him get anywhere in life. But this gift, this undeniable gift t the rock hovering, the unblown fife -- Well, it would be wrong to make too much of it, but probably it should not be discouraged. In Golden's understanding, money was power, but not the only power. There were two others, one equal, one greater. There was birth. When the Lord of the Western Land came to his domain near Glade, Golden was glad to show him fealty. The Lord was born to govern and to keep the peace, as Golden was born to deal with commerce and wealth, each in his place; and each, noble or common, if he served well and honestly, deserved honor and respect. But there were also lesser lords whom Golden could buy and sell, lend to or let beg, men born noble who deserved neither fealty nor honor. Power of birth and power of money were contingent, and must be earned lest they be lost. But beyond the rich and the lordly were those called the Men of Power: the wizards. Their power, though little exercised, was absolute. In their hands lay the fate of the long-kingless kingdom of the Archipelago. If Diamond had been born to that kind of power, if that was his gift, then all Golden's dreams and plans of training him in the business, and having him help in expanding the carting route to a regular trade with South Port, and buying up the chestnut forests above Reche -- all such plans dwindled into trifles. Might Diamond go (as his mother's uncle had gone) to the School of Wizards on Roke Island? Might he (as that uncle had done) gain glory for his family and dominion over lord and commoner, becoming a Mage in the Court of the Lords Regent in the Great Port of Havnor? Golden all but floated up the stairs himself, borne on such visions. But he said nothing to the boy and nothing to the boy's mother. He was a consciously close-mouthed man, distrustful of visions until they could be made acts; and she, though a dutiful, loving wife and mother and housekeeper, already made too much of Diamond's talents and accomplishments. Also, like all women, she was inclined to babble and gossip, and indiscriminate in her friendships. The girl Rose hung about with Diamond because Tuly encouraged Rose's mother the witch to visit, consulting her every time Diamond had a hangnail, and telling her more than she or anyone ought to know about Golden's household. His business was none of the witch's business. On the other hand, Tangle might be able to tell him if his son in fact showed promise, had a talent for magery...but he flinched away from the thought of asking her, asking a witch's opinion on anything, least of all a judgment on his son. He resolved to wait and watch. Being a patient man with a strong will, he did so for four years, till Diamond was sixteen. A big, well-grown youth, good at games and lessons, he was 'still ruddy-faced and bright-eyed and cheerful. He had taken it hard when his voice changed, the sweet treble going all untuned and hoarse. Golden had hoped that that was the end of his singing, but the boy went on wandering about with itinerant musicians, ballad-singers and such, learning all their trash. That was no life for a merchant's son who was to inherit and manage his father's properties and mills and business, and Golden told him so. "Singing time is over, son," he said. "You must think about being a man." Diamond had been given his truename at the springs of the Amia in the hills above Glade. The wizard Hemlock, who had known his great-uncle the Mage, came up from South Port to name him. And Hemlock was invited to his nameday party the year after, a big party, beer and food for all, and new clothes, a shirt or skirt or shift for every child, which was an old custom in the West of Havnor, and dancing on the village green in the warm autumn evening. Diamond had many friends, all the boys his age in town and all the girls too. The young people danced, and some of them had a bit too much beer, but nobody misbehaved very badly, and it was a merry and memorable night. The next morning Golden told his son again that he must think about being a man. "I have thought some about it," said the boy, in his husky voice. "And?" "Well, I," said Diamond, and stuck. "I'd always counted on your going into the family business," Golden said. His tone was neutral, and Diamond said nothing. "Have you had any ideas of what you want to do?" "Sometimes." "Did you talk at all to Master Hemlock?" Diamond hesitated and said, "No." He looked a question at his father. "I talked to him last night," Golden said. "He said to me that there are certain natural gifts which it's not only difficult but actually wrong, harmful, to suppress." The light had come back into Diamond's dark eyes. "The Master said that such gifts or capacities, untrained, are not only wasted, but may be dangerous. The art must be learned, and practiced, he said." Diamond's face shone. "But, he said, it must be learned and practiced for its own sake." Diamond nodded eagerly. "If it's a real gift, an unusual capacity, that's even more true. A witch with her love potions can't do much harm, but even a village sorcerer, he said, must take care, for if the art is