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“Bampa. Bampa.”

He’s imploring the woman with the two clergymen. Her arms are extended, as if she could reach out and grab him.

I nudge Dreyers and motion with my head toward the woman.

“His aunt. Bampa’s the name he gave her as a kid.” Dreyers shrugs his shoulders as if to say “Don’t blame me.”

Danley’s wearing a pressed blue work shirt, the kind made here by inmates, open at the neck, and prison denim pants. The fact that he’s shoeless says reams about this journey. From the front of his shirt protrudes a small black tube. This is part of the stethoscope which will be connected to a device in the wall. From this a physician will determine the instant of death.

In quick, efficient motions, three of the officers strap him into the metal chair. Two-inch web straps, two around each arm, two around the chest and abdomen, hold him erect and still. The other guard straps his legs tightly to the chair. They are finished in less than a minute. Three of the guards leave. The last hooks up the stethoscope, then gives Danley a quick pat on the knee and says something to him. I can’t hear the words, but I read his lips. “When you hear the gas, breathe deeply.”

Now Danley is terror-stricken, beyond comprehension, his head whipping wildly from side to side. His moan is constant, a low groan from the tiny room, a tortured mantra.

The last guard ducks backward out of the chamber, and the door is closed and sealed from the outside. The cries of agony inside are now muted. He turns his head and looks back at us. “Somebody …” His words trail off and I can’t make out the rest. But this is some form of plea. He’s begging for someone to intervene.

At two minutes past the hour, the condemned is alone in the sealed chamber.

Suddenly his head slumps forward, and I think that perhaps it’s begun. Then he slowly lifts his eyes and I can see that he’s breathing without distress, looking about himself at the windows of the chamber. He casts a glance to his right at the woman he calls Bampa. She’s turned away, grief giving over to resignation. One of the clergymen gives Danley an encouraging nod. In his miasma of fear Danley finds a fleeting instant of sanity, for I think that he returns this kindness with a slight motion of his head and the flickering of heavy lids over haunted eyes, almost imperceptible. His lips are parched, his tongue constantly at them, trying to impart what little moisture he can summon in these, his final seconds of life.

Now there are noises from beyond the blinds at the other side of the chamber, and Danley’s head darts to look. Fluid is running into the vats under the chair.

“No, no, no.” Like he’s stuttering. His voice rises an octave. “Not yet.” He braces himself as if he’s about to be propelled along with the chair into space.

The roar of a loud fan drowns out the last sounds from within the chamber. Powerful, like the rumbling of a ship’s engine, it rattles the metal floor of the chamber, vibrates through the concrete beneath our feet as it gains speed. Somewhere from the other side, a guard closes the air vent under the chamber. Danley turns his head toward us. His eyes are filled with terror-bulging. It is as if no one has told him what to expect. The fan has created a two-pound vacuum inside the chamber. It’s beginning to suck the air from his lungs, creating a void to be filled by new and unexpected horror. We hear nothing but the drone of the fan. Suddenly the twin arms holding their deadly cargo under the chairs drop. The two balls of cyanide disappear. Bubbling caldrons produce invisible gas that displaces the air sucked by the vacuum.

It takes a second, maybe two. Danley’s chest is racked by violent spasms, writhing convulsions. These produce a series of massive dry heaves. His head is thrown back and then forward in a futile effort to escape the unseen vapors that wash up from beneath the chair.

Then his motions slow, as if a sudden calm has come over him. He turns his head slightly in our direction. I can see his eyes. They are white blanks. His pupils have rolled up behind the lids under his forehead like the wheels on a slot machine.

Now there are only pained puffs of breath from his mouth, like dry coughs, a series of these. They are autonomic, I think, for I do not believe that with the dose of gas, he can in any way be termed conscious. His fingers are rigid, like white steel. They form intractable claws on the metal arms of the chair. It’s approaching a minute by my watch when his head finally slumps forward, motionless, long locks of straight black hair hanging in disarray about his face. At a minute and fifteen seconds mere is one final effort to roll his head to the side, unknowing, a muscle spasm, I’m certain. The form in the chamber is now utterly still, chin centered on his chest, from which there is no rise of respiration. I was prepared for the cherry red of carbon monoxide or the cyanotic blue of a coronary. Instead his skin has the pallor of ashen gray. This is fused in my mind, a visual corollary to the taste of bitter almond, the manifestation of cyanide.

Several seconds pass in stillness. A viscous fluid runs through the constellation of holes in the metal seat of the chair. This last coming from Danley. Some of this mixes with the deadly broth in the vat. I avert my eyes, having seen all that duty requires me to see. I can, with certainty, attest to the death of this man. I can fix my signature to the return of the death warrant as required by law.

It’s been called a ‘formalized minuet-a ritual of death’ by one writer who’s observed what I have now seen. There is, in this cold, clinical exercise of the state, a calculated revulsion that, to be sure, breeds at least a spark of pity in any rational soul. It is, I think, a severe irony that I should feel this, as I consider what the future might have held for Sally Ryan and Linda Maldinado.

CHAPTER 2

The call came in the early afternoon. Ben Potter asked me to meet him at Wong’s this evening. It was the first time we had spoken in nearly a year, since the day I left the firm. There’s something that he wants to discuss, but won’t talk about it on the phone. I haven’t slept in two nights, since the Danley execution. At the prison, a shrink warned us of this. Now Ben wants to talk. While I dread this, I am unable to find a way to say no.

Harry’s craning his neck like some four-year-old, gawking up at the cavernous ceiling while he turns in a slow spiral approaching the maitre d’ station. Wong’s is definitely a cut above his usual nightiy haunts. Harry Hinds has come with me this evening for a little moral support. He has become my shadow of late. The aging voice of wisdom, Harry is a generation older than I, another lawyer eternally on the make for a good case. To Harry a good case is any fee-paying client. He has the little office down the hall from my own. In recent months, it seems, Harry Hinds and I have become soulmates. To look at Harry and his career, where he has been and where he is going, this does not bode well for me.

“Mr. Madriani, it’s good to see you again.” Jay Wong’s voice carries, even in the din from the crowded bar.

He nods politely, hesitates for a moment, then reaches around me for Harry. He taps him lightly on the shoulder and Harry turns.

“Sir, there’s no smoking in the restaurant.” Wong points to a neatly stenciled sign on the rostrum where reservations are taken. “City ordinance,” he says.

Harry’s dangling a half-spent cigarette from his lips. A thin dusting of ash covers the lapels of his dark blue suit coat.

“Oh, sure.” He takes the butt from his lips and for an instant looks absently down at the deep pile carpet. Wong produces an ashtray before he can act, and Harry dutifully crushes the thing in the dish as it disappears behind the rostrum.

Wong turns to me again.

“We haven’t seen you for some time,” he says.

“A few months.” I lie. I’ve not been in the place since leaving P amp;S. I’d been a regular at Wong’s for lunch at least twice a week for the three years I was with the firm-authorized to sign the Potter, Skarpellos tab when entertaining clients. I can believe that Jay Wong has missed me.