One o’clock. Waiting for the call. Jonas with him, Judge Wagner with him. Poor Martha upstairs; the doctor had given her sedatives.
The cigar box, wrapped in white paper, sealed, on the table.
And now came this call from the newspaper, saying that Paulie was dead. How could it be possible that the boy was dead when the letter said he was safe and unharmed?
Judge Wagner took the phone. He pleaded, “Please co-operate. Do not call…”
But the newspaperman insisted there was good reason to believe the dead boy was Paulie. It seemed to be a Jewish boy.
Then the Judge said, “I see.” He took the address of the mortuary.
At that moment, Judd was sitting on a bench in the waiting-room of the grimy old I.C. station. A bareheaded college boy, alert-looking, with intense dark eyes, he kept one hand in his jacket pocket, on the final instruction envelope. He had just printed on it the words MR. CHARLES KESSLER, PERSONAL. Now he kept his eyes on Artie, who was at the ticket window. Artie would come toward him in a moment for the letter. And then Artie would board the Michigan City train, staying only long enough to deposit the letter in the telegraph-blank box in the last car. Then Artie would get off the train. They would phone Kessler, giving him only the address of the drugstore near the 63rd Street station. Kessler would have precisely enough time to get to the store and receive their second call, instructing him to board this train as it arrived at 63rd Street and to look in the telegraph-blank box in the last car.
The man would just have time to rush aboard, find the letter, and read its instructions to go out to the rear platform and watch for the large building on the right-hand side, with CHAMPION MANUFACTURING printed on the wall. When the train came alongside that building, near 75th Street, the father was to toss the ransom package, as hard as he could, toward the factory. By then, Judd and Artie would be waiting in the Willys near where the package must fall.
Having the package thrown from the moving train had been Artie’s contribution. He had come running over with the idea, all excited, one night about a month ago. “I’ve got it! I’ve got it!” The perfect end to the relays. And the beauty of it, Artie had explained, was that even if the victim’s father tipped off the cops, the two of them could be watching at 63rd Street to make sure no one but the father got on the train. And even if the cops knew what train it was, how could they, in that last moment, watch the entire length of the tracks all the way to Michigan City? The cops couldn’t drive alongside, either; there was no road directly alongside! Foolproof!
All evening they had examined the plan. Great – the work of a mastermind, a superman! Judd had congratulated his friend while suppressing, in himself, the little question, Hadn’t Artie got the idea out of one of his detective magazines?
Then, once this main part of the problem was solved, the foolproof system found, Artie had become impatient to set the day. “Let’s do it. Let’s do it.” But Judd had said that it had to be done perfectly; they had to pick the right train; they had to make a test run.
Together they had come down to this station and chosen an afternoon train, so that there would not be too many passengers, and they had chosen a short-line train, going only to Michigan City, so no one would be likely to use the telegraph-blank box. And they had tested the train, sitting together – Artie by the window and he pressing against Artie – to get a good look, to select a spot for the “delivery”. There were mostly women on the train, biddies on their way back to Gary or Michigan City after their downtown shopping. On that ordinary train, among the dull little women on their everyday errands, he and Artie had been picking the spot where a ransom should be tossed to them!
Or now, sitting here in the railway station, watching Artie, with his easy smile, stooping to the ticket window, and knowing why. And only the two of them knowing You could go through life carrying always your extraordinary deeds between you, sealed off from all the little people, and sealed together by your doing and your knowing!
And sitting with his eyes on Artie, Judd must have told himself that he felt no different than on all their previous trips to this station. Just as during the months of planning it had seemed as if the thing would never happen, so it seemed now as though it had not happened. The thought habit of those months was stronger than the occurrence of a single day. All yesterday was a void, an intrusion, for yesterday had been a part of the deed that they could not have rehearsed. And today was like a going back to before the thing was done, like another rehearsal.
The rehearsal with the dummy package, to see where it would land when thrown from the moving train… A few weeks ago, together on the train, watching the package land in an alley near that factory… And Artie crying happily, “Let’s do it, Jocko! Monday!” And he had told Artie, Wait. What about picking up the package? How could they be sure the alley would be clear?
“Christ, people are always throwing crap out of trains.”
Still, Artie had agreed to another delay, for another test. They would separate, one on the train, the other on the ground. How heavy would ten thousand dollars be? A whole evening they had spent, laughing conspiratorially as they prepared an exact dummy package. Judd had calculated the weight in ones, fives, tens, twenties, calculated the best combination to fill a cigar box, for a box would sail good and solid. He had taken one of the old man’s perfecto boxes, and a magazine of the right weight to stuff inside. That awful Literary Digest. The next day, Artie had taken the package and boarded the train.
Judd had posted himself in the alley, behind the factory with the windowless back wall. To test everything precisely, he had left his car only two hundred feet away with the motor running. And there came the moment when he saw the train, and Artie emerging to him on the rear platform, Artie first throwing away a cigarette, and then tossing the box. It rolled down the embankment almost to his feet. In a few minutes he was in the car, and at the next station meeting Artie. Still, he had temporized, “Maybe it’s not the best place. Someone could have seen me from the street.”
And Artie had stormed, “It’s nearly summer, you sonofabitch. We’ll never do it if you keep on crapping around!”
Judd wondered, now. Had he really meant that it should never happen? That one thing or another should delay them until the day he would be going away on his trip to Europe? And Judd was a little ashamed of his own past hesitations. For everything was working fine. Here now was Artie coming from the ticket window, wearing the easy smile whose meaning was known only to the two of them. As always, Judd felt illuminated by Artie’s smile. The real collegiate carelessness about Artie, the jauntiness of him in that jacket with the half-belt in back, the quality of ease that Judd himself could never acquire.
Artie scooted past him as if they didn’t know each other. (Railway stations are full of detectives; best not be too conspicuous.) Judd arose, walked over to the magazine stand, and brushed against Artie, feeling as always the contact pulse through his entire body. But in that moment he had slipped Artie the letter, and now he watched Artie going through the wicket, having his ticket punched.
Judd sat down again. Now the machinery was in motion. The minute Artie, having planted the letter, slipped off the train, they would phone Kessler. Michigan 2505. Judd couldn’t quite picture the man. A skinny twerp, Artie had said. Until yesterday he had been Mr. A, for Adversary. Now he had a name. That too had been wonderful, sitting and drinking the old man’s liquor while playing over names of possible victims. Anyone you had a hate on for a day, you could put down as the victim.
Evening after evening, playing the game, picking out victims discussing the size, the maximum weight of a victim practical to handle… Nobody too large – a struggle would be abhorrent. And then the long arguments – almost fights – he had had with Artie, trying to convince him that it should be a girl. The image of it swept back on Judd: making it a girl, and raping the girl, would have been part of it. From the beginning he had seen it that way, the image of the rape always sweeping through him like a dizziness.