She answered at once, with a frown: 'But I want you to write it. I want you to become a writer.'
'Why?'
'Because you're a writer already,' she said rather confusedly and almost with irritation.' I feel that you've got a great deal to say. . Besides, you ought to work, like everyone else. You can't just lead an idle life and be content merely with making love to me. You've got to become somebody.' She stumbled over her words, and it was clear that she did not know how to express that stubborn desire of hers to see me do what she wanted me to do.
'There's no need for me to become a writer,' I answered, though this time I felt I was telling anyhow a partial lie; 'I can perfectly well not do anything… or rather, I can go on doing what I've done hitherto — read, appreciate, understand, admire the works of others. . and love you. Or again, so as not to be idle, as you say, I could perhaps take up some other profession, some other occupation. . '
'No, no, no,' she said hastily, shaking not only her head but her body too, as though she wanted to express this refusal with her whole self, 'you've got to write — you've got to become a writer.'
After these words we remained silent for a moment. Then she said: 'If what you say is true. . then we must change everything.'
'What d'you mean?'
'We mustn't make love any more until you've finished your story. . Then, when you've finished, we'll begin again.'
I must confess that I was immediately tempted to accept this strange and slightly ridiculous proposal. My obsession was still strong and it made me forget how much selfishness, and therefore falseness, had been at the root of it. But I repressed this first impulse and, embracing her, said: 'You love me and this proposal of yours is the greatest proof of your love that you could give me. . But the fact that you've made it is enough for me. Let's go on loving each other and not think about anything else.'
'No, no,' she said imperiously, pushing me away, 'that's what we must do — now that you've told me.'
'Are you offended?'
'Really, Silvio, why should I be offended? I truly want you to write that story, that's all. . Don't be silly.' And as she said this, as if to underline the affectionate quality of her insistence, she put her arms round me.
We went on like this for a little, I defending myself and she insisting, imperious, inflexible. Finally I said: 'All right, I'll try. . it may be that all this isn't true and that I'm simply a person without any literary talent.'
'That isn't true, Silvio, and you know it.'
'All right then,' I concluded with an effort, 'as you like. . But remember it was you who wished it.'
'Of course.'
We were silent again for some little time, then I made a movement as if to take her in my arms. But she at once pushed me away: 'No,' she said, 'from this evening onwards we must stop doing that.' She laughed and, as if to soften the bitterness of her refusal, took my face between her long, slim hands — delicately, as one takes hold of a precious vase — and said: 'Now you'll see you'll write all sorts of fine things — I'm sure of it.' She looked closely at me, and then added in a strange way: 'D'you love me?'
'You don't need to ask me that,' I said, deeply moved.
'Well, you shall have me again only when you've read me the story. . Remember that.'
'And supposing I'm not able to write it?'
'You've got to be able.'
She was imperious; and this imperiousness of hers, ingenuous, inexperienced, but at the same time inflexible, was strangely pleasing to me. I thought again of the knight in the legend whose lady, in exchange for her love, demands that he shall kill the dragon and bring back the fleece; but this time I thought of him without anger, almost with admiration. She knew nothing of poetry, just as the lady probably knew nothing of the fleece and the dragon; but just because of this her command pleased me. It was as though it were a confirmation of the miraculous, heaven-sent character of all creative work. All at once there came to me a sudden exaltation mingled with confidence and hope and gratitude. I put my face close to hers, kissed her tenderly and whispered: 'For love of you, I will become a writer. . not on my own merit, but for love of you.' She said nothing. I got down from the bed and slipped out of the room.
After that I took up my work again with renewed courage; and I soon realized that my calculations had not been wrong and that, somehow or other, even if there was not that connexion between love and work that I had tried to perceive, the obsession of impotence that had oppressed me hitherto could never have been dispelled except in the way I had chosen. Every morning I felt myself stronger, more aggressive, as I faced my paper, more — at least, so it seemed to me — creative. And so, after love, the greatest aspiration of my life was fulfilled: poetry, too, smiled upon me. Every morning I wrote from ten to twelve pages, my pen flowing rapidly and impetuously but in no disorderly or uncontrolled fashion; and then, for the rest of the day, I was left dazed, stunned, half alive, with the feeling that, outside my work, nothing now mattered in my life, not even my love for my wife. All that remained after those ardent morning hours was the residue, the ashes and cinders of a glorious blaze; and until the new blaze was kindled, next morning, I was left strangely inert and detached, filled with an almost morbid sense of well-being, indifferent to everything. I saw that, if this rhythm continued, I should soon have finished my work, perhaps even earlier than I had foreseen; and I felt that I must exert myself in every possible way to gather in the last grain of this bountiful and unexpected harvest: nothing else, for the moment, mattered. To say that I was happy would be saying too little, and at the same time too much: I was, for the first time in my life, outside myself, in an independent, perfect world all made up of harmony and certainty. This state made me selfish; and I suppose that, if my wife had fallen ill at that moment, I should have felt no other anxiety but that of a possible interruption of my work. Not that I did not love my wife; as I have said, I loved her more than ever: but she was, as it were, relegated to a detached, remote region, together with all the other things that had nothing to do with my work. I was, in fact, convinced, for the first time in my life, not merely that I had found self-expression — a thing that I had attempted a thousand times without success-but also that my self-expression was taking a perfect and complete form. In other words, I had the precise sensation, founded, it seemed to me, on my experience as a man of letters, that I was writing a masterpiece.
6
AFTER working all the morning, I spent the afternoon in the usual way, being careful only to avoid sudden emotions and shocks and distractions; though in appearance far removed from literature, I was in reality, in the dark depths of my mind, gloating with affectionate delight over what I had written during the morning and what I intended to write next day. Later, at bed-time, I said good night to my wife on the landing between the doors of our two rooms, and went straight to bed. I slept with a feeling of confidence I had never known, conscious, as it were, that I was accumulating the fresh energies that I would expend upon my work next morning. On awaking I felt ready and well-disposed, light and vigorous, my head filled with ideas which had sprung up there during sleep like grass in a meadow during a night of rain. I sat down at my desk, hesitated only one minute, and then my pen, as if moved by an independent will, would start running over the sheets of paper, from one word to another, from one line to the next, as though between my mind and the ceaselessly unfolding arabesque of ink upon paper, there were neither interruptions of continuity nor any difference in material. I had inside my head a large and inexhaustible reel of thread and, by my act of writing, all I did was to pull and unwind this thread, arranging it on the sheets of paper in the elegant black patterns of handwriting; and in this reel of thread there were no knots or gaps; and it went round and round in my head as I unwound it; and I had the feeling that, the more I unwound it, the more there was to unwind. As I have already said, I would write from ten to twelve pages, urging myself to the point of physical exhaustion, fearful above all that this flood of activity might, for some mysterious reason, suddenly decrease or even dry up altogether. At last, when I could do no more, I would rise from my desk with tottering legs and a feeling of giddiness in my head, walk over to a mirror and look at myself. There in the mirror I could see, not one but two, or even three, images of myself slowly doubling and redoubling as they mingled and criss-crossed each other. A long and careful toilet would put me right again, although, as I have said, I remained dazed and stunned all the rest of the day.