General Systems Vehicles were like encapsulated worlds. They were more than just very big spaceships; they were habitats, universities, factories, museums, dockyards, libraries, even mobile exhibition centres. They represented the Culture — they were the Culture. Almost anything that could be done anywhere in the Culture could be done on a GSV. They could make anything the Culture was capable of making, contained all the knowledge the Culture had ever accumulated, carried or could construct specialised equipment of every imaginable type for every conceivable eventuality, and continually manufactured smaller ships: General Contact Units usually, warcraft now. Their complements were measured in millions at least. They crewed their offspring ships out of the gradual increase in their own population. Self-contained, self-sufficient, productive and, in peacetime at least, continually exchanging information, they were the Culture’s ambassadors, its most visible citizens and its technological and intellectual big guns. There was no need to travel from the galactic backwoods to some distant Culture home-planet to be amazed and impressed by the stunning scale and awesome power of the Culture; a GSV could bring the whole lot right up to your front door…
Horza followed the brightly dressed crowds through the bustling reception area. There were a few people in uniform, but they weren’t stopping anybody. Horza felt in a daze, as though he was only a passenger in his own body, and the drunken puppeteer he had felt in the control of earlier was now sobered up a little and guiding him through the crowds of people towards the doors of another elevator. He tried to clear his head by shaking it, but it hurt when he did that. His hearing was coming back very slowly.
He looked at his hands, then sloughed the imprinter-skin from his palms, rubbing it on each of the lapels of the daysuit until it rolled off and fell to the floor of the corridor.
When they got off the second elevator they were in the starship. The people dispersed through broad, pastel-shaded corridors with high ceilings. Horza looked one way then another, as the elevator capsule swished back up towards the reception sphere. A small drone floated towards him. It was the size and shape of a standard suit backpack, and Horza eyed it warily, uncertain whether it was a Culture device or not.
“Excuse me, are you all right?” the machine said. Its voice was robust but not unfriendly. Horza could just hear it.
“I’m lost,” Horza said, too loudly. “Lost,” he repeated, more quietly, so that he could hardly hear himself. He was aware that he was swaying a little as he stood there, and he could feel water trickling into his boots and dripping off the sodden cloak onto the soft, absorbent surface under his feet.
“Where do you want to go?” the drone asked.
“To a ship called…” Horza closed his eyes in weary desperation. He didn’t dare give the real name. “…The Beggar’s Bluff.”
The drone was silent for a second, then said, “I’m afraid there is no such craft aboard. Perhaps it is in the port area by itself, not on the Ends.”
“It’s an old Hronish assault ship,” Horza said tiredly, looking for somewhere to sit down. He spotted some seats set into the wall a few metres away and made his way over there. The drone followed him, lowering itself as he sat so that it was still at his eye level. “About a hundred metres long,” the Changer went on, no longer caring if he was giving some sort of game away. “It was being repaired by some port shipbuilders; had some damage to its warping units.”
“Ah. I think I have the one you want. It’s more or less straight down from here. I have no record of its name, but it sounds like the one you want. Can you manage to get there yourself, or shall I take you?”
“I don’t know if I can manage,” Horza said truthfully.
“Wait a moment.” The drone stayed floating silently in front of Horza for a moment or two; then it said, “Follow me, then. There is a traveltube just over here and down a deck.” The machine backed off and indicated the direction they should head in by extending a hazy field from its casing. Horza got up and followed it.
They went down a small open AG lift shaft, then crossed a large open area where some of the wheeled and skirted vehicles used on the Orbital had been stored; just a few examples, the drone explained, for posterity. The Ends already had a Megaship aboard, stored in one of its two General bays, thirteen kilometres below, in the bottom of the craft. Horza didn’t know whether to believe the drone or not.
On the far side of the hangar they came to another corridor, and there they entered a cylinder, about three metres in diameter and six long, which rolled its door closed, flicked to one side and was instantly sucked into a dark tunnel. Soft lights lit the interior. The drone explained that the windows were blanked out because, unless you were used to it, a capsule’s journey through a GSV could be unsettling, due both to its speed and to the suddenness of the changes of direction, which the eye saw but the body didn’t feel. Horza sat down heavily in one of the folding seats in the middle of the capsule, but only for a few seconds.
“Here we are. Smallbay 27492, in case you need it again. Innerlevel S-10-right. Goodbye.” The capsule door rolled down. Horza nodded to the drone and stepped out into a corridor with straight, transparent walls. The capsule door closed, and the machine vanished. He had a brief impression of it flickering past him, but it happened so fast he could have been wrong. Anyway, his vision was still blurred.
He looked to his right. Through the walls of the corridor he looked into clear air. Kilometres of it. There was some sort of roof high above, with just a suggestion of wispy clouds. A few tiny craft moved. Level with him, far enough away for the view to be both hazy and vast, were hangars: level after level after level of them. Bays, docks, hangars — call them what you wanted; they filled Horza’s sight for square kilometres, making him dizzy with the sheer scale of it all. His brain did a sort of double take, and he blinked and shook himself, but the view did not go away. Craft moved, lights went on or off, a layer of cloud far below made the view further down still more hazy, and something whizzed by the corridor Horza stood in: a ship, fully three hundred metres long. The ship passed along the level he was on, swooped, and far far away did a left turn, banking gracefully in the air to disappear into another bright and vast corridor which seemed to pass by at right angles to the one Horza stood staring at. In the other direction, the one that the ship had appeared from, was a wall, seemingly blank. Horza looked closer and rubbed his eyes; he saw that the wall had an orderly speckle of lights in a grid across it: thousands and thousands of windows and lights and balconies. Smaller craft flitted about its face, and the dots of traveltube capsules flashed across and up and down.
Horza couldn’t take much more. He looked to his left and saw a smooth ramp leading down underneath the tube the capsule travelled in. He stumbled down it, into the welcomingly small space of a two hundred metre long Smallbay.
Horza wanted to cry. The old ship sat on three short legs, square in the centre of the bay, a few bits and pieces of equipment scattered around it. There was nobody else in the bay that Horza could see, just machinery. The CAT looked old and battered, but intact and whole. It appeared that repairs were either finished or not yet started. The main hold lift was down, resting on the smooth white deck of the bay. Horza went over to it and saw a light ladder leading up into the brightness of the hold itself. A small insect landed briefly on his wrist. He flapped a hand at it as it flew off. How very untidy of the Culture, he thought absently, to allow an insect on board one of their sparkling vessels. Still, officially at least, the Ends was no longer the Culture’s. Wearily he climbed the ladder, hampered by the damp cloak and accompanied by the squelching noises coming from his boots.