Perhaps I’m like him now, he thought, picturing the man who had been his father. And yet Reaper was a monster, acting only upon his own selfish needs. Killing was a pleasure to him, and Jack had witnessed him delighting in it more than once.
Jack was different. He was trying his very best to save London, and everyone left alive in that once-great place.
He had to insist upon that—he was different.
The deaths weighing heavily, he led his friends deeper into the doomed city.
Lucy-Anne knows that she is dreaming. But this time she is a passive observer, and whatever strange power drives her dreams is cruel. It keeps her prisoner, frozen into immobility, eyes open, able only to watch as Rook falls again and again, trying to grab her and scratching three trails across the back of her hand with his nails. They will scar, if she lives long enough. Even without these nightmares, she will have a reminder.
She struggles to cry out a warning to him. But each time she does so it’s too late, and he is already down in the pit. She hears his screams of terror and then agony again and again. The dreams give her that. I’m sorry, she thinks, but by then Rook is already falling once more.
She tries to wake, but in this dream she cannot pinch herself. Perhaps this is hell, she thinks. Rook falls again.
Pain cuts in across the back of her hand, a cruel heat. Lucy-Anne gasps, and then—
—the gasp came again, echoing back at her from the small room where she had taken refuge. It was a lonely sound, yet it made her feel safe. She was alone here, as she had been when she’d crawled this way, blood dribbling from the wound on her scalp, emptiness around her where Rook and his birds should have been. The scrapes across the back of her hand were already rough with dried blood.
Awake in the darkness, Lucy-Anne felt the warm comfort of fresh tears. She’d believed that she had saved Rook, dreaming away his fall into the pit and death at the jaws of the worm-thing. But fate had found him at last. Perhaps that was simply how it worked.
She sat with her back against the damp wall and looked around the dark room. Furniture hunkered, shadows frozen. Pictures on the walls reflected weak moonlight filtering through the net curtains. Close to the edge of Hampstead Heath, the house smelled like time stood still. She felt the same way, floating in that strange time between sleep and wakefulness when dreams still intruded, and reality was reforming around her. The more of the real world that flooded in, the more wretched she felt, because it was not only Rook who was dead.
“Andrew, my sweet brother,” she whispered, and then she heard a sound. She froze, holding her breath and her tears, head tilted. She started breathing out slowly, aiding her hearing, and then it came again—something in the next room, brushing against a wall. She stood, pain pounding through her skull. If she had to run, the front door was out in the hallway opposite the room where the sound originated. She could turn the other way, maybe, run towards the rear of the house, but she had not checked back there when she’d crawled in. She’d barely looked anywhere.
She stood as motionless and silent as could be, and something dropped into the doorway.
A rook. She knew it instantly, because she had been so close to them over the past couple of days. Her fear evaporated. She held her breath and her heart hammered as she listened for footsteps behind the bird. He’ll saunter in now and smile at me, shrug when I ask what happened, and I’ll dream us together forever.
But there were no footsteps. And after looking at her for a few seconds the rook skipped out of sight. She darted after it, reaching the corridor just in time to see it hop into the other room, and reaching the doorway to that room in time to see it take flight through a broken window pane. By the time she stood at the window the bird was gone. The darkness had swallowed it, just as it had the creature’s master.
Awake now, welcoming the pain from her bruised scalp and scratched hand, Lucy-Anne looked north towards the shadowy landscape of Hampstead Heath.
I’m told that there is a bomb, Nomad had told her and Rook. A nuclear bomb. She’d looked directly at Lucy-Anne as she spoke, because both of them had known that anyway. They had seen it in their dreams. The people of the north—the ones you see as monsters—they know also. They have sensed it. And they’re not as monstrous as they seem. Lucy-Anne had been unable to talk, taken as she was with the memory of those terrible dreams—conflagration, destruction, the cloud that London would become. But Rook had asked her more. I don’t know where or when, had been Nomad’s response, and Rook had grown angry, even though he feared her. With one more glance at Lucy-Anne, the mysterious woman had left.
“All of this, gone,” Lucy-Anne whispered. She expected no reply from the city, but in the distance a long, lonely cry rose up, part animal, part human. She had no wish to know what might make such a sound.
She closed her eyes and took a deep breath, shrugging off dreams and memories and those crippling visions that seemed to pin her to unreality. This was real. She was here, alone, with a message to tell, and with friends to find again. She’d abandoned Jack, Jenna and Sparky, and Jack’s sweet sister Emily, when she had first discovered the truth about her dead parents. Plenty had changed since then—in her, and around her—but she found some shred of comfort in the realisation that some things never change.
Friendship, for instance.
She had been running south for her friends when she’d tripped and banged her head. Now, she took a few moments to root through the house she had sheltered in, searching for useful things. She found a leather jacket that had seen better days, two tins of food in the kitchen that might still be edible, and a carving knife that she slipped into her belt.
Out in the street she turned south and started to jog, and doing something positive made her feel safer.
Behind her, a shape parted from shadows and followed.
In the cool night, Nomad sat in the shattered thirteenth floor window of an office block, looking out across a city that should never be dark. Starlight silvered the buildings and roads, the tree canopies of parks, and the uneven contours of car parks filled with vehicles that would never move again. Night neutralised colour, and hers was a grey London tonight. Out there she could still sense her boy Jack, struggling with the changes she had planted within him whilst attempting to save his family. She could sense Lucy-Anne, that girl who had been special even before Doomsday. And she wanted to protect them both.
That was why she was here. High, quiet, apart from the violence that sometimes ruled the streets down below, she breathed in the scents of her city. The pain still nestled in her chest, and she knew what that meant. Many across London suffered the same sickness. But pain was fleeting and temporary. Even though she bled from her nose when she reached outward, and her head throbbed blindingly when she listened, she could not let it matter.
Beyond the pain she heard time itself.
It grumbled in the settling of a thousand old brick foundations, and many more newer beds of concrete. It whispered in the imperceptible flow of old glass, gravity urging it slowly, so slowly down. It sang in the straining growth of countless trees, shrubs, flowers and grasses, and murmured stiffly in other plants’ demise. Time’s flow swept the city forward and drove the clogged Thames, corroding, worrying at bridge supports and the concrete banks built up to stop the flooding that would inevitably occur one day. Every breath was a moment further away from time’s beginning, and every footfall was one step closer to the end. She flowed with it for a while, enjoying being in tune with not only nature itself, but the inscrutable time that moved it ever-onward. The pains became dulled with time’s promise that pain would always end. Then she focussed, listening and sensing for those ways in which humanity made itself aware.