“A damn mess in here.” Instead of lifting the floor vase back up, he stepped over it and crossed immediately to the bar, also dark mahogany. I had been expecting that he’d surrounded himself with Arne Jacobsen furniture and contemporary design, that cool, consistent Scandinavian style, but the rooms mostly resembled some English manor; all they lacked was a pair of cocker spaniels and a portrait of the family patriarch, the old major, above the mantel. Maybe that’s what living in conservative Frederiksberg does to you. Back then he was a real left-winger.
“Whiskey? Cognac? Or…?”
“Just whiskey, straight, thanks.”
He pushed a thick little glass over to me, flung his arms out, irritated.
“Stupid bitch. Well, it’s over now.” Oddly enough, he looked thoroughly happy at the thought. “Are you married, uh…?”
I hesitated, it was as if he’d been about to say something more. My name, maybe.
“I have a girlfriend.” Yes, I did. The problem was that she’d just gotten a job in Greenland as a social worker. They were badly needed up there. But I needed her too.
“I’m finished with women.” Rützou finally righted the floor vase, and with a simple, delicate operation arranged the dried flowers or whatever they were, took a pillow that for reasons unknown had ended up on a windowsill, and tossed it over on one of the large, plush sofas. I sipped my whiskey, stood over in the window bay, glanced down at the boulevard, the leafless trees. A single car lurched off, moments later a taxi shot by.
“This is a nice place here,” I said, not even trying to hide my sarcasm, “with the theaters and the cafés and the park up the street. Quiet. The perfect place for the perfect solitary life.”
“You think? Well.”
“And it’s only a ten-minute walk to Vesterbro. If a person needs drugs or sex.”
He laughed shortly. Drank. “Are you insinuating that I’m the type who beats off in a booth at the Hawaii Bio?”
“They have booths in there?”
“I wouldn’t know.”
“Really? Because we were in there together once, Erik.” Short pause, the famous theatrical pause. “After filming a scene.”
Boozily, half-focused, he stared at me.
I swore silently. The words had just jumped out of my mouth. I hadn’t meant to reveal myself, but the situation had gripped me, it was almost like standing on stage again, or in front of the whirring cameras. With a firm grip on the role. But the feeling was short-lived and empty. I drank greedily, as if I could somehow swallow the words back again.
“We were? Sorry, but I know a million people. And vice versa,” he added, not without a certain satisfaction.
I seethed.
“After filming, you say? Are you a soundman or something? Give me a hint…”
“Forget it,” I mumble.
“Okay, let’s forget it. Such are the times, and the people. Forgetful, and I must pee.” He stood up, brushed back his dark mane, more from old habit, I thought, sent me one of his impish smiles, and then I heard his steps dwindling down an apparently endless hallway.
I don’t know. I could have taken off. He was gone a long time. I could have grabbed his Bodil and smashed everything in sight and continued through the double doors into the dining room, I could… Instead I finished off the whiskey and poured another. I spotted a pack of Marlboros on the coffee table, mine were all gone, I fished one out, stuck the pack in my inside pocket; when I thought about how many he had bummed from me in his time, he’d survive…
Finally I heard the thin sound of a toilet flushing far away, a door slamming open, steps approaching. More steps.
I stuck my head out in the long hallway.
“Did you see where I put that idiotic Bodil?” he blustered, from somewhere. The kitchen, I thought.
“Out in the entryway. The hallway.”
“That’s right.”
He tottered out from a doorway, floundered past me, came back.
I sat down in the living room in a wing-back chair, sniffed the whiskey, drank. Could already make out the bottom.
“It could be I do remember you. Faintly. Søren, isn’t it? I remember being out on a drinking binge with a soundman once after a shoot. Think we ended up at a hooker bar in Vesterbro. Was that you?”
“Yeah, let’s say that.”
“And now you drive a cab?”
“You got it.”
“Do you recall us fucking any women that night, Søren?”
“Till they couldn’t walk.”
“Which is how it should be. Let’s drink to that.”
“But… now you’re finished with women?”
Rützou hesitated a moment, then smiled modestly. “Absolutely finished, you can never be; they’re standing in line. But this woman here,” he cast one of his knowing glances around the room, “I am thoroughly finished with.”
“Yeah,” I said, “luckily new women keep showing up, new roles. I mean, for someone like you…”
He coughed. “Sorry?”
I repeated what I had said, word for word. As if I were learning it again. Acting. For it may have been half an eternity since we had seen each other, since we, well, had acted together. Together from morning to night at rehearsals. Hit the town together, bent some arms, chased women. All of that. But if he really couldn’t remember me, he’d have had to be suffering from advanced Alzheimer’s. And despite everything, that didn’t appear to be the case. But something was wrong. He seemed to be a shadow of himself. We actually resembled each other. Again.
“Pouring in,” came the delayed response, as if he didn’t really care to tune into the conversation’s wavelength.
“But maybe it’s dangerous when a guy thinks he can walk on water,” I said softly.
“What do you mean by that, Søren?”
“Cut the Søren shit. I nearly fell for it, but… how stupid do you think I am?”
“I wouldn’t know. But you look like a half-brained overweight cab driver, I can see that much.”
“And you look like a sick cream puff. But I’m disappointed in you, Erik. Overplaying this way. Even if I’ve put on a few pounds since back then.”
“What could he be babbling about?” he emoted, speaking to the stucco rosette on the ceiling, hamming it up. Then breaking out in a horse laugh, bending over, slapping his knee. “Of course, Klaus, damnit. It’s you. Now I remember you! But I thought you were dead and gone…”
“You recognized me the first second. And you still didn’t say a thing…”
“Let’s say that, then.”
“Yeah, let’s.”
“Listen, my friend. That girl who biked right in front of you. I just wanted to get home. I couldn’t get a cab, I didn’t want to go into town with the others. Tap on the window, see a middle-aged fat guy who looks familiar. What’s his name? I’m thinking. But I meet people all the goddamn time. I’m sorry, Klaus, but you’ve been out of the picture for fucking twenty years!”
“Fifteen,” I replied childishly. “And now I’m the one who has to piss.”
Along the way I took the opportunity to explore the apartment, the rooms. The bedroom was no exception to the strange sense of disintegration that filled the apartment: clothes were scattered all over, shirts, suit jackets, wardrobe doors stood wide open revealing rows of suits, the big double bed was unmade. A large ceiling fan whirled around for no reason, weekly magazines and pages of dialogue lay on the floor. The office was a cave of relics from a long, successful life. A big framed film poster from one of his most famous roles, a few small paintings from a wild, well-known Danish artist, and high shelves, completely filled up. But the shelves held more than books: photo albums, piles of gossip mags, scrapbooks, a pith helmet, bits of kinky eroticism, including an enormous phallus. In one corner, a southern French village of wine in unopened gift boxes and solid wooden crates. A desk globe inside of which I envisioned a cosmos of liquor bottles, a brand-new set of golf clubs parked against an easy chair. A couple more Bodils stood in a windowsill. Despite everything, it hadn’t amounted to more than that. A gigantic desk with a laptop. Along with a horde of photos framed behind glass of Rützou alongside diverse beauties and famous colleagues, the desk was flooded with manuscripts, invitations, bank statements. I picked up a random letter from the bank-he was loaded, the bastard. Then I found another letter. The sender’s official name and logo was up in the corner. I picked it up…