Ziller did this last discreetly, in a low voice. Most of those he indicated were solid-looking men in their fifties or sixties, with graying hair and very pink skin, but there was one woman, an undersecretary of something, lunching with another, an assistant secretary of something else. Karp learned, whether he wanted to or not, that an undersecretary was more important than an assistant secretary, but that a deputy assistant secretary was more important than a deputy undersecretary, except at the Pentagon, where the reverse obtained.
They ordered; food was brought. Karp found himself unexpectedly ravenous, and tore into his meal, a cheeseburger as large as a regulation Softball.
"Good burgers here," observed Ziller as he plucked at a shrimp salad.
"Yeah. So-how am I doing? Am I having lunch yet?"
Ziller grinned, showing the small neat pearly teeth you get if you have been covered by the government's generous health plan from birth. "Not quite," he said. "Lunch actually happens when I tell you something I've been sworn not to tell you, and tell you not to tell anyone else, knowing that you will tell exactly the person I want to find out about it, but couldn't tell. That's having lunch."
"And…? What's the secret?"
Ziller shrugged and his expression became more guarded. "Avoid the apple pie. It tends to be watery."
"I'm serious," replied Karp, placing the stump of his burger on its plate. He wiped his mouth with his napkin and regarded Ziller unsmilingly. "I appreciate the walking guidebook act, but let's not screw around with each other. Dobbs sent you over here to watch the store for him and also to slide me information he thinks I should have without having to do it officially. Obviously, you don't want to do that on our first date, so to speak; you want to feel me out a little, learn something about who I tell secrets to before you let loose, maybe check out do I know what the hell I'm doing around an investigation. I appreciate that, but here's a tip. The problem with telling me secrets, is I don't pass them on. That's because I'm basically a simple country boy. Around here, as I gather, you've got to show what you know to show everybody you're somebody. Like, 'Look at me, I know some Senator is schtupping the assistant secretary of what's-its-face, hooray.' But basically, I don't give a flying fuck about being somebody in Washington. I didn't much like it when I was somebody in New York. Plus, I left my family in the city, and as a result I'm horny and generally pissed off. I'm here to do a job and scram, the quicker the better. And I could put all the patience I have with all this shit-'don't mess with that one' and 'respect this one's fucking sensitivities'-in my belly button. I told Crane I had no political skills and it's true, and he said that was okay, and if it turns out it's not, I'm on the next plane out. You can convey the same message to Representative Dobbs." He paused and produced a mild version of his famous stare. Then he grinned, to forestall any tension.
Ziller made a mock swipe at his brow and said, "Well, that was a cold douche. Are you always this charming?"
"No," Karp said, still smiling, "sometimes I'm extremely obnoxious. For example, when I think somebody is not telling me stuff I need to know."
"Which is certainly not the case here. Look, we're on the same side. I'm from the federal government and I'm here to help you."
"Help me how?"
Ziller laughed, "No, it's a joke-the third biggest lie."
"Meaning?"
"That's right, you probably haven't heard it eight million times: What are the three biggest lies in the world? Answer: I'll respect you in the morning; the check is in the mail; and I'm from the federal government and I'm here to help you. Ho, ho. Well, I really am here to help you."
Karp waited, his expression neutral. Ziller took a breath and resumed.
"Okay, I got this from a buddy of mine who shall remain nameless. He's a staffer with the Church committee."
"The Senate Intelligence investigation."
"Yes, the Intelligence investigation. Church is the chair, but Dick Schaller is the leading light. They subpoenaed a shitload of stuff from the CIA and most of it was either trash or blanked out-par for the course with the spooks-but there was one incredibly juicy little package that came through untouched. Some of it bears heavily on the JFK investigation."
"In what way?"
"This I don't know, but my guy says it's dynamite."
"And Schaller is going to give us this stuff?"
"Yeah. What he wants is to get rid of it. The investigation is finished, the report is out. The last thing he needs is to be sitting on something this big that he didn't use."
Karp frowned. "Wait a minute. What you're saying is that a U.S. senator had information germane to the assassination of the president and he's playing footsy with it? He's not going public with it immediately?"
"That's not the point. It was ancillary to the intelligence investigation proper, and if he used it, he'd have had to branch off down a line of investigation he chose not to pursue."
"Why not?"
Ziller paused and said meaningfully, "Because in certain quarters of this town, getting excited about who did JFK is considered on the same level as having food stains on your tie or walking around with your fly open."
"That's good to know," said Karp, and then asked, "So what do I do? Beg him?"
"No, we'll set up an appointment, you'll go over to the Dirksen Building, you'll chat, talk about the weather, and when you leave the stuff'll be in your briefcase."
"Great," said Karp. "Is that it?"
"No, Mark Lane has some dynamite stuff he got on an FOIA request from the FBI, another miracle. There must be a rat in the public information office there," said Ziller. He looked at his watch and beckoned to the waitress for the check. "I have to run; there's a staff meeting over at Rayburn in ten minutes."
"Wait a second-what's this about Mark Lane and a rat in the FBI?"
"Yeah, it's a long story. It's another document, and I'm sure Lane'll be around to see us. It's apparently signed by J. Edgar Hoover's own soft, pink hand." He stood up. "I should be able to start full-time next week, if that's okay."
"Yeah, sure, fine," said Karp, feeling vaguely one-upped and unsure about whether it was fine or not.
Back in the office, Karp found a message from V.T. on his desk. V.T. himself was in his own dingy room poking into one of several heavy cartons made of a dark, waxy-looking cardboard.
"What's up, V.T.?"
"How was your lunch?"
"I had the cheeseburger special. What's in the boxes?"
"National Archives," said V.T. "Your research director has been researching, and I had these sent over. It's the photographic stuff, copies they let us have. The actual stuff, they send a guy over and he watches it. I imagine we'll need to do that when we go to hearings."
"What actual stuff?"
"Oh, the Rifle. The Bloody Shirt. The Magic Bullet. I went over there this morning. They let me Handle the Items. You get a chill."
"I bet. So you got all the evidence and autopsy shots?"
"Those they had. Plus the films. That's what I wanted to show you. I set up a projector already."
V.T. led the way to a freshly painted bare room down the hall, in the center of which he had a projector set up on a metal typing table. There were two straight chairs on either side of it. The blinds were closed, and when V.T. shut the door and clicked off the lights, the room became quite dark.
"What are we watching?" asked Karp, sitting in one of the chairs.
"You're a trained investigator-see if you recognize it."
V.T. flicked the projector switch and sat down. The white wall opposite lit up. The usual leader numbers counted down and there was a message informing the viewer that this film was copyrighted by Life magazine and a brief look at the seal of the National Archives. Then bright sunlight, a road, a crowd, a motorcade coming down a street, led by motorcycle cops, preceding an open limousine in which two men and two women are waving and smiling.