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But all this took place many years ago and for a quarter of a century Don Calisto, disdainfully withdrawing from a world that had nothing more to offer, had lived in seclusion in his native town of Ecija. It was when I announced my intention of going there (I had been spending a week or two in Seville) not because of him, but because it is a charming little Andalusian town with associations that endear it to me, that Diego Torre offered me this introduction. It appeared that Don Calisto allowed the younger men of letters occasionally to visit him and now and then would talk to them with the fire that had electrified his hearers in the great days of his prime.

“What does he look like now?” I asked. “Magnificent.”

“Have you a photograph of him?”

“I wish I had. He has refused to face the camera since he was thirty-five. He says he does not wish posterity to know him other than young.”

I confess that I found this suggestion of vanity not a little touching. I knew that in early manhood he was of extraordinary beauty, and that moving sonnet of his written when he grew conscious that youth had for ever left him shows with what a bitter and sardonic pang he must have watched the passing of those looks that had been so fantastically admired.

But I refused my friend’s offer; I was quite satisfied to read once more the poems I had known so well and for the rest I preferred to wander about the silent and sunswept streets of Ecija in freedom. It was with some consternation therefore that on the evening of my arrival I received a note from the great man himself. Diego Torre had written to him of my visit, he said, and it would give him great pleasure if I would call on him at eleven next morning. In the circumstances there was nothing for me to do but to present myself at his house at the appointed hour.

My hotel was in the Plaza and on that spring morning it was animated, but as soon as I left it I might have walked in a deserted city. The streets, the tortuous white streets, were empty but for a woman in black now and then who returned with measured steps from her devotions. Ecija is a town of churches and you can seldom go far without seeing a crumbling facade or a tower in which storks have built their nests. Once I paused to watch a string of little donkeys pass by. Their red caparisons were faded and they carried I know not what in their panniers. But Ecija has been a place of consequence in its day and many of these white houses have gateways of stone surmounted by imposing coats of arms, for to this remote spot flowed the riches of the New World and adventurers who had gathered wealth in the Americas spent here their declining years. It was in one of these houses that Don Calisto lived and as I stood at the reja after pulling the bell, I was pleased to think that he lived in such a fitting style. There was a dilapidated grandeur about the massive gateway that suited my impression of the flamboyant poet. Though I heard the bell peal through the house no one answered it and I rang a second and then a third time: at last an old woman with a heavy moustache came to the gate.

“What do you want?” she asked.

She had fine black eyes, but a sullen look, and I supposed that it was she who took care of the old man. I gave her my card.

“I have an appointment with your master.”

She opened the iron gateway and bade me enter. Asking me to wait she left me and went upstairs. The patio was pleasantly cool after the street. Its proportions were noble and you surmised that it had been built by some follower of the conquistadores; but the paint was tarnished, the tiles on the floor broken, and here and there great flakes of plaster had fallen away. There was about everything an air of poverty but not of squalor. I knew that Don Calisto was poor. Money had come to him easily at times but he had never attached any importance to it and had spent it profusely. It was plain that he lived now in a penury that he disdained to notice. In the middle of the patio was a table with a rocking chair on each side of it, and on the table newspapers a fortnight old. I wondered what dreams occupied his fancy as he sat there on the warm summer nights, smoking cigarettes. On the walls under the colonnade were Spanish pictures, dark and bad, and here and there stood an ancient dusty bargueño and on it a mended lustre plate. By the side of a door hung a pair of old pistols, and I had a pleasant fancy that they were the weapons he had used when in the most celebrated of his many duels, for the sake of Pepa Montañez the dancer (now, I suppose, a toothless and raddled hag) he had killed the Duke of Dos Hermanos.

The scene, with its associations which I vaguely divined, so aptly fitted the romantic poet that I was overcome by the spirit of the place. Its noble indigence surrounded him with a glory as great as the magnificence of his youth; in him too there was the spirit of the old conquistadores and it was becoming that he should finish his famous life in that ruined and magnificent house. Thus surely should a poet live and die. I had arrived cool enough and even somewhat bored at the prospect of my meeting, but now I began to grow a trifle nervous. I lit a cigarette. I had come at the time appointed and wondered what detained the old man. The silence was strangely disturbing. Ghosts of the past thronged the silent patio and an age dead and gone gained a sort of shadowy life for me. The men of that day had a passion and a wildness of spirit that are gone out of the world for ever. We are no longer capable of their reckless deeds or their theatrical heroics.

I heard a sound and my heart beat quickly. I was excited now and when at last I saw him coming slowly down the stairs I caught my breath. He held my card in his hand. He was a tall old man and exceedingly thin, with a skin the colour of old ivory; his hair was abundant and white, but his bushy eyebrows were dark still; they made his great eyes flash with a more sombre fire. It was wonderful that at his age those black eyes should still preserve their brilliance. His nose was aquiline, his mouth close set. His unsmiling eyes rested on me as he approached and there was in them a look of cool appraisal. He was dressed in black and in one hand held a broad-brimmed hat. There was in his bearing assurance and dignity. He was as I should have wished him to be and as I watched him I understood how he had swayed men’s minds and touched their hearts. He was every inch a poet.

He reached the patio and came slowly towards me. He had really the eyes of an eagle. It seemed to me a tremendous moment, for there he stood, the heir of the great old Spanish poets, the magnificent Herrera, the nostalgic and moving Fray Luis, Juan de la Cruz, the mystic, and the crabbed and obscure Gongora. He was the last of that long line and he trod in their steps not unworthily. Strangely in my heart sang the lovely and tender song which is the most famous of Don Calisto’s lyrics.

I was abashed. It was fortunate for me that I had prepared beforehand the phrase with which I meant to greet him.

“It is a wonderful honour, Maestro, for a foreigner such as I to make the acquaintance of so great a poet.”

A flicker of amusement passed through those piercing eyes and a smile for an instant curved the lines of that stern mouth.

“I am not a poet, señor, but a bristle merchant. You have made a mistake, Don Calisto lives next door.”

I had come to the wrong house.

Louise

I COULD NEVER UNDERSTAND why Louise bothered with me. She disliked me and I knew that behind my back, in that gentle way of hers, she seldom lost the opportunity of saying a disagreeable thing about me. She had too much delicacy ever to make a direct statement, but with a hint and a sigh and a little flutter of her beautiful hands she was able to make her meaning plain. She was a mistress of cold praise. It was true that we had known one another almost intimately, for five-and-twenty years, but it was impossible for me to believe that she could be affected by the claims of old association. She thought me a coarse, brutal, cynical, and vulgar fellow. I was puzzled at her not taking the obvious course and dropping me. She did nothing of the kind; indeed, she would not leave me alone; she was constantly asking me to lunch and dine with her and once or twice a year invited me to spend a week-end at her house in the country. At last I thought that I had discovered her motive. She had an uneasy suspicion that I did not believe in her; and if that was why she did not like me, it was also why she sought my acquaintance: it galled her that I alone should look upon her as a comic figure and she could not rest till I acknowledged myself mistaken and defeated. Perhaps she had an inkling that I saw the face behind the mask and because I alone held out was determined that sooner or later I too should take the mask for the face. I was never quite certain that she was a complete humbug. I wondered whether she fooled herself as thoroughly as she fooled the world or whether there was some spark of humour at the bottom of her heart. If there was it might be that she was attracted to me, as a pair of crooks might be attracted to one another, by the knowledge that we shared a secret that was hidden from everybody else.