They garaged the car in silence and passed into the coolness of the hall.
Catherine Bowers was mounting the stairs.
She was carrying a linen-covered tray and the white nylon overall which she usually wore when nursing Simon Maxie looked cool, efficient and not unbecoming. It is never agreeable to see another person competently and publicly performing duties which conscience suggests are one's own and Deborah was honest enough to recognize the reason for her spasm of irritation. She tried to hide it by an unusual burst of confidence.
"Wasn't the funeral awful, Catherine?
I'm terribly sorry that Felix and I ran off like that. We drove Mrs. Proctor home. I had a sudden urge to fix the murder on the wicked uncle."
Catherine was unimpressed.
"I asked the inspector about the uncle when he questioned me for the second time. He said that the police are satisfied that Mr. Proctor couldn't have killed Sally. He didn't explain why. I should leave the job to him. Goodness knows there's enough work here."
She went on her way. Looking after her, Deborah said:
"I may be uncharitable, but if anyone at Martingale killed Sally I should prefer it to have been Catherine."
"It isn't likely, though, is it?" said
Felix. ‹(I can't see her capable of murder."
"And the rest of us are? Even
Mother?"
"She particularly, I think, if she felt it were necessary."
"I don't believe it," said Deborah. "But even if it were true, can you see her saying nothing while police overrun Martingale and people like Miss Liddell and Derek Pullen are suspected?"
"No," replied Felix. "No, I can't see that."
Chapter Seven
Rose Cottage on the Nessingford Road was a late eighteenth century labourer's cottage with enough superficial charm and antiquity to tempt the passing motorist to an opinion that something could be made of it. In the Pullens" hands something had, a replica of a thousand urban council houses. A large plaster model of an Alsatian dog occupied all the window space in the front room. Behind it the lace curtains were elegantly draped and tied with blue ribbon. The front door opened straight into the living-room. Here the Pullens' enthusiasm for modern decor had outrun discretion and the result was curiously irritating and bizarre. One wall was papered with a design of pink stars against a blue background. The opposite wall was painted in matching pink. The chairs were covered with blue striped material obviously carefully chosen to tone with the paper. The haircord carpet was a pale pink and had suffered from the inevitable comings and goings of muddy feet. Nothing was clean, nothing made to last, nothing was simple or honest.
Dalgleish found it all profoundly depressing.
Derek Pullen and his mother were at home. Mrs. Pullen showed none of the normal reactions to the arrival of police officers engaged in a murder investigation, but greeted them with a spate of welcoming miscellanea, as if she stayed at home specially to receive them and had long awaited their arrival. The phrases tumbled against one another. Delighted to see them… her brother a police constable… perhaps they had heard of him… Joe Pullen over at Barkingway… always better to tell the truth to the police… not that there's anything to tell… poor Mrs. Maxie… couldn't hardly believe it when Miss Liddell told her… come home and told Derek and he didn't believe it neither… not the sort of girl a decent man would want… very proud the Maxies were… a girl like that asked for trouble. As she spoke the pale eyes wavered over Dalgleish's face but with little comprehension. In the background stood her son, braced to the inevitable.
So Pullen had known about the engagement late on Saturday night although, as the police had already ascertained, he had spent the evening at the Theatre Royal, Stratford, with a party from his office and had not been at the fete.
Dalgleish had difficulty in persuading the voluble Mrs. Pullen to retire to her kitchen and leave the boy to answer for himself but he was helped by Pullen's fretful insistence that she should leave them alone. He had obviously been expecting the visit. When Dalgleish and Martin were announced he had risen from his chair and faced them with the pathetic courage of a man whose meager reserves have scarcely carried him through the waiting period. Dalgleish dealt with him gently. He might have been speaking to a son. Martin had seen this technique in use before. It was a cinch with the nervous, emotional types, especially if they were burdened with guilt. Guilt, thought Martin, was a funny thing. This boy, now, had probably done nothing worse than meet Sally Jupp for a bit of kiss and cuddle but he wouldn't feel at peace until he'd spilt the beans to someone. On the other hand he might be a murderer. If he were, then fear would keep his mouth shut for a little longer. But in the end he'd crack. Before long he would see in Dalgleish, patient, uncensorious and omnipotent, the father confessor whom his conscience craved. Then it would be difficult for the shorthand writer to catch up with the spate of self-accusation and guilt. It was a man's own mind which betrayed him in the end and Dalgleish knew that better than most. There were times when Sergeant Martin, not the most sensitive of men, felt that a detective's job was not a pretty one.
But, so far, Pullen was standing up well to the questioning. He admitted that he had walked past Martingale late on Saturday night. He was studying for an examination and liked to get some air before going to bed. He often went for a late walk. His mother could confirm that.
He took the Venezuelan envelope found in Sally's room, pushed a pair of bent spectacles up on his forehead and peered short-sightedly at the scribbled dates.
Quietly he admitted that the writing was his. The envelope had come from a pen friend in South America. He had used it to jot down the times when he could meet Sally Jupp. He couldn't remember when he had given it to her but the dates referred to their meetings last month.
"She used to lock her door and then come down the stack-pipe to you, didn't she?" asked Dalgleish. "You needn't be afraid of breaking her confidence. We found her palm-marks on the pipe. What did you do when you had those meetings?"
"We went for walks in the garden once or twice. Mostly we sat in the old stable block opposite her room and talked." He must have fancied that he saw incredulity in Dalgleish's face for he flushed and said defensively:
"We didn't make love if that's what you're thinking. I suppose all policeman have to cultivate dirty minds but she wasn't like that."
"What was she like?" asked Dalgleish gently. "What did you talk about?"
"Anything. Everything really. I think she was lonely for someone her own age.
She wasn't happy when she was at St. Mary's but there were the other girls to have a laugh with. She was a wonderful mimic. I could almost hear Miss Liddell talking. She talked about her home too.
Her parents were killed in the war.
Everything would have been different for her if they had lived. Her father was a university don and she would have had a different kind of home from her aunt's.
Cultured and… well, different."
Dalgleish thought that Sally Jupp had been a young woman who enjoyed exercising imagination and in Derek Pullen she had at least found a credulous listener.
But there was more in these meetings than Pullen was choosing to say. The girl had been using him for something. But for what?
"You looked after her child for her, didn't you, when she went up to London on the Thursday before she died?"
It was a complete shot in the dark but Pullen did not even seem surprised that he knew.
"Yes, I did. I work in a local government office and I can take a day's leave now and then. Sally said that she wanted to go up to town and I didn't see why she shouldn't. I expect she wanted to see a flick or go shopping. Other mothers can."