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Dalgleish lifted his eyes and looked at her. Then the deep level voice went on.

"I think the killer went to Miss Jupp's room driven by an uncontrollable impulse to find out exactly what the girl felt, what she intended, the extent of the danger from her. Perhaps there was some idea of pleading with her - although I don't think that is very likely. It is more probable that the intention was to try to arrange some kind of a bargain. The visitor went to Sally's room and either walked in or knocked and was let in. It was a person, you see, from whom nothing was feared.

Sally would be undressed and in bed. She must have been sleepy but she had only taken a little of the cocoa and was not drugged, only too tired to be bothered with finesse or rational argument. She didn't trouble to get up from her bed nor to put on her dressing-gown. You may think, in view of what we have learned about her character, that she would have done so had her visitor been a man. But that is hardly the kind of evidence which is worth very much.

"We don't know yet what happened between Sally and her visitor. We only know that, when that visitor left and closed the door, Sally was dead. If we assume that this was an unpremeditated killing we can make a guess at what happened. We know now that Sally was married, was in love with her husband, was waiting for him to come to fetch her, was even expecting him daily. We can guess from her attitude to Derek Pullen and from the careful way in which she kept her secret, that she enjoyed the feeling of power that this hidden knowledge gave her. Pullen has said, 'She liked things to be secret.' A woman I interviewed for whom Sally had worked said,*She was a secretive little thing. She was with me for three years and I knew no more about her at the end of them than when she first came.' Sally Jupp kept the news of her marriage secret under very difficult circumstances. Her behavior wasn't reasonable. Her husband was overseas and doing well. The firm would hardly have sent him home. The firm need not even have known. If Sally had told the truth someone could have been found to help her. I think she kept her secret partly because she wanted to prove her loyalty and trustworthiness and partly because she was the kind of person to whom secrecy made its appeal. It gave her an opportunity of hurting her uncle and aunt for whom she had no affection, and it provided her with considerable entertainment. It also gave her a free home for seven months.

Her husband has told me,* Sally always did say that the unmarried mothers had the best of it.' I don't suppose anyone here agrees with that, but Sally Ritchie obviously believed that we live in a society which salves its conscience more by helping the interestingly unfortunate than the dull deserving and was in the position to put her theory to the test. I think she enjoyed herself at St. Mary's Refuge. I think she sustained herself by the knowledge that she was different from the others. I imagine that she relished in advance the look on Miss Liddell's face when she knew the truth and the fun that she would have mimicking the inmates of St. Mary's to her husband. You know the sort of thing. 'Let Sal tell you about the time she was an unmarried mother.' I think, too, that she enjoyed the feeling of power which her hidden knowledge gave her. She enjoyed watching the consternation of the Maxies at a danger which only she knew had no reality."

Deborah moved uncomfortably in her chair.

"You seem to know a great deal about her. If she knew the engagement had no reality why did she consent to it. She would have saved everyone a great deal of trouble by telling Stephen the truth."

Dalgleish looked across at her.

"She would have saved her own life.

But was it in character for her to tell?

There was not much longer to wait. Her husband would be flying home, perhaps in the next day or two. Dr. Maxie's proposal was merely one additional complication, adding its own stimulus of excitement and amusement to the total situation.

Remember, she never overtly accepted the proposal. No, I would have expected her to act as she did. She obviously disliked Mrs.

Riscoe and was becoming more audacious in showing it as the time for her husband's return drew nearer. This proposal offered new chances of private amusement. I think that, when her visitor came to her, she was lying back on her bed in sleepy, happy, amused confidence, feeling perhaps, that she held the Maxie family, the whole situation, the world itself in the hollow of her hand. Not one of the dozens of people I have interviewed have described her as kind. I don't think she was kind to her visitor. She underestimated the force of the anger and desperation which were confronting her. Perhaps she laughed. And when she did that the strong fingers closed around her throat."

There was a silence. Felix Hearne broke in by saying roughly:

"You've mistaken your profession, Inspector. That dramatic histrionic was worthy of a larger audience."

"Don't be a fool, Hearne." Stephen Maxie lifted a face drained of color and etched with weariness. "Can't you see that he's satisfied enough with the reactions we're providing." He turned to Dalgleish with a sudden spurt of anger. "Whose hands?" he demanded. "Why go on with this farce? Whose hands?"

Dalgleish ignored him.

"Our killer goes to the door and turns out the light. This is to be the moment of escape. And then, perhaps, there comes a doubt. It may be the need to make certain just once more that Sally Jupp is dead. It may be that the child turns in his sleep and there is the natural and human wish not to leave him crying and alone with his dead mother. It may be the more selfish concern that his cries will awaken the household before the killer can make good his escape.

Whatever the reason, the light is momentarily switched on again. On and then off. Waiting at the edge of the lawn and in the shelter of the trees Sydney Proctor sees what he thinks is the awaited signal. He has no watch. He must depend on the flashing light. He makes his way along the edge of the lawn towards the back door still keeping in the shadow of the trees and the shrubs."

As Dalgleish paused his audience looked towards Proctor. He was more selfpossessed now and seemed, indeed, to have lost both his earlier nervousness and his defensive truculence. He took up the story simply and calmly as if the recollection of that dreadful night and the intense and concentrated interest of his audience had released him from self-consciousness and guilt. Now that he was beyond noisy selfjustification they found him easier to tolerate. Like them he had been in some sense a victim of Sally. Listening, they shared the desperation and fear which had driven him forward to her door.

"I thought I must have missed the first flash. She'd said two flashes so I waited for a bit and watched. Then I thought I'd better take a chance. There wasn't any sense in messing about. I'd come so far and I might as well go on with it. She'd see that I did, anyway. It hadn't been easy to raise the thirty quid. I'd got what I could from my Post Office account, but that was only ten. I hadn't much at home, only what I'd put by for the installments on the telly. I took that and pawned my watch at a shop in Canningbury. The chap could see I was pretty desperate I suppose, and didn't give me what it was worth. Still, I had enough to keep her quiet. I'd written out a receipt for her to sign, too. I wasn't taking any chances with her after that scene in the stables. I thought I'd just hand over the cash, make her sign the receipt and get off home. If she tried any more funny business I could threaten to charge her with blackmail. The receipt would be useful if it came to that, but I didn't think it would.