“Can,” she said. “We both know I shouldn’t.”
“I think you can. But I agree that you shouldn’t.”
“Miss Thing here has made it clear that I should. That I have to, if I want grocery money. I want you with me.”
“I think the press has seen enough of Mr. Bender today,” Trey said.
“Hold on,” Thistle said, without looking at her. “Just hold on one fucking minute. You’re used to being agreed with, so this might be hard for you, but here it is.” She swung her head around to face Trey. “I may have to do the things I said I would, but that doesn’t mean I can’t do them my way. You want this to happen, right?”
Trey was glaring at me, as though I were to blame for Thistle’s resistance. “Of course.”
Suddenly something happened to Thistle. It took only an instant; there seemed to be no transition at all. Her face mirrored Trey’s expression precisely, and her spine straightened in exact mimicry of Trey’s stance. When she spoke, her voice sounded uncannily like Trey’s. “Of course,” she said. “Of course you do. You have money invested. Then go away. Go manage someone.”
Startled, Trey took a step back.
“You won, okay?” Thistle/Trey continued. She even had Trey’s hand gestures, the way she held her head. “Junior will help me do this, just like he helped me get in here. And it won’t be in fifteen minutes, it’ll be in half an hour. Or a little more. You go away and make money, and let the makeup people get in here. Doc,” she said, turning, “I’m feeling that little elevator, so I want an extra smoothie. Or maybe a couple, all things considered.” She looked back at Trey. “Are you still here?”
Trey regarded her for a moment, then nodded. “That’s a cute trick,” she said. “Let’s hope you’re that good on camera.” Then she turned to me, and her voice when she said, “Mister Bender?” could have frozen meat.
“Coming.” Trey was out the door. “I’ll be back,” I said to Thistle.
With Trey gone, she was herself again. She slumped back into the chair as though she’d run a hundred yards. “Good, because if you’re not, they’re going to have to carry this whole chair onstage.”
I followed Trey out of the room and into the hallway. Tatiana, leading the makeup and hair crew into the room, gave me a questioning glance and then looked at Trey’s rigid back as she marched down the hall. “If you were a stock,” she whispered, “would you advise me to buy or sell?”
“Sell,” I said. “But I don’t think you could get anything for it.”
Before trying to catch up with Trey, I made a ninety-second telephone call. Essentially just the studio’s address and a question that might prove useful in half an hour or so.
24
“I want an explanation,” Trey said, her hands folded in front of her, her back plumb-straight. We were back in the classroom set, facing each other over the teacher’s desk, and she was the image of the strict third-grade teacher who’s just found a bad word on the chalkboard. I suppose I was expected to feel chastened, but it was hard for me to look at her without seeing Thistle’s extraordinary impersonation.
“Is there anything in particular you’d like explained? I’m reasonably well-informed on a relatively broad spectrum of subjects.”
“Let’s begin with what’s going on between Thistle and you.” “That’s easy. There’s nothing going on between Thistle and me.”
“She looks at you every time I ask her a question. She consults with you. I’m paying her, and she’s turning to you for advice. I want to know why.”
“She’s got nobody in the world,” I said. “I made her laugh this morning. I dragged her through that pack of parasites when we arrived. I’m the temporary hero. She’s not exactly aces in the self-confidence department, and she needs to turn to somebody. Right now, I’m it.”
“For someone with no self-confidence, she told me to fuck off rather effectively.”
“She used to be a star. Stars are good at that.”
“Well, I don’t like it, you siding with her like that. You’re working for me, not her.”
“I’ve got two answers to that. The first is that she needs a friend or she’s not going to be functional, and she’s chosen me. The second is that you have a much bigger problem than Thistle telling you to fuck off.” I reached into my pocket and took out the snippet of painting. “Here. You can sew this back into your Leonardo.”
She looked down at it but made no move to take it. “I told you to give that to your lookout.”
I dropped it onto the desk. “He won’t need it any more. Somebody shot him.”
One hand went to the surface of the desk although her face didn’t change. “Excuse me?”
“Last night, outside Thistle’s apartment house, someone put one through his throat at close range.”
She took a mechanical step back, pulled the chair out from under the desk without looking down at it, and sat. She seemed to be giving her movements no attention whatsoever. She finally said, “Murdered?”
“If you know a nicer word, share it with me.”
“Was he a friend, or just someone you hired?”
“A friend.”
She turned her head an inch to the right and then brought it back. It was almost a sympathetic shake of the head. “I’m sorry.” She licked her lips. “How-don’t take this badly-how good was he?”
“The best I knew.”
Her right hand did a little side-to-side movement, disagreement she might not have known she was expressing. “But you said it-the shot, I mean-was fired at close range.”
“That’s what I said.”
“Then how good could he have been?” I had a feeling I was hearing her father’s voice.
I said, “He had his weaknesses. Like most of us. Somebody who looked like you could have gotten close.”
“Like-like me? Are you serious?”
“I didn’t say you, I said someone who looked like you. Attractive, in other words. He liked women too much, more than I do, anyway. Or a kid could have gotten close. He wouldn’t have felt threatened by a kid.”
Two fingers went to her left eyebrow and smoothed it while her eyes searched mine. “You mean a child?”
“Or Thistle,” I said, just to be thorough. “He was there to protect her. If she’d come out of the apartment house and approached him, he’d have just sat there and watched her come. Which is apparently what he did. His gun was still in his holster.”
Trey shook her head, not so much disagreeing as having trouble processing the information. “But you know Thistle better than-I mean, you obviously don’t think she shot your friend.”
“I have no idea whether I know Thistle. This is someone who talks about herself in the third person. I like her, the bits of her she lets me see, which isn’t much.”
“How can you be sure? What you see is mostly chemicals.”
“There’s somebody under all that fog, somebody interesting. So I like her, and I feel sorry for her. But even if I didn’t like her, I’d be sure she didn’t kill him, because I’m pretty sure someone tried to kill her, too.”
Trey brought up both hands, palms out. “Wait, wait. Time out.” She got up, walked around the desk, and went to the edge of the set. She peered behind the wall to the left, apparently making certain no one was there, and then she checked behind the other wall. When she was certain we were alone, she came back to the desk and sat. She pointed to the nearest student desk and made a little come-here gesture. Since the desk wasn’t paying attention to her, I grabbed it and hauled it over to her and sat down. Once I was down, she pointed at the walls and then touched her ear. She leaned forward conspiratorially. “You’re going to have to back things up,” she said very quietly. “This is the beginning of the day, and I came into it with a couple of dozen things on my mind. Now I have to toss most of them and focus on this. I want you to take a breath and tell me everything in some sort of order. Try chronological. Maybe we can make some sense out of it.”