“It pertains to my investigation.”
“Oh, it does? Well, I can’t think of anyone. I don’t know that I should— Oh, wait. Someone named Karen that Mrs. Hunter knows, too, is that what you mean?”
“That’s right.”
Ms. Kiley gnawed at a well-shaped upper lip. “About a year ago I overheard Aunt Anita and Mrs. Hunter talking about different kinds of art. I mean, I wasn’t eavesdropping or anything, I just happened to be here while they were talking. Aunt Anita said she wished she could get some really good stained glass and Mrs. Hunter said she knew someone who made some. A stained-glass artist.”
“Someone named Karen.”
“I think so. I think that was the name.”
“Did she mention a last name?”
Ms. Kiley cudgeled her memory; the effort made her frown and chew on her lip again. “No, I don’t think so. Anyway, I can’t remember if she did.”
“Did she happen to say where Karen lives?”
“Up the coast. That’s right, she said ‘Karen has a studio up the coast.’ ”
“Is that all? No town or specific area?”
“No. She stopped right after she said that.”
“How do you mean, stopped?”
“All of a sudden. You know, the way you do when somebody interrupts you.”
Or the way you do when you’re sorry you let something slip. “Did she say anything else about Karen? That she was related to her, for instance?”
“Related? No, I’d remember that.”
“Did your aunt seem interested in seeing some of Karen’s stained glass?”
“Yes, she did. Mrs. Hunter said Karen was very busy and had outlets for all her work, but she’d tell her and maybe she’d send some things down for Aunt Anita to look at.”
“Did Karen ever follow through?”
“Send anything, you mean? I guess not, because we don’t have any stained glass, at least I haven’t seen any. You’ll have to ask my aunt.”
“I’ll do that,” I said. “When will she be back?”
“On Sunday.” Ms. Kiley’s sunny smile reappeared. “Is there anything I can show you before you leave? We have some really nice pieces of Mrs. Hunter’s if you’re into pottery.”
“No, thanks. I couldn’t afford it.”
“Well,” she said, “do you want me to tell Aunt Anita you stopped by?”
“Not necessary. I’ll surprise her.”
Ms. Kiley nodded, smiling. She was still standing there, still smiling, when I went out.
The Emerald Hills Country Club was just what you’d expect to find in an affluent enclave like Greenwood. Walled, pillared, gated, manicured, tree-shaded, and overlain with a mossy patina of rustic charm, snooty exclusivity, and very old money. A long drive flanked by poplars led in from a road that ran along the base of the hills. None of the cars in the two-tiered parking area where the drive ended was older than five years or cost much less than I made in a year. Mercedes and BMWs predominated; I spotted a Ferrari, an Aston-Martin, even a Rolls. The scattering of Detroit products seemed almost out of place. Nobody around here paid much attention to the Buy American slogans, it seemed.
The main building was of native stone; I judged its age to be close to the century mark. It had an English manor house look, though some turrets and ramparts and maybe a tower or two were all it would’ve needed for a castle effect. Behind it to the right I could see outbuildings and some of the greens and fairways, ponds and sandtraps, of the golf course. The grass out there was of such a dazzlingly bright and healthy hue, the grounds keepers might have been giving it daily injections of chlorophyll.
I found a place to park in the designated visitors area on the lower tier. From force of habit I locked the car when I got out, and then smiled wryly to myself when I realized it. Nobody here was going to steal anything out of an old bolt-bucket like mine. If any of the staff or patrons even looked at it twice, it would be to wonder what Emerald Hills was coming to, letting such shoddy merchandise clutter up the grounds.
Well-worn stone steps led up to a wraparound veranda and a double-door entrance. Inside was a security desk with a discreet placard on it requesting that all members and visitors sign in. A beefy guy in a white polo shirt with Emerald Hills stitched over the pocket looked me over and asked with perfect grammar and diction whom I was there to see. He knew I wasn’t a member and didn’t belong in such a rarified atmosphere, and it showed in his face; employees in places like this can be even bigger elitists than the patrons. Snobs by association. But I was respectable enough in my suit and tie not to be either an anarchist or a tree-hugging rabble-rouser, so when I gave him Trevor Smith’s name he nodded and said, “Would you please sign the visitor’s book, sir,” with the faintest emphasis on the last word. I was tempted to put down somebody else’s name — Harry Bridges, for instance, a true rabble-rouser in his day — but I resisted the impulse. It would’ve been a feeble and petty joke, and he wouldn’t have gotten it anyway. Bridges was long dead and so were his longshoremen who’d taken part in the Bloody Thursday labor-management riots in ’34, and people nowadays have no sense of history. Except for musty relics like me a stone’s throw from being history ourselves.
I walked through the lobby, past entrances to bar and restaurant, a sign that said Ballroom, people in golf outfits and expensive casual wear, older couples in dresses and suits. All the faces were WASP; the only ethnics you were likely to find at Emerald Hills were behind-the-scenes staff members. It was like walking through a small, fancy resort hotel fifty years ago. And I felt as out of place there as a puckered old hound in a kennel full of groomed and pampered show dogs.
Another arrow sign pointed the way to the pro shop. It led me outside to the rear, past a crowded terrace overlooking the links and a bank of tennis courts. Nobody was on the courts and not many were driving or putting or riding around in awninged carts: it was the early cocktail hour, the one time of day that was likely to be more important to the country club set than their sport. The pro shop was part of a smaller stone building nearby, in the center of a pair of wings that would house the men’s and women’s locker rooms.
Inside I found careful displays of clubs and bags and balls, clothing and other items — and a thin middle-aged woman in golf togs who was studying a packaged wristband with a puzzled expression, as if the writing on the package was runic symbols instead of English. Another There-challenged individual, maybe. I waited quietly for a couple of minutes. Nobody else put in an appearance, so I asked the woman if Trevor Smith was around. She barely glanced at me as she said, “He’ll be back soon, I’m sure.” The wristband package was clearly an object of much greater interest to her than a craggy stranger in an off-the-rack suit.
I wandered over and looked at a rack of expensive irons and woods. Golf is one of those games that inspire grand passion or grand indifference, and I was firmly in the latter group. I could understand its appeal on an intellectual level, but I never could connect with it emotionally — maybe because I’m not coordinated enough to be any good at the game. The one time I’d let somebody talk me into trying to learn it, it had taken me a week to get over the damage to my ego.
Another couple of minutes, and the little tinkly bell over the door sounded again. But it wasn’t Trevor Smith; it was a second middle-aged woman, obviously a friend of die wristband lady because she said, “There you are, Patty.” She likewise paid no attention to me, beyond the same kind of cursory glance I’d gotten from the other one.
“I can’t decide if I should buy this band or not,” Patty said. “It’s supposed to be the best, but it gave Ellen Conway a rash. What do you think, Joan?”
“Why don’t you ask Trevor?”