“Murder’s different.”
“Oh, yes, it’s artful and it’s deliberate. It takes it out of the hands of fate and puts the power into the one who creates death. Who makes a gift of it.”
“What gift? How is murder a gift?”
“This…” He gestured to the stage as a woman, brown hair bloody, face and body battered, was borne in on a stretcher. “This is about immortality.”
“Immortality’s for the dead. Who was she when she was alive?”
He only smiled. “Time’s up.” He clicked the stopwatch, and the stage went black.
Eve came rearing up in bed, sucking for air. Caught between the dream and reality, she closed her hands over her ears to muffle the ticking. “Why won’t it stop?”
“Eve. Eve. It’s your ’link.” Roarke curled his fingers over her wrists, gently tugged her hands down. “It’s your ’link.”
“Jesus. Wait.” She shook her head, pulled herself into the now. “Block video,” she ordered, then answered. “Dallas.”
Dispatch, Dallas, Lieutenant Eve. Report to Union Square Park off Park Avenue. Body of unidentified female, evidence of torture.
Eve turned her head, met Roarke’s eyes. “Acknowledged. Notify Peabody, Detective Delia, request Medical Examiner Morris. As per procedure on this matter, relay notification to Commander Whitney and Dr. Mira. I’m on my way. Dallas out.”
“I’ll be going with you. I know,” Roarke said as he rose, “you don’t make prime bait with me along, but that’ll be Gia Rossi left on the ground. And I’m going with you.”
“I’m sorry.”
“Ah, Eve.” His tone changed, softened. “So am I.”
18
AS EVE HAD SEEN THEIR HOME IN ITS SNOWY landscape as a painting, Roarke saw the crime scene as a play. A dark play with constant movement and great noise, all centered around the single focal character.
The white sheet on the white snow, the white body laid over it, with deep brown hair shining in the hard lights. He thought the wounds stood out against the pale flesh like screams.
And there his wife stood in her long black coat, gloveless, of course. They’d both forgotten her gloves this time around. Hatless and hard-eyed. The stage manager, he thought, and a major player as well. Director and author of this final act.
There would be pity in her, this he knew, and there would be anger, a ribbon of guilt to tie them all together. But that complicated emotional package was tucked deep inside, walled in behind that cool, calculating mind.
He watched her speak to the sweepers, to the uniforms, to the others who walked on and off that winter stage. Then Peabody, the dependable, in her turtle-shell of a coat and colorful scarf, crossed the stage on cue. Together, she and Eve lowered to that lifeless focal point that held the dispassionate spotlight of center stage.
“Not close enough,” McNab said from beside him.
Roarke shifted his attention, very briefly, from the scene to McNab. “What?”
“Just couldn’t get close enough.” McNab’s hands were deep in two of the many pockets of his bright green coat, with the long tails of a boldly striped scarf fluttering down his back. “Moving in on a dozen roads from a dozen damn directions. Moving in, you can feel we’re getting closer. But not close enough to help Gia Rossi. It’s hard. This one hits hard.”
“It does.”
Had he really believed, Roarke wondered, a lifetime ago, had he honestly assumed that the nature of the cop was to feel nothing? He’d learned different since Eve. He’d learned very different. And now, he stood silent, listening to the lines as the players played their parts.
“TOD oh-one-thirty. Early Monday morning,” Peabody said. “She’s been dead a little over twenty-six hours.”
“He kept her for a day.” Eve studied the carving in the torso. Thirty-nine hours, eight minutes, forty-five seconds. “Kept her a day after he was finished. She didn’t last for him. The wounds are less severe, less plentiful than on York. Something went wrong for him this time. He wasn’t able to sustain the work.”
Less severe, yes, Peabody could see that was true. And still the cuts, the burns and bruising spoke of terrible suffering. “Maybe he got impatient this time. Maybe he needed to go for the kill.”
“I don’t think so.” With her sealed fingers, Eve picked up the victim’s arm, turned it to study the ligature marks from the binding. Then turned it back to examine more closely the killing wounds on the wrist. “She didn’t fight like York, not as much damage from the ropes, wrists and ankles. And the killing strokes here? Just as clean and precise as all the others. He’s still in control. And he still wants them to last.”
She laid the arm down again, on the white, white sheet. “It’s a matter of pride in his skill-torture, create the pain, but keep them alive. Increasing the level of pain, fear, injury, all while keeping them breathing. But Rossi, she wound down on him ahead of his schedule, ahead of his goal.”
“Before he’d have been able to see the media bulletins with his image,” Peabody pointed out. “It’s not because he panicked, or took his anger out on her.”
Eve glanced up. “No. But if he had, she’d still be dead. If he had, we still did what we had to do. Put that away. He started on her Saturday morning, finished early Monday. York Friday night. So he had a little celebration, maybe, or just gets a good night’s sleep before he rewinds the clock for Rossi.”
Takes time out to shadow me, Eve thought. Another tried and true torture method. Rest and revisit. Time out again to lure and secure Greenfeld. Need your next vic in the goddamn bullpen.
“Cleans her up, takes his time. No rush, no hurry. Already got the dump spot picked out, already surveyed the area. Set up a canvass.”
From her crouched position, Eve surveyed the area. “This kind of weather, there aren’t going to be a lot of people hanging out in the park. Bides his time,” she continued. “Loads her up, transports her here. Carries her in.”
“Sweepers have a lot of footprints to work with. The snow was pretty fresh and soft. They’ll make the treads, give us a size, a brand.”
“Yeah. But he’s not worried about that. Smart enough, he’s smart enough to wear something oversized, try to throw us off. To wear something common that’s next to impossible to pin. When we get him, we’ll find them, help hang him with them, but they won’t lead us to him.”
As dispassionate now as those harsh crime scene lights, Eve examined the body. “She was strong, in top shape.” Good specimen? she wondered. Had he thought he’d had a prime candidate for his nasty duet? “She struggled, but not as much as York. Not nearly as hard as York, not as long. Gave out, that’s what she did. Physically strong, but something in her shut down. Must’ve been a big disappointment to him.”
“I’m glad she didn’t suffer as much. I know,” Peabody said when Eve lifted her head. “But if we couldn’t save her, I’m glad she didn’t suffer as much.”
“If she could’ve held out longer, maybe we could’ve saved her. And either way you look at it, Peabody, doesn’t mean a fucking thing.”
She straightened as she spotted Morris coming toward them. In his eyes she saw something that was in her, some of what was in Peabody. She would, Eve thought, see that same complicated mix of anger, despair, guilt, and sorrow in the eyes of every cop involved.
“Gia Rossi,” was all Morris said.
“Yes. She’s been dead a little more than twenty-six hours by our gauge. A group of kids cutting through the park found her. Mucked up the scene some, but for the most part then just cut and ran. One of them called it in.
“Something went wrong for him with her.” Eve looked down at the body again. “He didn’t get a lot of time out of her. Maybe she just shut down, or maybe he used something-experimenting-some chemical that shut her down.”
“I’ll flag the tox as priority. She isn’t as damaged as the others.”
“No.”
“Can she be moved yet?”
“I was about to roll her.”
With a nod, he bent to help, and together they rolled the body.
“No injuries on her back,” Morris said.
“Most of them don’t. He likes face-to-face. It has to be personal. It has to be intimate.”
“Some bruising, lacerations, burns, punctures on the back of the shoulders, the calves. Less than the others.” Gently, he brushed the hair aside, examined the back of the neck, the scalp, the ears. “In comparison, I’d say he barely got to stage two in this case. Yes, yes, something went wrong. I’ll take her in now.”
He straightened, met Eve’s eyes. “Will there be family?”
He never asked, or so rarely she’d never registered it. “She has a mother in Queens, a father and stepmother out in Illinois. We’ll be contacting them.”
“Let me know if and when they want to see her. I’ll take them through it personally.”
“All right.”
He looked away, past the lights into the cold dark. “I wish it were spring,” he said.
“Yeah, people still end up dead, but it’s a nicer atmosphere for the rest of us. And, you know, flowers. They’re a nice touch.”
He grinned, and some of the shadows around him seemed to lift. “I like daffodils myself. I always think of the trumpet as a really long mouth, and imagine they chatter away at each other in a language we can’t hear.”
“That’s a little scary,” she decided.
“Then you don’t want to get me started on pansies.”
“Really don’t. I’ll check in with you later. Peabody, get that canvass started.” She left Morris, heard him murmur, All right now, Gia, then stepped up to Roarke.
“I’m nearly done here,” she began. “You should-”
“I won’t be going home,” Roarke told her. “I’ll go in, start working in the war room. I’ll take care of getting myself there.”
“I’ll go on in with you.” McNab looked at Eve. “If that’s all right with you, Lieutenant.”
“Go ahead, and contact the rest of the team. No reason for them to lay around in bed when we’re not. This is a twenty-four/seven op now. I’ll work out subteams, twelve-hour shifts. The clock’s about to start on Ariel Greenfeld. We’re not going to find her like this.”
She looked back. “I’m goddamned if we’re going to find her like this.”