And the whole time, Gut knowed full well what it was he was a’lookin’ at. Sure as shit, yes, sir, he was lookin’ smack-dab right down inta hell…
Yeah, he assured himself yet again, but I’m safe in here. They can’t get me in here…
And that’s when he noticed the two figures step out of the shadow by the doorway.
Two Creekers…
They peered crookedly into the cell, inbred red eyes sunk into their bulbed heads. One’s face seemed jawless, the other had no ears and just a pit for a nose.
“You can’t get me in here!” Gut yelled.
The two Creekers tittered and smiled. Then the jawless one advanced, jingling the keys to the cell door.
««—»»
“What’s this?” Phil asked. “This right here?”
“Huh?”
“This tattoo,” Phil said, and pointed. His finger daintily touched her flesh, which felt moist and very soft.
It looked crude, primitive, burned onto the milk-white skin of her upper left arm. Probably homemade, he realized. Did it with ink and needles herself. The tattoo, tiny as it may have been, clearly depicted a horrifying face whose mouth was crammed with jagged teeth. Two stubs modestly sprouted from its head.
Horns, he realized.
“It looks like a demon. Is that what it is, Honey? Is it a demon?”
“Deem-nom,” she attempted. The mispronounced word sounded like a child talking with a sore throat. Her shining hair remained hanging in front of her face; she smelled slightly sweaty. Only a few wedges of blinking light from the road sign seeped into the car. The girl elected not to answer Phil’s question—if she’d understood it at all—but instead slid over right next to him.
The bench seat’s springs groaned as Phil, in reaction, slid away a few inches. “Honey, listen…”
At once her perfect hands touched him, one rubbing his neck, the other sliding to and fro along the inside of his thigh. “Blow job, ya want?” she asked. Then her hand slid directly over his crotch and squeezed.
Ho, lord! Phil thought and immediately jumped in the seat. He took her hand away and placed it in her lap. “Listen, Honey, I just want—”
“Fuck me, ya wanna then, huh?” she presumed. “Everwhat ya want, s’okay,” and then she reopened the satin robe and let it slide off her pretty shoulders. Suddenly Phil was looking right at her perfect bare breasts. Jesus, he thought, and promptly gulped. “No, Honey, that’s not what I want either,” he said and pulled her robe back up over her.
“Oh-uh,” she murmured. Then her head bowed in a pause. “Hit me ya wanna, I guess.”
Phil shook his head. The girl’s plight was just another exercise in despair. She thinks I want to beat her. “Honey, I don’t want to hit you, I don’t want to hurt you. I don’t want to do anything except talk.”
“Talk?”
“That’s right, I just want to talk to you for a few minutes.”
She peered back at him through her raven hair, as if in complete confusion. “Hit me no?”
“No, Honey, I won’t hit you.” The whole thing was so sad when he contemplated what life must be like for her. Though no deformities were noticeable, she was still one of Natter’s Creeker whores: kink fodder. Probably gets slapped around every night, he realized. Tied up, beaten, you name it. “Lets just talk, okay?”
“Talk I-uh good-no, er no good,” she peeped.
“You talk fine. I can understand you fine.” He wanted to set her at ease; he didn’t want her to be afraid of him, or think he was just another sick redneck slob who wanted to use her. “But first, let’s get all this hair out of your face,” he said calmly, and then he reached across and pushed her hair back.
And nearly shuddered.
Be cool, he ordered himself, and then quelled the urge to recoil. Once he’d pushed her hair back, her deformity was manifest.
At first she seemed to have no face at all; he was looking at her left side, and her face was—
Nothing, he saw. Featureless, No eyes, no mouth, no nose. Just…skin.
Then she turned her head toward him. Jesus, he thought, and it was a dry, inhuman thought. Nature had pushed her face all the way over to the far right side of her skulclass="underline" tiny mouth, tiny nose, two tiny red eyes all existing in a narrow strip running from her right temple to her chin…
“Ugly me,” she wisped. “I know.”
“No, you’re not, Honey,” he said. “You’re just different.”
“Iffer-dent.”
“Yeah, you’re different, that’s all, and there’s nothing wrong with that.” But these words of consolation were hard to form looking at her. Here was proof of what a monster nature could be. It was difficult for Phil to absorb all at once.
She tied the sash of her robe and quickly brushed her hair back in front of her face.
“What about you wanna talk?” she asked.
Crickets trilled in his ears, backed by the bizarre words he remembered. “I want you to tell me about…Ona,” he said.
Suddenly the silence seemed to ooze from another world. Phil thought he could hear the girl’s heart beating.
“Ona,” she said.
“Tell me about Ona. It’s a demon, isn’t it?”
“Ona,” she repeated. Then her hair-cloaked face turned to him—she seemed about to speak.
Holy—
Phil didn’t have time to complete the thought. Shadows jerked and fluttered, maddeningly fast. At once his door was yanked open; misshaped hands reached in and hauled him out of the car. Can’t get to my piece! he realized; one guy had Phil’s arm twisted behind his back, and another had him in a half-nelson.
Creekers.
Phil’s captors held him up on his feet beside the car. The more Phil struggled, the tighter they gripped him. Two more Creekers pulled the girl out and shoved her forward.
Then another figure advanced, a huge figure…
“Welcome to our world,” a voice intoned. The voice was resonant, heavy as lead. “How do you like it?”
Phil squinted up. Standing before him, tall and still and frightfully gaunt, was Cody Natter.
“Tell these fuckin’ apes to—let me go!” Phil shouted.
“In time. But first, I understand you’ve been making some inquiries about my proud family, hmm?” Natter’s cracked face turned toward the girl. “Tell him, Honey. Tell our friend here about Ona.”
The girl, still backed by two Creekers, shivered in Natter’s presence.
“Go on, Honey—”
Then one of the Creekers put a buck knife in her hand.
“—our friend wants to know.” Natter was staring intently at the girl, his smile like a canyon gouged across his face.
“I-uh-yuh—” the girl muttered.
“Go on.”
“I—”
“Go on.”
Natter held his stare.
The girl raised the knife, croaked, “Ona-prey-bee,” then—
“Noooo!” Phil screamed.
—dragged the knife so deeply across her throat that her head fell back as if hinged. She collapsed to the gravel immediately, blood pouring from the wound freely as water from an open spigot.
“You motherfucker!” Phil exclaimed, wincing at the downward pressure on his neck. “You ugly sick Creeker son of a bitch!”