Charles’s nose was larger, but Mrs Ortega’s was truly gifted. However, she was not an olfactory savant. She had not identified the alcohol by scent, nor discerned that it was stale, not fresh, and neither had she found the bouquet a bit wanting – a lesser brand. This was only a parlor trick. Cheap bourbon was Riker’s habitual choice, and the spill might reek, but it was dry, suggesting a drink earlier in the day. After erasing the evidence of his on-duty imbibing, she went back to dusting the shelves and muttered, ‘My tax dollars at work.’
‘Mallory’s on the way,’ Riker said to her back. ‘You got fifteen minutes.’ The detective also knew her soft spots, and now Mrs Ortega’s duster doubled its speed. She would not want Mallory to walk in while there was still a dust mote at large.
‘You never finished the story,’ said Charles. ‘What happened to that Indian girl after she – ’
The man shook his head to say, Not now, then quickly glanced at the cleaning woman. When Mrs Ortega had packed up her cart and gone home, Riker was still uneasy as he continued the unfinished tale. ‘The Wichita Kid got away. When the next book opens, you find out the Indian girl is dead.’ He sagged back against the wall, and his face turned toward the open door.
Keeping an eye out for Mallory?
Yes, and he was also telegraphing the terrible importance of the books, which had nothing to do with plots and everything to do with a recent murder and a child who loved westerns.
‘Sheriff Peety’s horse crushed the girl’s skull,’ said Riker. ‘So he broke off the chase and carried the body back to her village. Wichita never found out that the girl died to save him. He just went on loving her for the rest of the book.’ The detective was about to say more when something caught his eye, a folded newspaper on the desk. His left shoe began to tap in a steady rhythm, though he was not given to nervous mannerisms.
The newspaper belonged to Charles. He had finished the detailed account of a hanged prostitute and noted the similarities to Natalie Homer’s murder. However, the most startling lines described the crime-scene floor awash in water from a fire hose. Given the time of night and the degree of dampness in a paperback western called Homecoming, he now knew how the book had gotten wet. It was possible that the detective had innocently dropped it in the water, but the man’s uncharacteristic anxiety suggested that the truth was even more out of character than Riker telling lies and drinking on duty. Though Charles suspected the book had been stolen, all he would say to his friend was ‘Tell me how the story ends.’
Riker’s eyes were on the door, and there was some strain in his voice when he said, ‘Sheriff Peety hears about another gunfight with the Wichita Kid – another man killed. He picks up the trail outside of El Paso, Texas. At the end of the book, the sheriffs riding into an ambush – forty-to-one odds. He knows what’s comin’. He knows he can’t win. But he keeps on riding.’
The apartment had a formal dining room, but Charles preferred the casual warmth of the kitchen, where a Bach concerto played at the low volume of background music. He turned down the gas flame under a bubbling pan of red sauce for Sergeant Riker’s favorite meal. His dinner guests had not waited on ceremony. Riker and Mallory sat at the table demolishing salads of olives and purple onions, red lettuce and fettuccine, as if they had not eaten in days and days.
Charles poured out a sample of cabernet sauvignon, then set the bottle on the table. ‘You’re going to love this.’ It was an old vintage, deep red and fine. He swirled the glass, and the bouquet summoned up the warm sun of France, country air and the scent of rich earth among the ripe grapes. He tasted it. Potent magic, a rare wine to stimulate the intellect and turn a stammering fool into a poet. He owned first editions of Blake that had cost him less, but this was truly a work of art that one could swallow.
And Riker did. He slopped it into a glass and slugged it back in one long, thirsty gulp, neatly bypassing every taste bud.
After a time, Charles closed his mouth and opened his eyes again. ‘Anyway,’ he said, turning back to the stove, ‘it was the best I could get on short notice.’
‘It’s wonderful,’ said Riker. Food had greatly improved the man’s mood, perhaps with a little help from the wine.
‘I’m glad you’re taking an interest in Lars Geldorf s case.’ Charles opened the oven and released the aroma of warm garlic bread. ‘He thought you were only humoring him.’ After setting the bread basket on the table, he watched them empty it by half before he could ladle spaghetti and meatballs into their bowls, and it was a race to pour the sauce before they picked up their forks. Now he worked between the movements of silverware to add the grated cheese. ‘Riker, what do you call that detective, the one with the yellow hair? He was here and gone so fast.’
‘The son-in-law of the deputy commissioner. That’s the kid’s full name.’
‘Ronald Deluthe,’ said Mallory.
‘Alias Duck Boy.’ Riker inhaled his spaghetti, then smiled at his host. ‘So, Charles, how was your day? Did the old guy give you any trouble?’
‘Not at all.’ He sat down at the table and salvaged what he could of the bread and the wine. ‘I like his stories.’ He turned to Mallory. ‘Did you know that your father visited Natalie Homer’s crime scene?’
‘I know.’ Mallory opened a small notebook to a page of Louis Markowitz’s handwriting, then pushed it toward him. ‘Take a look.’
Charles recognized a few of the lines she had transcribed last night on her computer. He found it easy to break the simple shorthand code. ‘So Louis was in the room for only a few minutes.’
Riker nodded. ‘That was after Geldorf removed the hair from the woman’s mouth. Lou didn’t know about that.’
Charles read on for a few more lines. ‘He thought Natalie Homer was gagged with tape – not hair – but he doesn’t say why.’ And now he turned the pages faster, easily deciphering chains of sentence fragments. Apparently it was typical of Louis Markowitz to write down only the last words in a long passage of thoughts. ‘Lipstick.’ He turned to Mallory. ‘Maybe he saw a piece of tape with her lipstick on it? Of course that word is miles from the part about the gag.’
‘Cryptic bastard.’ Riker reached for a slice of garlic bread and dipped it into his spaghetti sauce. ‘He wrote in code so the lawyers couldn’t subpoena his personal notes. What about Geldorf s stuff? Have you seen all the photos – the reports?’
‘Not yet. Lars is bringing in another carton tomorrow.’
Mallory’s fork hung in midair. ‘He was holding out on us?’
‘I wouldn’t put it that way,’ said Charles. ‘He has a few things that didn’t qualify as evidence. Said he didn’t want to confuse the larger picture with minutiae.’ Or, in Geldorf s words, the small shit. ‘He has a few more photographs and notes.’
‘A carton of’em,’ said Riker.
Charles looked from one detective to the other, then realized that the short answer should have been, yes, Geldorf had been holding out on them. ‘Well, he probably didn’t think you’d care. But when he found out you were planning to work on the case – ’
‘Never mind.’ Mallory pushed her bowl aside. ‘What’ve you got so far? Anything unusual?’
‘A few discrepancies – one major problem.’
Riker helped himself to a second bowl of spaghetti. ‘Did you point that out to Geldorf?’
‘No, I thought it might be rude.’
‘Good,’ said Riker. ‘Whatever you come up with, bring it to us, not him. Geldorf s not a cop anymore. He’s just visiting.’