"Oh, no. I went to an Off-Broadway play someone had recommended. It's called Syzygy. Ever hear of it?"
"Can't say as I have. Any good?"
Gia had dragged him to Syzygy last month and he'd wound up liking it…
"Very strange. Lots of twists and turns in the plot." Jack feigned a yawn. "But it didn't start till ten and I was late getting to bed."
That would jibe with the report from whomever Jensen had put on the Ritz Carlton last night.
Jensen delivered Jack to the twenty-second floor where he found Brady standing near the receptionist's desk. His suit hung perfectly on his trim frame, and not a single strand of his too-brown hair was out of place.
"Mr. Amurri," he said, stepping forward and extending his hand. "So glad you could make it."
"Call me Jason, please. And I wouldn't miss this for the world."
"Very well, Jason. Come in, come in." He led Jack into the office area. "We'll conduct the session in my private quarters and—"
"Really?" Jack said in his best gosh-wow voice.
"Yes, I thought it would offer more privacy and a much more personal atmosphere. But I have one matter to attend to before we get underway, so why don't you make yourself comfortable until I get back."
Jack swept an arm toward the enormous windows. "The view alone could keep me occupied for hours."
Brady laughed. "Oh, I assure you it will be no more than a few minutes at most."
As Brady breezed out, Jack looked around, searching for the ubiquitous video pickups. He couldn't spot a single eye, and then realized why: Luther Brady would not want anyone monitoring his meetings, recording his every word and gesture.
Jack turned away from the windows and faced the opposite wall. The mysterious globe sat behind those sliding steel panels. Jack wanted a look at it. Jamie Grant had mentioned something about a button on Brady's desk.
Jack walked over and examined the vast mahogany expanse. No button in sight. He stepped behind the desk and seated himself in Brady's high-backed red-leather swivel chair. Maybe he had a remote somewhere.
Two rows of drawers formed the flanks of the desk. Jack went through them quickly and found mostly papers and pens and notepads with From the Minds of Luther Brady emblazoned across the top of each page in some fancy heraldic font.
Sheesh.
The only thing out of the ordinary was a stainless-steel semiautomatic pistol. At first glance it looked like his own PT 92 Taurus, then he noticed the different safety, making this a Beretta 92. A box of 9mm Hydra-Shok Federal Classics sat next to it. What made Brady think he needed a weapon?
Coming up empty in the drawers, Jack felt around under the edge of the desktop. There—a smooth nub near the right corner. He pressed it and then heard a motor whine to life, a soft scrape as the panels began to recede.
He rose and approached the expanding opening. Grant's DD informant had been right. A globe of Earth, studded with a scattering of tiny light-bulbs in no discernible pattern. As he watched, the globe began to rotate. The bulbs flickered to life—not all of them, but most. The clear bulbs held the majority, but here and there a red one glowed.
A swirl of odd-looking symbols had been painted on the wall behind the globe. They looked like a cross between Arabic script and hieroglyphics.
Jack stepped closer to the globe and saw a crisscrossing network of fine red lines. They seemed to radiate from the red bulbs, circumnavigating the globe as they passed through each of the other red bulbs and returned home.
At first glance he thought the same was going on with the white bulbs, but a closer look showed that they were positioned at red-line intersections. Not every intersection—only where three or more crossed. Most of the white bulbs were lit, but a few here and there about the globe were dark. Bad bulbs? Or, for some reason, not yet powered up?
Jack stared, baffled. The red bulbs seemed to be calling the shots, the white were secondary players. He focused on the U.S. and noticed a red bulb in the northeast, near New York City. Did the reds represent major Dor-mentalist temples? Was that the key? He noticed another in South Florida. Was there a big temple in Miami? Could be. He'd have to check.
No, wait. Here was a red bulb in the middle of the ocean off Southeast Asia. No Dormentalist temple there. At least he assumed not.
He backed up for a more encompassing look. Something about the display reached into his gut and scraped the lining with an icy claw… something deeply disturbing here, but he couldn't say what. The reason dangled somewhere in his subconscious, skittering away every time he reached for it.
Jack wrenched his thoughts away from the display and refocused on his immediate circumstances. Right now he should be ducking back to Brady's desk to hit that button again, but he held off. He was here to find Johnny Roselli and give him a message. He'd completed the first half of that task, and was sure he could finish up without setting foot inside this temple again. All he had to do was wait outside for Johnny to leave and follow him home.
But that could take forever. Jack didn't have the time or temperament to stand around and scope the temple door from morning to night, so it would have to be on a catch-as-catch-can basis. Sure, getting a peek at the membership lists would accelerate the process, but that skittish some-thing inside him screamed from the dark that this globe was much more important.
So he stayed where he was, deciding to push his sudden elevated status to the limit.
Jack was still staring at the globe when Brady returned. He froze at the threshold, eyes wide, jaw hanging open.
"What… how…?"
Jack turned. "Hmmm? Oh, I was just looking at this globe here. It's fascinating."
Brady's eyes narrowed as his lips drew into a tight line. "How did you open that?" he said as he stepped toward his desk.
"Oh, it was the funniest thing. I was leaning on your desk there, looking out at the city, when my fingers hit a button under the edge. Suddenly these doors opened and there it was."
Brady said nothing. He reached his desk and hit the hidden button. He was clearly upset but trying to hide it.
Jack said, "Did I do something wrong?"
"My desk is for my personal use."
"Oh, I'm terribly sorry. But it was an accident." Jack tried an offended look. "You cannot believe that I would rummage through your desk."
"No. No, of course not."
"I do apologize. I have an impulsive nature and it has created difficulties for me from time to time. I'm hoping that Dormentalism will show me how to control it."
Brady seemed to have calmed himself. "No need to apologize, Jason. It's just that I was… surprised to find the doors open. We don't put that globe on display."
"I don't see why not," Jack said as the leading edges of the panels clicked together. "It's so unique. What do all those lights represent?"
"I'm afraid you're not qualified to know that just yet."
"Really? When will I be?"
"When you have achieved Full Fusion. Only someone in the FF state can comprehend the meaning that globe holds for the Church."
"Tell me something about it," Jack said. "I'm dying to know. How about just a hint? What's that globe about?"
"It is the future, Jason Amurri. The future."
3
Except for two paintings—both of big-eyed waifs—the living room of Brady's personal quarters was as spare as his office. One painting was a little boy holding a wilted flower, and the other a skinny little kid in rags.
"Keane kids?" Jack said.
Brady nodded with vigorous enthusiasm. "Yes. They're originals."
Jack had always found them kitschy, and those big sad eyes monoto-nously repetitious. But he supposed some of the old originals might be valuable to someone.