“Hey, Joe. You didn’t happen to see Gilbert Lynch go by while you were standing behind that counter?”
“Gil? No, why?”
“I could have sworn I saw him in the crowd. But, you know, it was just a glance and he was gone.”
“Even if it was him, Seychelle, I wouldn’t make too much of it. Gil’s pretty harmless. From what I hear, he’s not exactly firing on all pistons these days, but he’s never hurt anybody.”
“Yeah, I guess you’re right.”
“So, we done here?”
“Yeah,” I said. “Let’s go.”
“Is it okay with you if I stay? My buddy over here”—he pointed toward the booth—“offered to buy me lunch at a little Cuban place he knows about. That is, if you don’t need me anymore.”
“It’s okay with me,” I said. Actually, I felt relieved. I’d been wondering how I was going to get rid of him now that I had accepted his offer of help.
I tossed my bag in the back of the Jeep and headed out of the parking lot I had no doubt about where to go next. After talking to both Juliette and Margot, I figured Martine Gohin had some explaining to do. Abusing children may be an acceptable practice in her own country, but not here.
XXI
The traffic on Sunrise was miserable, and it was nearly thirty minutes later that I pulled into Martine’s drive. Her minivan was there, so I assumed she was home. Juliette answered the door, and she drew in a sharp breath when she saw it was me.
“I need to speak to Martine.” The child backed away, opened the door wide, and lowered her eyes. I could just about smell her fear. I would have to be careful that Martine never learned that Juliette had spoken to me.
“Seychelle,” Martine crooned, “what a nice surprise. Come join me out on the patio.”
“Martine, this isn’t really a social visit.” I stopped in the foyer and refused to follow her any farther into the house.
“Ah, you want to know if we have received any information at the radio station. I am sorry, but no one has called.”
“Thank you. But no, that’s not why I’m here.”
“Oh?”
“I want to talk to you about Juliette.”
“I do not understand.”
“Martine, you know I’ve been running around trying to figure out how to get in touch with Solange’s father. Well, it’s become obvious to me that the Miss Agnes was in the business of bringing young girls to Florida who weren’t coming to see fathers or join relatives here. They were coming to be sold, to work as restaveks, like Juliette here.”
Martine’s mouth opened in a round O as she inhaled. “That is ridiculous,” she said. “What do you mean coming in here and making those accusations? Juliette is my niece.”
“Oh, please. Martine, don’t lie to me.”
“Miss Sullivan, you don’t understand a thing about Haitian culture.” As she talked, Martine’s hands flew through the air, making wide gestures. “We have traditions in my country that you will never be able to understand, but at least you could respect them. But no, not you Americans. You think all the world should be like you. You are so arrogant. You would like to see a McDonald’s in every city, your music on the radio, and all the world just like your country.”
“Martine, child slavery is not some quaint Haitian custom that needs preservation.”
She made that sound again with her mouth, expelling a puff of air through her pouty lips, and she rolled her eyes. “You come into my home. You make these ridiculous lies, these accusations—”
“And what about the captain of the Miss Agnes, this Joslin Malheur. You know him, don’t you?”
“Of course not.” She turned away and busied herself going through a stack of papers on a console table in the hallway. She had not turned away soon enough, however, and her eyes had widened almost imperceptibly at the mention of his name. She knew Malheur.
A phone started to ring in the kitchen. “Excuse me,” she said, still not meeting my eyes with hers. She hurried off into the other room. I could hear her muffled voice as she spoke, but mostly she seemed to be listening while the other party did all the talking. From the entry to her house, the living room opened up off the hall to the right, and I took a few steps forward to explore while I waited. The room was decorated with paintings and artifacts from Haiti. There was a carved gourd and a beaded flag on display on the bookshelf. On the top shelf of the unit lay a machete in an intricately designed leather scabbard. I was just reaching for the machete when Martine appeared in the hall. She had her pocketbook slung over her shoulder.
“Miss Sullivan, we are going to have to cut our visit short, I am afraid. That was the police dispatcher, and they need my translation services. I must go.”
“What happened?”
“There’s been a homicide,” she said, and waved me in the direction of the front door. “They need me to interview some of the possible witnesses. I really must be going.”
Martine opened the door, and we both walked out onto her driveway, squinting into the glaring sunlight. As she put the key in the driver’s-side door of the minivan, she turned to watch me leave. “We are finished, Miss Sullivan, non?"
I wondered if she was referring to our friendship or just this afternoon’s meeting, but I supposed she was right in either case. “I’m not giving up, Martine. I’m not going to let them send Solange back, and I’m going to report this restavek business to the authorities.”
She looked at me thoughtfully, then opened her door. Just before she climbed in, she paused. “Miss Sullivan, I am a civilian contractor for the Fort Lauderdale Police Department. I have worked with them for almost five years. You think they are going to believe a word of this nonsense of yours?” She made that dismissive spitting sound again, then looked at her watch. “This is going to take most of the day. The Swap Shop,” she said, shaking her head. “They couldn’t have picked a place with more Haitians.”
“It’s at the Swap Shop?”
“Oui, probably some kind of gang activity. Kids these days, eh?” She slammed her door and the van started up.
I jumped into Lightnin’ and backed out of her way. After she had turned out of sight, I followed. I hadn’t been willing to ask her if it was a boy or a girl, but in my gut I knew.
When I pulled back into the Swap Shop parking lot, there were more than half a dozen police cruisers, several unmarked county vehicles, and a white van with the words Fort Lauderdale Police Crime Scene Unit emblazoned across the side. The sad part was how little attention the crowd of police vehicles warranted among the weekend shoppers; they passed by as though this level of police activity was something they saw every day.
Inside the building, it was different. A crowd had gathered around to peer in under the circus bleachers at the shrouded body lying on the cement floor next to a dusty carousel horse. Mothers stood on tiptoes, holding their children’s hands, the children’s eyes wide in their painted faces, their helium balloons bobbing overhead. An older black gentleman wearing red suspenders to hold up his sagging black trousers was mumbling a prayer, though it was barely audible over the calliope music being broadcast over the PA system.
On the far side of the building, families sat eating their McDonald’s burgers, people were buying Lotto tickets at the Tic Tac Dough window, and ladies were bargaining with a turbaned shopkeeper for imitation eelskin handbags.
She was just a kid who was trying to help me, trying to get back at the man she suspected of killing her brother. What part had I played in her death?
A woman started wailing somewhere in the crowd. I pushed my way to the front where bodies pressed up against the crime scene tape. The woman stood between two uniformed officers, her face covered with both hands, her fingernails brightly detailed little jewels sparkling in the flash of a camera. She lowered her hands suddenly and turned her back to me. She began to speak to someone on the far side of the crowd, but I couldn’t see who was there because the two patrolmen, who supported her on either side, blocked my view. I tried to get the attention of the female cop who was handling the crowd, to ask permission to speak to the saleswoman, as if I didn’t know who was there under that black plastic sheet.