The man says, “I thought you were Malik.”
Malik recalls watching Edward Albee’s play The Zoo Story, in which a man sits next to another on a park bench in New York. The two men talk, and their talk leads one of them to murder the other. Anyhow, what does this man want?
“What if I were Malik?” he asks.
The stranger takes a small piece of paper out of his pocket, writes down a mobile number, gives it to Malik, and says, “Call me when you have a moment.” Then he departs, without another look or word.
Malik roots in the repertoire of memories at his disposal for the right kind of reaction, but he cannot come up with a suitable one. He holds the piece of paper as if it were on fire and about to burn his fingers, and scampers after the man. He asks, “Who are you? Where have we met?”
“I was in the minivan,” Hilowleh says. “My nephew is one of the three wounded journalists for whom you’ve offered to pay. I own a printing press, one of the largest in the city, which is why I know many of the journalists. I want first of all to thank you for your kindness.”
Malik nods and waits for more.
“That is going to be a hefty bill and I am offering to share it with you, and so will others, when the clinic gets round to submitting it,” Hilowleh says. “But yours is a generous gesture and it behooves us to acknowledge it, with thanks.”
“I’m sure you wish to say something else besides thanking me for a bill that hasn’t been submitted and which I haven’t yet settled,” Malik says.
Hilowleh nods and then says, “I do.”
Malik thinks that Hilowleh holds his self-doubts in check the way a cardplayer with a winning hand delays revealing it.
Finally, Hilowleh says, “I happen to be privy to a few facts. I hear a lot, because I am in the printing business and my nephew has been confiding in me.”
Malik feels unable to set sail in such a fog, so he waits for Hilowleh to state his real business. “What are you telling me?”
Hilowleh says, “Are you here for long?”
“I am here until I’ve paid the bill, for sure.”
“I meant, are you in the country for long?”
“Why do you ask?”
“Because I would leave soonest if I were you.”
With these new deaths, Malik is now of the same mind: he is planning to leave as soon as he has done a few more interviews.
“From what I hear you’re lucky to be alive,” Hilowleh affirms. “For what it is worth, it is now agreed that Gumaad has all along been the snake trailing the length of his betrayals, enviously causing their deaths, because he couldn’t produce a single line good enough to be published. The advice from me is this: leave quickly, quit this accursed country while you can.”
Not awaiting his reaction, Hilowleh walks off.
Qasiir finds Malik brooding. He has the surgeon with him. The surgeon informs Malik that the three injured journalists are now out of danger. They are, however, still under sedation in the intensive-care unit. Then the surgeon gives him a card, which has on it his full name, a home phone number, and a mobile one.
The surgeon says to Malik, “I mean what I wrote in the message on the back, thinking I might not see you. Please call whenever you want. No hour is late. I am on duty the whole week. Also, don’t worry about paying the bill on a foreign credit card. Hilowleh, an uncle to one of the journalists, has agreed to settle all the charges. So if you are feeling okay yourself, be on your way. And thank you.”
On their way to Cambara and Bile’s, Qasiir informs Malik that on their instructions he has taken Malik’s things to the annex just as he packed them.
“I wish you would have let me know before doing so.”
Qasiir shrugs, as if making light of the matter.
Malik, miffed, says, “As you can see, I’m well enough to decide for myself. Nor am I dead yet. Because when I am dead, it will fall to others, like Cambara and Bile, to do what they please with my personal things.”
“Just following instructions,” Qasiir says.
Malik ascribes his irritability, once he has given it thought, to the fact that he doesn’t wish to speak about his encounter or exchange with Hilowleh to anyone. He hates the “I told you so” posture that others would take if something terrible were to happen to him.
They listen to the news on the car radio: Nine peacekeepers from the Burundi contingent seconded to the African Union AMISOM died when a suicide bomber drove into their compound.
At Cambara and Bile’s, Malik gingerly steps out of the vehicle and stands, with his hand ready to ring the outside bell; but somehow he doesn’t press it. Instead, he sways this way and that, from a combination of pain and exhaustion, his head spinning, the ache in his entire body now returning, his feet feeling as heavy as lead. Qasiir rings the outside bell for him and waits until Cambara joins them. Only then does he go to take Malik’s suitcase and computer to the annex.
Cambara welcomes Malik in and holds him. They walk side by side to the annex. She is too familiar with the slow pace of the invalid, and supports him well. Bile accompanies them, bringing along a pouch with painkillers and anti-inflammatory drugs, aiming to have the chance to inspect Malik thoroughly. They invite him to stay in the main house for the night, but Malik won’t hear of it.
“I don’t like the look of that bump on your head,” Bile says. “It is pretty nasty and the swelling hasn’t gone down.”
“Besides, from the look of you, you seem to be running a mild fever,” Cambara says. And to prove it, her cold hand touches his warm head.
Bile sits in the only easy chair in the room, Cambara on the edge of the bed, in which Malik is now lying prone. They ask him questions about the explosion. He gives the details he has already worked on in his head and which he intends to write down, just as is.
Done with his retelling, Malik points Cambara to the bag in which he has kept his soiled things. Then he goes into the bathroom to wash his face and take a look in the mirror at the bump on his forehead. Bile plies him with pills, and when Malik tells him that he is set on working on the short piece he promised his editor, Cambara prepares a couch on which to sleep and a desk on which to write.
Alone at last, Malik writes several versions of the day’s events and then e-mails the short piece — a pity he has no pictures to accompany it. He postpones starting on the longer piece till the next day, but before turning in, exhausted and still in pain, he rings Ahl to let him know what has happened and to ask after Taxliil.
Ahl is eager to talk. Worn out and still in considerable pain, Malik offers to say hello to Taxliil, “just to hear my nephew’s voice after such a long time.”
“Taxliil is in no mood to talk to anyone.”
“Says who?” Malik asks, galled.
“I say it, he says it, does it matter who says it?”
Malik tells himself that, like a contagion affecting them all, there is a lot of nervous tension going around. He is under a great deal of stress, because of the threats Hilowleh has alluded to and, more to the point, the fact that he won’t speak about it to anyone — which in and of itself carries its built-in anxiety; Ahl, because of the uncertainties surrounding Taxliil; Taxliil, because of what he has just been through and the unpredictability of his future safety. Maybe it is best that they do not lose their cool at what has proved to be an ordeal for all of them. He decides that it is time to compromise.
“What will make you happy?”
“Talk to Fidno and his friend,” Ahl says.
Malik asks, “Is No-Name coming along, too?”
“No-Name is not coming,” Ahl says. “Instead, Fidno’s associate, Il-Qayaxan, known among his friends as Isha, is joining you.”