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Crossed

For Ian who looked up and started to climb

Do not go gentle into that good night, Old age should burn and rage at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
Do Not Go Gentle Into That Good Night by DYLAN THOMAS
Sunset and evening star, And one clear call for me! And may there be no moaning of the bar, When I put out to sea. But such a tide as moving seems asleep, Too full for sound and foam, When that which drew from out the boundless deep Turns again home. Twilight and evening bell, And after that the dark! And may there be no sadness of farewell, When I embark; For tho’ from out our bourne of Time and Place The flood may bear me far, I hope to see my Pilot face to face When I have crossed the bar.
Crossing the bar by ALFRED LORD TENNYSON

CHAPTER 1

KY

I’m standing in a river. It’s blue. Dark blue. Reflecting the color of the evening sky.

I don’t move. The river does. It pushes against me and hisses through the grass at the water’s edge. “Get out of there,” the Officer says. He shines his flashlight on us from his position on the bank.

“You said to put the body in the water,” I say, choosing to misunderstand the Officer.

“I didn’t say you had to get in yourself,” the Officer says. “Let go and get out. And bring his coat. He doesn’t need it now.”

I glance up at Vick, who helps me with the body. Vick doesn’t step into the water. He’s not from around here, but everyone in camp knows the rumors about the poisoned rivers in the Outer Provinces.

“It’s all right,” I tell Vick quietly. The Officers and Officials want us to be scared of this river — of all rivers — so that we never try to drink from them and never try to cross over.

“Don’t you want a tissue sample?” I call out to the Officer on the bank while Vick hesitates. The icy water reaches my knees, and the dead boy’s head lolls back, his open eyes staring at the sky. The dead don’t see but I do.

I see too many things. I always have. Words and pictures connect together in my mind in strange ways and I notice details wherever I am. Like now. Vick’s no coward but fear films his face. The dead boy’s sleeves are frayed with threads that catch the water where his arm dangles down. His thin ankles and bare feet glow pale in Vick’s hands as Vick steps closer to the bank. The Officer already had us take the boots from the body. Now he swings them back and forth by the laces, a sweep of black keeping time. With his other hand he points the round beam of the flashlight right into my eyes.

I throw the coat to the Officer. He has to drop the boots to catch it. “You can let go,” I tell Vick. “He’s not heavy. I can take care of it.”

But Vick steps in, too. Now the dead boy’s legs are wet and his black plainclothes sodden. “It’s not much of a Final Banquet,” Vick calls out to the Officer. There’s anger in Vick’s voice. “Was that dinner last night something he chose? If it was, he deserves to be dead.”

It’s been so long since I’ve let myself feel anger that I don’t just feel it. It covers my mouth and I swallow it down, the taste sharp and metal as though I’m gnawing through foilware. This boy died because the Officers judged wrong. They didn’t give him enough water and now he’s dead too soon.

We have to hide the body because we’re not supposed to die in this holding camp. We’re supposed to wait until they send us out to the villages so the Enemy can take care of us there. It doesn’t always work that way.

The Society wants us to be afraid of dying. But I’m not. I’m only afraid of dying wrong.

“This is how Aberrations end,” the Officer tells us impatiently. He takes a step in our direction. “You know that. There’s no last meal. There’s no last words. Let go and get out.”

This is how Aberrations end. Looking down I see that the water has gone black with the sky. I don’t let go yet.

Citizens end with banquets. Last words. Stored tissue samples to give them a chance at immortality.

I can’t do anything about the food or the sample but I do have words. They’re always there rolling through my mind with the pictures and numbers.

So I whisper some that seem to fit the river and the death:

“For tho’ from out our bourne of Time and Place The flood may bear me far, I hope to see my Pilot face to face When I have crossed the bar.”

Vick looks at me, surprised.

“Let go,” I tell him, and at the same time we do.

CHAPTER 2

CASSIA

The dirt is part of me. The hot water in the corner washbasin runs over my hands, turning them red, making me think of Ky. My hands look a little like his now.

Of course, almost everything makes me think of Ky.

With a piece of soap the color of this month, of November, I scrub my fingers one last time. In some ways I like the dirt. It works into every crease of my skin, makes a map on the back of my hands. Once, when I felt very tired, I looked down at the cartography of my skin and imagined it could tell me how to get to Ky.

Ky is gone.

All of this — faraway province, work camp, dirty hands, tired body, aching mind — is because Ky is gone and because I want to find him. And it is strange that absence can feel like presence. A missing so complete that if it were to go away, I would turn around, stunned, to see that the room is empty after all, when before it at least had something, if not him.

I turn away from the sink and glance about our cabin. The small windows along the top of the room are dark with evening. It’s the last night before a transfer; this next work assignment will be my final one. After this, I’ve been informed, I will go on to Central, the biggest City of the Society, for my final work position in one of the sorting centers there. A real work position, not this digging in the dirt, this hard labor. My three months’ work detail has taken me to several camps, but so far all of them have been in Tana Province. I had hoped to find my way to the Outer Provinces somehow, but I am no closer to Ky than I was when I began.