For me the best part of Mayville Heights was the riverfront, with all the big elm and black walnut trees that lined the shore, and the trail that wound its way from the old warehouses at the point, past the downtown shops and businesses, all the way out beyond the marina. Mayville was still a pretty busy Mississippi River town, but it was mostly tourists coming and going now. From the porch of the James Hotel you could watch the barges and boats go by on the water the way they had a hundred years ago.
I stopped at the bottom of the library steps. Oren Kenyon had installed the new railing. The wrought-iron spindles look like fat licorice twists. The center spindle on each side seemed to split apart into a perfect oval about the size of both my hands and then reform into a twist again. The letters M, H, F, P and L, for Mayville Heights Free Public Library, were intertwined and seemed suspended in the middle of the circles.
I climbed the stairs, stepped inside and turned to look up above the entrance. A carved and pieced wooden sun, easily three feet across, hung above the wide maple trim. Above it were stenciled the words “Let there be light.” It was beautiful.
Oren had brought the sun to the library last week. He was tall and lean, in his midfifties, I guessed, with sunbleached sandy hair, like a farm-boy version of Clint Eastwood. He’d stood silently by the temporary checkout desk for who knows how long until I’d looked up.
“Could you look at something? If you have time. Please?” he’d asked.
After I’d asked him to call me Kathleen he’d stopped calling me Miss Paulson, but he hadn’t started using my first name. I’d followed him out to his ancient pickup. The sun had been lying in the truck bed, braced in a frame padded with an old wool blanket and covered with a tarp. Oren pulled back the canvas and my breath caught in my chest. I reached out to touch the wood and then stopped, as I realized the significance of the carving.
I looked at Oren. “For over the entrance?” I asked.
A carving of the sun and the words “Let there be light” were over the entrance of the first Carnegie library in Scotland. I knew that, but I had been surprised Oren did. Carefully I ran my finger along one of the sun’s rays. The wood was smooth and hard.
He nodded.
“Thank you,” I whispered, my voice suddenly husky with the sting of tears. I’d wanted to hug Oren, but somehow I knew that would be wrong.
Looking up above the doorway I felt the prickle of tears again. Oren was quiet and gentle and wonderfully talented. Everything the library had needed done that the general contractor couldn’t do, Oren had done. He’d made the new railing. He’d hand-turned trim identical to the original. He’d done the painting, carefully matching the colors to the original 1912 paint.
He never said very much, and watching him over the past several months I had the feeling that Oren had been broken somehow. He made me think of a shattered vase or cup. You carefully glue the pieces back together, so carefully that none of the cracks show. It looks beautiful again and it holds tea or water and roses from the garden, but somehow it’s not quite the same. Something, somehow, is different.
I heard voices then, coming from the back of the library where the new digital card catalogue and computers were going to be located. Voices too loud for the library. Now that the major work on the building was finished we were open to the public again, but it was usually quiet in the early evening.
I walked past the new shelving units, ready for books. Susan, one of my staff members, stood with her back to me, next to the boxes of computers waiting for the new electrical outlets to be installed so they could be set up and connected.
“—do understand how frustrating this is,” I heard her say in her patient-mom voice. Susan had two preschoolers at home and nothing rattled her.
“My dear, there is no conceivable way that you could fathom the depth of my frustration,” the man standing opposite her said. He made a sweeping gesture with both hands. Since he was well over six feet tall the movement looked very theatrical, and maybe that was what he’d intended. “How am I supposed to work under these insufferable conditions?”
I came out from the row of bookshelves and moved to stand next to Susan. There were two pencils poking out of her Pebbles Flintstone updo. She gave a small sigh and an even smaller smile.
“Susan, is there a problem?” I asked.
“Mr. Easton was hoping to use one of our computers to send some e-mail,” she said. “His BlackBerry isn’t working.”
Easton. Of course. Gregor Easton. The well-known composer and conductor was the guest artist for the Wild Rose Summer Music Festival at the Stratton Theater. He’d been in town practicing for about a week.
“Mr. Easton, I’m sorry,” I said. “As you can see, our computer system isn’t ready yet.”
“Yes, I can see that,” he said, making another flamboyant gesture with his arm. “And you would be?” He looked me over, taking in my plain white T-shirt, cropped yoga pants and messenger bag. I slipped the bag off my shoulder and reached up to set it on top of the metal cabinet we were using to hold most of the old card files. “I’m Kathleen Paulson,” I said, offering my hand. “I’m the head librarian.”
I probably didn’t look like I should be in charge. I’ve always looked younger than my age, and my mother promised that once I was over thirty I’d be happy about that. Sometimes I was. This time I would have liked to look older and a little more imposing—hard to do when you’re only five and a half feet tall with a half-grown-out pixie haircut that sticks out in all the wrong places.
Easton had to be in his early seventies, but his grip was strong and his hand was smooth and uncallused. A lot smoother than mine.
“Miss Paulson, I’m sorry to say your library is in chaos.”
I couldn’t help a glance around. The end wall with the stained-glass window had been reinforced and the window itself repaired and cleaned. Most of the new shelves were filled with books. The walls had been plastered and painted. The circulation desk was almost finished, and Oren’s sun seemed to shine over everything. So many people had spent so many hours on this building. It looked wonderful.
I swallowed to hide my annoyance.
He continued. “According to the guidebook in my hotel suite the library is supposed to provide Internet service.”
“I apologize for that,” I said. “The guide arrived early and our computers arrived late.”
“But your computers are here now,” he said. “Why couldn’t one of them be connected?”
Connected? To what? Did he really expect us to unpack one of the computers right now and magically get it up and running so he could check his schedule?
Susan and I exchanged looks. Her mouth was a straight, serious line, but the eyes behind her glasses were laughing.
Easton gave me a practiced celebrity-greeting-the little-people smile. Unpack one of those computers just for him? When pigs fly, I thought.
Unfortunately, it wasn’t a pig that suddenly launched itself onto the conductor’s head. It was a cat.
My cat. Owen.
2
Carry Tiger to Mountain
For a moment Owen perched on top of Easton’s head, tail twitching, like some sort of kitty Davy Crockett hat. Before any of us could move, he leaped over to the top of one of the bookshelves, shook himself and gave us a wide-eyed stare. What was he doing at the library? How the heck had he gotten into my bag with my noticing?
Easton bellowed a word I’d heard before but never in a library, and swiped at his head. “Miss Paulson, your library is infested by vermin! I have been attacked by a rodent!”
“That’s not a rodent. That’s a cat,” Susan pointed out, oh, so not helpfully.