"Mmmmmm. That is soooo good," I say, my eyes closed in rapture.
She looks at me a little funny. Easy for you, Miss, I thinks. You ain't lately been eatin biscuits hard enough to crack your teeth and make your gums bleed for an hour after mess call, and full of bugs, to boot. And that was a helluva lot better than what I had before. But she don't know about that, and she ain't gonna find out, neither, 'cause I told Mistress I wouldn't, and I won't.
Now the girl what showed me that dip-down thing in the front hall comes up next to me, holding a platter of what I think are pork chops, and she stands there expectin' me to do somethin'. I raise my eyebrows in question to Amy.
"Use the tongs there to take what you want."
Take what I want? Why not just tip the whole tray in my plate? But I am good and take up the pinchy things that are resting on the edge of the platter and choose a fat one and manage to get it to my plate without disaster.
"Thank you," I say to the girl. "And thanks for savin' my neck this morning when I came in."
She blushes like she ain't used to being thanked and says, "'Twas nothing, Miss." And she scoots off to be replaced by her sister, who has a platter of vegetables and potatoes with tongs like before. And then a thing of gravy is put on the table.
"Good Lord!" I say. "It's a wonder that everyone here ain't fatter than pigs if you eat like this all the time!" I regrets it instantly, as Miss Amy ain't exactly skinny.
"This is the big meal of the day," she says, appearing to take no offense. "The evening supper is much smaller. Breakfast is tea and toast or oat porridge or eggs and bacon."
A pang of guilt runs through me. I wonder what Polly and Judy and Nancy and Hughie are eatin' today, there under Blackfriars Bridge, if they're still there or even still alive. But what could I have done for them, a nothing girl like me? Nothin'. Still, sometimes I feel I shouldn'a left them. But my greed overcomes my guilt over leaving them to their fate and I eye the spread hungrily, waiting for Amy to pick up a tool and dig in.
She picks up the gravy thing and pours out a little over her potatoes and then takes her knife in her right hand and her fork in her left and cuts one piece of meat out of the chop and then puts down the knife and switches her fork to her right hand, spears the small bite of meat, and puts it in her mouth. Why not cut the whole thing up at once and why do you have to change hands? I dunno. Anyway, I do it like she does, 'cept I cuts a much bigger hunk and I pours the gravy over everything. Then I digs in, and soon I'm makin' my usual sounds of contentment that I make when I'm eatin' somethin' really good.
When I'm done, I take my last bit of bread and sops up the rest of the gravy in my plate and pops it in my mouth. I'm eyeing the pork chop bone lying in my plate and it's still got some tasty-lookin' fat glistenin' on the side, and I want to pick it up and stick it in my gob and let my teeth and tongue do the cleanup detail but I don't 'cause Amy don't do that with hers.
Our plates are picked up and I watch the remains of the chop go off, with great regret. A glass of a brownish juice is put in front of me.
"What's that?"
"It is apple cider. It is the time of year for it." She lifts her glass and tastes it. "Please don't faint from the joy of it," she says, lookin' at me all mock serious.
I laugh out loud, loud enough for Clarissa's table to hear. Good. Let them know I am not cowed. "I'm sorry, Miss," I manages to say to Amy, "but this is all so new to me, and I would purely appreciate it if you show me around a bit 'cause I don't know when anything is and where I'm supposed to go and what I'm supposed to do and..." And I've got that old feelin' in the bottom of my gut.
"...and I don't know where the head is."
"The head?" she asks, all mystified.
"I got to go powerful bad and I don't know where to do it."
"Oh," she says, and looks over to the teacher table. "Well, we cannot leave until Mistress does, but it should be soon. Ah. There she goes. Come, and I will show you." With that, she gives her lips one last pat with her cloth and rises. I pat my own mouth and follow her out of the dining room, book on head, lips together, teeth apart.
Amy leads me back upstairs and through the dormitory room to a door at the other end. "This is the privy," she says. "Do be quick. We must be in class soon."
I open the door and go in. It is a long room with six stalls on the far wall. I open one of the stall doors and peer in. There is a bench with a hole in it and I look down the hole to see a white chamber pot below. To the left is a sink with a pitcher of water next to the basin. There is also a basket with clean bits of cloth in it, and on the floor, there is a basket with a top on it and I figures that's where you put them after you use 'em. So that's how the job is done around here, then. I take a small bit of cloth.
When I plunk myself down, I notice that there's a latch on the inside of the door. Privacy, even. My, my. Sure beats the stinky old head back on the Dolphin.
When I am done, I put the lid on the pot, grab its handle, and head out into the dormitory and say to Amy, "So where do I dump the pot, then?"
"Oh. My. God." I hear that from a gaggle of girls who have come into the room when I was in the privy. They giggle and crow and run out of the room to tell Clarissa and the rest about my latest botch of things. I realize I have made a big mistake.
"Put it back," says Amy, wearily. "The downstairs staff takes care of things like that."
I go back and put the pot under the bench and then go sheepishly back to Amy.
"I'm sorry, Miss," I say. "As soon as I get my sea legs under me and know my way around here I won't bother you no more."
We go to class.
The first class is the dreaded Embroidery, taught by Mistress, herself, and it's true I have no skill in this regard and am discovered right off and sent to sit with a little girl who is working on her first sampler. The others snicker at my disgrace and turn their backs to me as I take my place at the foot of the class. I hear giggles and I think I hear the words Lady Chamber Pot whispered about.
A sampler, I find, is a bit of cloth on which a girl shows how good she is with a needle by doing the alphabet and then her name and then some gloomy verse or saying with a pretty border all around, and when she's all done, she frames it up and hangs it on the wall. I guess so possible future husbands might see it and nod in approval of her skill and maybe marry her on account of it. There's all sorts of them in frames up there on the wall, with one really big one that just has a poem on it.
I Pray that Risen from the Dead,
I may in Glory stand—
A Halo, perhaps, upon my Head,
But with a Needle in my Hand.
They sure take this stuff seriously, I'm thinkin'. Cheerful bunch, too—a lot of the verses up there go as you read this I am now dust and suchlike. I would sit there with a cloud of gloom over my head, 'cept the little girl next to me is even gloomier. She seems to be about twelve years old and looks to be the youngest one here. We're about the same size, 'cept I've come out a bit on top and she ain't yet.
I see from her sampler that her name is Rebecca. Rebecca Adams.