“Your frockin-A,” Pucky says.
Milt Sturmfuller puts his wife in the hospital over a bit of egg that the dishwasher didn't take off one of the plates. He takes one look at that dried yellow smear on the plate she tried to give him for his lunch, and pounds her a good one. As Pucky O'Neil would have said, Milt hits her with all his force. “Damn slutty bitch,” he says, standing over Donna Lee, who is sprawled out on the kitchen floor, her nose broken and bleeding, the back of her head also bleeding. “My mother used to get the dishes clean, and she didn't have no dishwasher, either. What's the matter with you?” Later, Milt will tell the doctor at the Portland General Hospital emergency room that Donna Lee fell down the back stairs. Donna Lee, terrorized and cowed after nine years in a marital war-zone, will back this up.
Around seven o'clock on the night of the full moon, a wind springs up-the first chill wind of that long summer season. It brings a rack of clouds from the north and for awhile the moon plays tag with these clouds, ducking in and out of them, turning their edges to beaten silver. Then the clouds grow thicker, and the moon disappears… yet it is there; the tides twenty miles out of Tarker's Mills feel its pull and so, closer to home, does the Beast.
Around two in the morning, a dreadful squealing arises from the pigpen of Elmer Zinneman on the West Stage Road, about twelve miles out of town. Elmer goes for his rifle, wearing only his pajama pants and his slippers. His wife, who was almost pretty when Elmer married her at sixteen in 1947, pleads and begs and cries, wanting him to stay with her, wanting him not to go out. Elmer shakes her off and grabs his gun from the entryway. His pigs are not just squealing; they are screaming. They sound like a bunch of very young girls surprised by a maniac at a slumber party. He is going, nothing can make him not go, he tells her… and then freezes with one work-callused hand on the latch of the back door as a screaming howl of triumph rises in the night. It is a wolf-cry, but there is something so human in the howl that it makes his hand drop from the latch and he allows Alice Zinneman to pull him back into the living room. He puts his arms around her and draws her down onto the sofa, and there they sit like two frightened children.
Now the crying of the pigs begins to falter and stop. Yes, they stop. One by one, they stop. Their squeals die in hoarse, bloody gargling sounds. The Beast howls again, its cry as silver as the moon. Elmer goes to the window and sees somethinghe cannot tell what-go bounding off into the deeper darkness.
The rain comes later, pelting against the windows as Elmer and Alice sit up in bed together, all the lights in the bedroom on. It is a cold rain, the first real rain of the autumn, and tomorrow the first tinge of color will have come into the leaves.
Elmer finds what he expects in his pig-pen; carnage. All nine of his sows and both of his boars are deaddisembowelled and partly eaten. They lie in the mud, the cold rain pelting down on their carcasses, their bulging eyes staring up at the cold autumn sky.
Elmer's brother Pete, called over from Minot, stands beside Elmer. They don't speak for a long time, and then Elmer says what has been in Pete's mind as well. “Insurance will cover some of it. Not all, but some. I guess I can foot the rest. Better my pigs than another person.”
Pete nods. “There's been enough,” he says, his voice a murmur that can barely be heard over the rain.
“What do you mean?”
“You know what I mean. Next full moon there's got to be forty men out… or sixty… or a hundred and sixty. Time folks stopped dicking around and pretending it ain't happening, when any fool can see it is. Look here, for Christ's sweet sake!”
Pete points down. Around the slaughtered pigs, the soft earth of the pen is full of very large tracks. They look like the tracks of a wolf… but they also look weirdly human.
“You see those fucking tracks?”
“I see them,” Elmer allows.
“You think Sweet Betsy from Pike made those tracks?”
“No. I guess not.”
“Werewolf made those tracks,” Pete says, “You know it, Alice knows it, most of the people in this town know it. Hell, even I know it, and I come from the next county over.” He looks at his brother, his face dour and stern, the face of a New England Puritan from 1650. And he repeats: “There's been enough. Time this thing was ended.”
Elmer considers this long as the rain continues to tap on the two men's slickers, and then he nods. “I guess. But not next full moon.”
“You want to wait until November?”
Elmer nods. “Bare woods. Better tracking, if we get a little snow.”
“What about next month?”
Elmer Zinneman looks at his slaughtered pigs in the pen beside his barn. Then he looks at his brother Pete.
“People better look out,” he says.
OCTOBER
When Marty Coslaw comes home from trick or treating on Halloween Night with the batteries in his wheelchair all but dead flat, he goes directly to bed, where he lies awake until the half-moon rises in a cold sky strewn with stars like diamond chips. Outside, on the verandah where his life was saved by a string of Fourth of July firecrackers, a chill wind blows brown leaves in swirling, aimless corkscrews on the flagstones. They rattle like old bones. The October full moon has come and gone in Tarker's Mills with no new murder, the second month in a row this has happened. Some of the townspeople — Stan Pelky, the barber, is one, and Cal Blodwin, who owns Blodwin Chevrolet, the town's only car dealership, is another-believe that the terror is over; the killer was a drifter, or a tramp living out in the woods, and now he has moved on, just as they said he would. Others, however, are not so sure. These are the ones who do long reckoning on the four deer found slaughtered out by the turnpike the day after the October full moon, and upon Elmer Zinneman's eleven pigs, killed at full moon time in September. The argument rages at The Pub over beers during the long autumn nights.
But Marty Coslaw knows.
This night he has gone out trick or treating with his father (his father likes Halloween, likes the brisk cold, likes to laugh his hearty Big Pal laugh and bellow such idiotic things as “Hey, hey!” and “Ring-dang-doo!” when the doors open and familiar Tarker's Mills faces look out). Marty went as Yoda, a big rubber Don Post mask pulled down over his head and a voluminous robe on which covered his wasted legs. “You always get everything you want,” Katie says with a toss of her head when she sees the mask… but he knows she isn't really mad at him (and as if to prove it, she makes him an artfully crooked Yoda staff to complete his getup), but perhaps sad because she is now considered too old to go out trick or treating. Instead she will go to a party with her junior high school friends. She will dance to Donna Summer records, and bob for apples, and later on the lights will be turned down for a game of spin-the-bottle and she will perhaps kiss some boy, not because she wants to but because it will be fun to giggle about it with her girlfriends in study hall the next day.
Marty's dad takes Marty in the van because the van has a built-in ramp he can use to get Marty in and out. Marty rolls down the ramp and then buzzes up and down the streets themselves in his chair. He carries his bag on his lap and they go to all the houses on their road and then to a few houses downtown: the Collinses, the MacInnes', the Manchesters', the Millikens', the Eastons'. There is a fishbowl full of candy corn inside The Pub. Snickers Bars at the Congregational Church parsonage and Chunky bars at the Baptist Parsonage. Then on to the Randolphs, the Quinns', the Dixons', and a dozen, two dozen more. Marty comes home with his bag of candy bulging… and a piece of scary, almost unbelievable knowledge.