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Helen’s face screwed up. “What, autopsying Jeffrey Dahmer is a big deal?”

“My dear, in the world of forensic pathology, receiving the opportunity to perform the post-mortem on a world-famous serial-killer is a career event.”

Beck laughed. Helen rolled her eyes.

“I’ll be ready to roll in a few minutes,” Tom said more to Beck. “I’ve gotta let the instruments cook a little longer in the ‘clave.” His eyes gestured the Magna brand 260-degree autoclave percolating in the corner like an industrial washer. Helen thought it absurd to have to sterilize instruments that would be used on dead people. Tom had said the machine cost the state over $4000. I could do the same job with a boiling pot of water, Helen thought.

“Come on,” Beck implied to Helen, and a wave of hand. “Let’s go look.”

“Go look at what?” Helen replied.

“You know. The body.”

“I didn’t come here to see the body,” she insisted.

“Oh, yeah, then why are you here? Let me guess. You came all the way to the state morgue to ask Tom what he wants for dinner tonight?”

A brief impulse flared. First of all, Helen didn’t like the way Beck had so easily referred to Tom by his first name; second, she liked least the fact that it was common knowledge she and Tom were dating, an unwritten no-no for state employees. But then the good Dr. Sallee’s remonstrations kicked in, as they usually did. You’re so insecure, you’re paranoid. You over-react to everything. You have to work on this, Helen. You must, or you’ll never be happy.

She knew he was right, but it still ticked her off. All right, I’ll work on it…

“Uh-oh,” Tom said. “Look, she’s rubbing her locket. That means we’ve pissed her off.”

Helen hadn’t even been aware of it, but now that he’d mentioned this, she couldn’t help but notice how desperately she’d been rubbing her father’s large, silver locket. She dropped it and smiled coyly. “Fuck you very much,” she said.

“That’s the spirit!”

Helen shrugged it off. At least she was making some headway with her problems. “Come on, Jan. Let’s go gawk at Jeffrey Dahmer’s body. And you can tell Mack the Knife there he can have me arrested for morbid malfeasance.”

««—»»

“Oh my God, this is disgusting!” Helen exclaimed.

“No, no,” Jan Beck whispered in something very much like awe. “It’s fascinating.”

Yet another state goon had ID’d them both at the entrance of ANTEROOM #4. DO NOT ENTER. AUTOPSY IN PROGRESS. Of course nothing, right this instant, was in progress save for Helen’s abhorrence. The body lay there so candidly it seemed surreal, like one of Tom’s CD-ROM games—a spooky veil like tulle which somehow enhanced details instead of detracting from them. The body was not covered, and it lay on a stainless steel morgue platform which came equipped with a removable drain-trap, gutters for “organic effluence,” and a motorized height adjustment. The corpse’s image was blatant, like a surprise shout in the dark.

 Fluorescent lights hummed over their heads.

“Christ Almighty,” Helen uttered, at once fingering her locket again. “Look at his face.”

There really was no face, not even a facsimile of anything that could be called a human face. It looked more like a blue-black poultice, covered by a crust of red-black blood. The corpse lay stretched out straight, in stained, nearly tourmaline-green prison coveralls, pocketless via typical county prison inmate regulations. A white patch over the right breast read 177252, the county corrections index. Over the left breast read simply this:

DAHMER, J.

Helen felt something crawl up her skin when she read the nefarious name, something she could only describe as a hot chill.

“I wonder what the official C.O.D. was,” Beck queried.

 “Probably not a heart attack,” Helen offered.

Beck’s tongue curiously traced her lower lip as she studied the corpse’s face. “Repeated blunt trauma,” she estimated. “But, Christ, it said on the radio he was beaten with a broom handle. I’ve seen enough head traumas to tell you, this was no broom handle.”

“And, Senator, you’re no Jack Kennedy,” a voice drifted up behind them. It was Tom, wielding, as usual, his off-key sense of humor. Off-key because this was a morgue. “Multiple cou-counter-cou strike impacts, to respond to your insightful observation. Evidence is plain due to the extent of irregular pupillary dilation. Two blunt trauma impactations against the cranial occipital bone and the inion process. Multiple fractures and abundant spalling of inner calculi also in acute evidence. How’s that for fancy talk?”

Beck frowned. “The occipital bone is in the back,” she pointed out. “And it would take a man of some strength to crack the inion process with a broom stick.

“Then you need to see the assailant,” Tom replied. “A genteel young man by the name of Tredell Rosser. He’s six-three, probably two-percent body fat and weighs in at two-twenty-five. Prison beefcake. This guy’s been lifting weights six days a week for the last four years. He makes Hulk Hogan look like Richard Simmons.”

“But the procumbent skull process?” Beck continued. “That mess wasn’t caused by any broom stick.”

“In my professional estimation, which of course is lauded as undisputable medical fact throughout the world’s community of pathology, the rest of the job was caused by a cinderblock wall.” Tom traipsed forward, snapping on pre-doubled pairs of Becton-Dickinson neoprene examination gloves. “And a concrete floor.”

Then Helen remembered more bits from the incessant radio coverage. Considerable amounts of blood reportedly were found on the floor and wall where Dahmer’s body was discovered. “Rosser took Dahmer down with the broom handle,” Helen ventured. “Then finished the job by—”

“By ramming his big mug into the wall and floor, with all his God-given might. Keep in mind, Rosser routinely bench presses three hundred and fifty pounds. And the rec superintendent at the prison claims that the guy is no longer allowed to practice on the heavy bag because he frequently breaks it open.”

“He just grabbed Dahmer’s ears and went to town,” Beck morbidly added.

“But we mustn’t misjudge,” Tom said. “Maybe he was just trying to knock a little sense into Jeff.” Then Beck: “Or maybe he was actually using Dahmer’s head to try and break out of prison.” He and Beck cackled, then, like witches.

Helen felt waylaid. “There’s a dead body in the room,” she complained. “How can you tell jokes in front of a corpse?”

“Because they don’t groan when you tell a clunker. Sorry, Jeff,” Tom apologized. “We get a little carried away here sometimes.”

“But, honestly,” Beck added to the fest, “we’re really very nice people once you get to know us.”

You’re both whacks, Helen thought. Only then did she turn to fully view Tom, in his “butcher’s blues,” as those in his field called them. He wore the morgue’s ghastly fluorescent light like a pallor; he could’ve passed for a corpse himself, here in such company. But his sense of humor, she realized, came as necessity. Jovial in a locker full of death, day after day. Sure, Helen knew the routine—her own job wasn’t dissimilar, only in that she got to see the corpses before he did, and she didn’t have to autopsy them. But she had to wonder, now in this strangest of rooms, amid the cloying fetor of formalin and cold blood: How does he keep it together? Here was a man who cut up dead people for a living, who autopsied children and weighed wet, extricated livers the way women weighed potatoes in the grocery store. He’s seen more guts than a fish market dumpster, Helen thought. How can he stand doing this every day?