I can tell you, when you're dead, you pretty much have to give up your demands about boundaries and personal space. Just understand, I didn't die because I was too lazy to live. I didn't die because I wanted to punish my family. And no matter how much I slag my parents, don't get the idea that I hate them. Yes, for a while I hung around, watching my mom hunched over her notebook computer, tapping the keys, Control, Alt, and L to lock the door of my bedroom in Rome, my room in Athens, all my rooms around the world. She keyboarded to close all my drapes after that, and turn down the air-conditioning and activate the electrostatic air filtration so not even dust would settle on my dolls and clothes and stuffed animals. It simply makes sense that I should miss my parents more than they miss me, especially when you consider that they only loved me for thirteen years while I loved them for my entire life. Forgive me for not sticking around longer, but I don't want to be dead and just watching everybody while I chill rooms, flicker the lights, and pull the drapes open and shut. I don't want to be simply a voyeur.
No, it's not fair, but what makes earth feel like Hell is our expectation that it should feel like Heaven. Earth is earth. Dead is dead. You'll find out for yourself soon enough. It won't help the situation for you to get all upset.
II.
Are you there, Satan? It's me, Madison. Please don't get the impression that I dislike Hell. No, really, it's way swell. Tons better than I expected. Honestly, it's obvious you've worked very hard for a very long time on the roiling, surging oceans of scalding-hot barf and the stinking sulfur smell, and the clouds of buzzing black flies.
If my version of Hell fails to impress you, please consider that to be my own shortcoming. I mean, what do I know? Probably any grown-up would pee herself silly, seeing the flying vampire bats and majestic, cascading waterfalls of smelly poop. No doubt the fault is entirely my own, because if I'd ever imagined Hell it was as a fiery version of that classic Hollywood masterpiece The Breakfast Club, populated, let's remember, by a hypersocial, pretty cheerleader, a rebel stoner type, a dumb football jock, a brainy geek, and a misanthropic psycho, all locked together in their high school library doing detention on an otherwise ordinary Saturday except with every book and chair being blazing on fire.
Yes, you might be alive and Gay or Old or a Mexican, lording that over me, but consider that I've had the actual experience of waking up on my first day in Hell, and you'll just have to take my word for what all this is like. No, it's not fair, but you can forget about the fabled tunnel of bright, spectral-white light and being greeted by the open arms of your long-deceased grandma and grandpa; maybe other people have reported that blissful process, but consider that those people are currently alive, or they remained living for sufficient time to report on their encounter. My point is: Those people enjoyed what's clearly labeled a "near-death experience." I, on the other hand, am dead, with my blood long ago pumped out and worms munching on me. In my book that makes me the higher authority. Other people, like famous Italian poet Dante Alighieri, I'm sorry to say, simply hoisted a generous helping of campy make-believe on the reading public.
Thus, disregard my account of Hell at your own peril.
First off, you wake up lying on the stone floor inside a fairly dismal cell composed of iron bars; and take my stern advice—don't touch anything. The prison cell bars are filthy dirty. If by accident you DO touch the bars, which look a tad slimy with mold and someone else's blood, do NOT touch your face—or your clothes—not if you have any aspiration to stay looking nice until Judgment Day.
And do NOT eat the candy you'll see scattered everywhere on the ground.
The exact means by which I arrived in the underworld remain a little unclear. I recall a chauffeur standing curb-side somewhere, next to a parked black Lincoln Town Car, holding a white placard with my name written on it, MADISON SPENCER, in all-caps terrible handwriting. The chauffeur—those people never speak English—had on mirrored sunglasses and a visored chauffeur cap, so most of his face was hidden. I remember him opening the rear door so I could step inside; after that was a way-long drive with the windows tinted so dark I couldn't quite see out, but what I've just described could've been any one of ten bazillion rides I've taken between airports and cities. Whether that Town Car delivered me to Hell, I can't swear, but the next thing is I woke up in this filthy cell.
Probably I woke up because someone was screaming; in Hell, someone is always screaming. Anyone who's ever flown London to Sydney, seated next to or anywhere in the proximity of a fussy baby, you'll no doubt fall right into the swing of things in Hell. What with the strangers and crowding and seemingly endless hours of waiting for nothing to happen, for you Hell will feel like one long, nostalgic hit of déjà vu. Especially if your in-flight movie was The English Patient. In Hell, whenever the demons announce they're going to treat everyone to a big-name Hollywood movie, don't get too excited because it's always The English Patient or, unfortunately, The Piano. It's never The Breakfast Club.
In regard to the smell, Hell comes nowhere near as bad as Naples in the summertime during a garbage strike.
If you ask me, people in Hell just scream to hear their own voice and to pass the time. Still, complaining about Hell occurs to me as a tad bit obvious and self-indulgent. Like so many experiences you venture into knowing full well that they'll be terrible, in fact the core pleasure resides in their very innate badness, like eating Swanson frozen chicken potpies at boarding school or a Banquet frozen Salisbury steak on the cook's night out. Or eating really anything in Scotland. Allow me to venture that the sole reason we enjoy certain pastimes such as watching the film version of Valley of the Dolls arises from the comfort and familiarity of its very inherent poor quality.
In contrast, The English Patient tries desperately to be profound and only succeeds in being painfully boring.
If you'll forgive the redundancy: What makes the earth feel like Hell is our expectation that it ought to feel like Heaven. Earth is earth. Hell is Hell. Now, stop with the whining and caterwauling.
On that basis, it does seem clichéd and obvious to arrive in Hell and then weep and gnash and rend your garments because you find yourself immersed in raw sewage or plopped down atop a bed of white-hot razor blades. To scream and thrash seems... hypocritical, as if you've bought a ticket and seated yourself to watch Jean de Florette and then complain loudly, resentful of the fact that all the actors are speaking French. Or like the people who travel to Las Vegas only to harp about how it's so tacky. Of course, even the casinos that take a stab at elegance with crystal chandeliers and stained glass, even those are crowded with the din and cacophony of plastic slot machines flashing strobe lights to seize your attention. In such a situation the people who whine and moan might imagine they're making a contribution but really they're just being another petty annoyance.
The other most important rule worth repeating is: Don't eat the candy. Not that you'll be even remotely tempted, because it's scattered on the dirty ground, AND it's the candy even fat people and heroin junkies won't eat: rock candy, rock-hard Bazooka bubble gum, Sen-Sen, saltwater taffy, black Crows, and popcorn balls.