But in that second, she was aware of a difference. Her partner was far tenser than he'd ever been at the finale; in fact, he was like an animal expecting attack. His body covered hers more completely than it should, as if he were protecting her. The crowd was closer than it should be, and she distinctly saw Haskell's face turn sharply to the right, his mouth opening to shout, allowing a glimpse of his shining fangs. A woman screamed.
Carver, in a tux, stepped out of the polite circle that had formed around the temporary dance floor, then he reached in his pocket and pulled out a knife. He pressed a button in the hilt and a wicked blade leaped out. In the space of a second, he'd slashed Haskell, who faltered and fell. Megan grabbed for Carver's arm next, and she might have slowed him down if Charles Brody hadn't shoved her as hard as he could, just as he'd done that night at the party. Again Megan landed on the floor, and then Carver was in the center of the circle with them.
She knew what he would do. She was sure that Sean thought Carver would try to kill her, and he might—if there wasn't anything else he could do to her—but first, she knew, he would try to kill Sean. Their just-finished dance had shown clearly that she loved the vampire, and Carver would relish killing something else she loved. Because Sean wasn't expecting it, she was able to shove him off her just as the knife descended.
Black-haired Abilene tackled Carver from the rear. Carver couldn't make a killing blow that way, but he managed to sink the knife into Rue's abdomen and pull it directly back out to strike again. Then a wounded Haskell, bloody and enraged, piled on top of Carver. With a bellow of enthusiasm, as if he were on the football field, Moose threw himself on top of them all.
The pain wasn't immediate. Unfortunately, Rue remembered all too clearly when he'd done the same thing years before, and she knew in a very short time she would hurt like hell. She made a bewildered sound as she felt the sudden wetness. Amid the screams and shouts of the crowd, Sean was trying to get Rue to her feet so he could drag her out of the melee. "He may have hired someone to help him. You have to get out of here," Sean said urgently.
But Rue watched Karl take a second to deck Charles Brody before he joined the other vampires in pinning Carver to the marble floor. The trapped man was fighting like a—well, like a madman, Rue thought, in a little detached portion of her brain. Not all the museum patrons had seen the knife, and they were bewildered and shouting. There could have been twenty assassins in the confusion of staff, patrons and servers.
"Come on, darling," Sean urged her, holding her as he helped her clear the outskirts of the gathering crowd.
"Let's get out of here." He could feel her desperation and assumed he knew the cause. His eyes were busy checking the people moving around them, trying to be sure they were unarmed. "I thought if we did 'Bolero' we might provoke him to attack when we were ready for him, but this wasn't what I had planned." He laughed, a short bark with little humor.
Rue reached her free hand under her skirt and felt the wetness soaking her petticoats. It had begun trickling down her legs. She staggered after Sean for a few feet. She put her hand against a pillar to brace herself. When she lowered it to try to walk, she saw her perfect handprint, in blood, on the marble of the pillar. "Sean," she said, because he was still turned away from her, still looking for any other assault that might be coming their way.
He turned back impatiently, and his eye was caught at once by the handprint. He stared at it, his brow puckered as if he were trying to figure it out. He finally understood the tang of blood that he'd barely registered in his zeal to get Rue to safety.
"No," he said, and looked down at her skirt If his face could become any whiter, it did.
His eyes looked like the lady's sapphire earrings, Rue thought, aware that she wasn't thinking like a rational person. But she figured that was probably a good thing. Because in just a minute the pain would start up.
"You're losing too much blood," he said.
"She's going to die," Karl said sadly. He'd materialized suddenly, pulling off his white jacket as he evaluated Rue's condition. "Even if you call an ambulance this minute, they will be too late."
"What… " For once, Sean seemed to be at a loss as to what to do.
"You have to hide her," Haskell said without hesitation, coming up to join them. The ordinarily tidy blond vampire, now disheveled and smeared with blood, was still cool-headed enough to be decisive. "If you want to save her, this is the last chance," he said.
"Find a place," Sean said. He sounded… afraid, Rue thought. She'd never heard Sean sound afraid.
Karl said, "The Egyptian room."
Sean picked Rue up like a child. Haskell and Karl followed, ready to ward off any attack from behind. But only a museum guard ran up to them, making some incoherent comment on Rue's wound. Haskell, clearly not in any mood for questions and maybe a little maddened by the scent of blood, pinched the man's neck until he slumped to the floor.
The Egyptian room had always been Rue's favorite. She loved the sarcophagi and the mummiform cases, even the mummies themselves. She'd often wondered about the ethics of exposing bodies—surely once people were buried, they deserved to stay that way—but she enjoyed looking on the long-dead features and imagining what the individual had been like in life—what she'd worn, eaten… who she'd loved.
Now Sean carried her to the huge sarcophagus in the middle of the floor. Made to contain the inner coffin of a pharaoh, the highly carved and decorated limestone sarcophagus was penned in by hard sheets of clear plastic, preventing people from touching the sides. Fortunately, this pen was open at the top. A vampire could clear the barrier easily.
Sean leaped over lightly, followed by Karl, while Haskell held Rue. Though the lid must have weighed hundreds of pounds, Karl and Sean easily shifted it to one side, leaving a narrow opening. Then Haskell carefully handed Rue to Karl, while Sean climbed in the deep stone box, which came to his lower chest. Karl handed Rue in, and Sean laid her on the bottom. She was able to lie flat on her back, with her legs fully extended. She felt as if she was looking up at Sean floating hundreds of feet above her. He lay down beside her, and she felt the numbness wearing away.
Oh, God, no. Please. She knew the onset of the pain. As she began to scream, Karl moved the lid back in place, and then there was almost perfect darkness.
"Rue," said Sean urgently.
She heard his voice, but the pain rendered it meaningless.
"Rue, do you want me to end the pain?"
She could only make a small sound, a kind of whine. Her fingers dug into him. There was hardly enough room side by side for them, and she had the feeling Sean couldn't straighten out, but that was the least of her concerns at the moment.
"You can be like me," he said, and she finally understood.
"Dying?" she said through clenched teeth.
"Yes. I wasn't quick enough. I didn't plan enough. And then you made sure he got you instead of me. Why, Rue? Why?'
Rue could not explain that she operated on instinct. She could not have borne to see the knife enter him,even though a moment's thought would have told her that he could survive what she could not. She hadn't had that moment. Her understanding was a tiny flicker in the bottom of a well that was full of agony.
"If I make you like me, you will live," he said.
This was hardly the best time to be making a huge decision, but she remembered the story Sean had told her about his master's sudden attack on him, the callous way the man had left Sean to cope with the sudden change. If Sean could survive such a metamorphosis, she could, because Sean was here to help her.
"Won't leave?" she asked. Her voice trembled and was almost inaudible, but he understood.