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“First they’ll give you an enema. You know what it is? They take a tube of water and put it up your behind. Now, the gentlemen must put on this—and these, over your shoes. And these hats, this one for those with long hair, this for those with short hair.”

“What about those with no hair?” says A.

The nurse looks up at his head and laughs. “Oh, you still have some,” she said. “If you have a question, do not be afraid to ask.”

They have also seen the film made by the hospital, a full-colour film of a woman giving birth to, can it be a baby? “Not all babies will be this large at birth,” the Australian nurse who introduces the movie says. Still, the audience, half of which is pregnant, doesn’t look very relaxed when the lights go on. (“If you don’t like the visuals,” a friend of Jeannie’s has told her, “you can always close your eyes.”) It isn’t the blood so much as the brownish-red disinfectant that bothers her. “I’ve decided to call this whole thing off,” she says to A., smiling to show it’s a joke. He gives her a hug and says, “Everything’s going to be fine.”

And she knows it is. Everything will be fine. But there is another woman in the car. She’s sitting in the front seat, and she hasn’t turned or acknowledged Jeannie in any way. She, like Jeannie, is going to the hospital. She too is pregnant. She is not going to the hospital to give birth, however, because the word, the words, are too alien to her experience, the experience she is about to have, to be used about it at all. She’s wearing a cloth coat with checks in maroon and brown, and she has a kerchief tied over her hair. Jeannie has seen her before, but she knows little about her except that she is a woman who did not wish to become pregnant, who did not choose to divide herself like this, who did not choose any of these ordeals, these initiations. It would be no use telling her that everything is going to be fine. The word in English for unwanted intercourse is rape, but there is no word in the language for what is about to happen to this woman.

Jeannie has seen this woman from time to time throughout her pregnancy, always in the same coat, always with the same kerchief. Naturally, being pregnant herself has made her more aware of other pregnant women, and she has watched them, examined them covertly, every time she has seen one. But not every other pregnant woman is this woman. She did not, for instance, attend Jeannie’s pre-natal classes at the hospital, where the women were all young, younger than Jeannie.

“How many will be breast-feeding?” asks the Australian nurse with the hefty shoulders.

All hands but one shoot up. A modern group, the new generation, and the one lone bottle-feeder, who might have (who knows?) something wrong with her breasts, is ashamed of herself. The others look politely away from her. What they want most to discuss, it seems, are the differences between one kind of disposable diaper and another. Sometimes they lie on mats and squeeze each other’s hands, simulating contractions and counting breaths. It’s all very hopeful. The Australian nurse tells them not to get in and out of the bathtub by themselves. At the end of an hour they are each given a glass of apple juice.

There is only one woman in the class who has already given birth. She’s there, she says, to make sure they give her a shot this time. They delayed it last time and she went through hell. The others look at her with mild disapproval. They are not clamouring for shots, they do not intend to go through hell. Hell comes from the wrong attitude, they feel. The books talk about discomfort.

“It’s not discomfort, it’s pain, baby,” the woman says.

The others smile uneasily and the conversation slides back to disposable diapers.

Vitaminized, conscientious, well-read Jeannie, who has managed to avoid morning sickness, varicose veins, stretch marks, toxemia and depression, who has had no aberrations of appetite, no blurrings of vision—why is she followed, then, by this other? At first it was only a glimpse now and then, at the infants’ clothing section in Simpson’s Basement, in the supermarket lineup, on streetcorners as she herself slid by in A.’s car: the haggard face, the bloated torso, the kerchief holding back the too-sparse hair. In any case, it was Jeannie who saw her, not the other way around. If she knew she was following Jeannie she gave no sign.

As Jeannie has come closer and closer to this day, the unknown day on which she will give birth, as time has thickened around her so that it has become something she must propel herself through, a kind of slush, wet earth underfoot, she has seen this woman more and more often, though always from a distance. Depending on the light, she has appeared by turns as a young girl of perhaps twenty to an older woman of forty or forty-five, but there was never any doubt in Jeannie’s mind that it was the same woman. In fact it did not occur to her that the woman was not real in the usual sense (and perhaps she was, originally, on the first or second sighting, as the voice that causes an echo is real), until A. stopped for a red light during this drive to the hospital and the woman, who had been standing on the corner with a brown paper bag in her arms, simply opened the front door of the car and got in. A. didn’t react, and Jeannie knows better than to say anything to him. She is aware that the woman is not really there: Jeannie is not crazy. She could even make the woman disappear by opening her eyes wider, by staring, but it is only the shape that would go away, not the feeling. Jeannie isn’t exactly afraid of this woman. She is afraid for her.

When they reach the hospital, the woman gets out of the car and is through the door by the time A. has come around to help Jeannie out of the back seat. In the lobby she is nowhere to be seen. Jeannie goes through Admission in the usual way, unshadowed.

There has been an epidemic of babies during the night and the maternity ward is overcrowded. Jeannie waits for her room behind a dividing screen. Nearby someone is screaming, screaming and mumbling between screams in what sounds like a foreign language. Portuguese, Jeannie thinks. She tells herself that for them it is different, you’re supposed to scream, you’re regarded as queer if you don’t scream, it’s a required part of giving birth. Nevertheless she knows that the woman screaming is the other woman and she is screaming from pain. Jeannie listens to the other voice, also a woman’s, comforting, reassuring: her mother? A nurse?

A. arrives and they sit uneasily, listening to the screams. Finally Jeannie is sent for and she goes for her prep. Prep school, she thinks. She takes off her clothes—when will she see them again?—and puts on the hospital gown. She is examined, labelled around the wrist, and given an enema. She tells the nurse she can’t take Demerol because she’s allergic to it, and the nurse writes this down. Jeannie doesn’t know whether this is true or not but she doesn’t want Demerol, she has read the books. She intends to put up a struggle over her pubic hair—surely she will lose her strength if it is all shaved off—but it turns out the nurse doesn’t have very strong feelings about it. She is told her contractions are not far enough along to be taken seriously, she can even have lunch. She puts on her dressing gown and rejoins A., in the freshly vacated room, eats some tomato soup and a veal cutlet, and decides to take a nap while A. goes out for supplies.