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Although the laugh parlors existed in fact, for we all attended them and even began to form clubs of our own, they also continued to lead a separate and in a sense higher existence in the realm of rumor, which had the effect of lifting them into the inaccessible and mythical. It was said that in one of these clubs, members were required to remove their clothes, after which they were chained to a bed and tickled savagely to the point of delirium. It was said that one girl, sobbing with laughter, gasping, began to move her hips in strange and suggestive ways, until it became clear that the act of tickling had brought her to orgasm. The erotic was never absent from these rumors — a fact that hardly surprised us, since those of us who were purists of laughter and disdained any crude crossing over into the sexual recognized the kinship between the two worlds. For even then we understood that our laughter, as it erupted from us in unseemly spasms, was part of the kingdom of forbidden things.

As laugh parties gave way to laugh parlors, and rumors thickened, we sometimes had the sense that our secret games had begun to spread to other regions of the town. One day a nine-year-old boy was discovered by his mother holding down and violently tickling his seven-year-old sister, who was shrieking and screaming — the collar of her dress was soaked with tears. The girl’s pale body was streaked with lines of deep pink, as if she’d been struck repeatedly with a rope. We heard that Bernice Alderson’s mother, at home for a change, had entered the kitchen with a heavy bag of groceries in her arms, slipped on a rubber dog-toy, and fallen to the floor. As she sat there beside a box of smashed and oozing eggs and watched the big, heavy, thumping oranges go rolling across the linoleum, the corners of her mouth began to twitch, her lungs, already burning with anger, began to tingle, and all at once she burst into laughter that lashed her body, threw her head back against the metal doors of the cabinet under the sink, rose to the third-floor bedroom of her daughter, who looked up frowning from a book, and in the end left her exhausted, shaken, bruised, panting, and exhilarated. At night, in my hot room, I lay restless and dissatisfied, longing for the release of feverish laughter that alone could soothe me — and through the screen I seemed to hear, along with the crickets, the rattling window-fan next door, and the hum of far-off trucks on the thruway, the sound of laughter bursting faintly in the night, all over our town, like the buzz of a fluorescent lamp in a distant bedroom.

One night after my parents were asleep I left the house and walked across town to Bernice Alderson’s neighborhood. The drawn shade of her third-floor window was aglow with dim yellow light. On the bed in her room Mary Chapman gripped me firmly while Bernice bent over me with a serious but not unkind look. Slowly she brought me to a pitch of wild laughter that seemed to scald my throat as sweat trickled down my neck and the bed creaked to the rhythm of my deep, painful, releasing cries. I held out for a long time, nearly seven minutes, until I begged her to stop. Instantly it was over. Even as I made my way home, under the maples and lindens of a warm July night, I regretted my cowardice and longed for deeper and more terrible laughter. Then I wondered how I could push my way through the hours that separated me from my next descent into the darkness of my body, where laughter lay like lava, waiting for a fissure to form that would release it like liquid fire.

Of course we compared notes. We’d known from the beginning that some were more skilled in laughter than others, that some were able to sustain long and robust fits of the bone-shaking kind, which seemed to bring them to the verge of hysteria or unconsciousness without stepping over the line. Many of us boasted of our powers, only to be outdone by others; rumors blossomed; and in this murky atmosphere of extravagant claims, dubious feats, and unverifiable stories, the figure of Clara Schuler began to stand out with a certain distinctness.

Clara Schuler was fifteen years old. She was a quiet girl, who sat very still in class with her book open before her, eyes lowered and both feet resting on the floor. She never drummed her fingers on the desk. She never pushed her hair back over her ear or crossed and uncrossed her legs — as if, for her, a single motion were a form of disruption. When she passed a handout to the person seated behind her, she turned her upper body abruptly, dropped the paper on the desk with lowered eyes, and turned abruptly back. She never raised her hand in class. When called on, she flushed slightly, answered in a voice so quiet that the teacher had to ask her to “speak up,” and said as little as possible, though it was clear she’d done the work. She seemed to experience the act of being looked at as a form of violation; she gave you the impression that her idea of happiness would be to dissolve gradually, leaving behind a small puddle. She was difficult to picture clearly — a little pale, her hair dark in some elusive shade between brown and black, her eyes hidden under lowered lids that sometimes opened suddenly to reveal large, startled irises. She wore trim knee-length skirts and solid-colored cotton blouses that looked neatly ironed. Sometimes she wore in her collar a small silver pin shaped like a cat.

One small thing struck me about Clara Schuler: in the course of the day she would become a little unraveled. Strands of hair would fall across her face, the back of her blouse would bunch up and start to pull away from her leather belt, one of her white socks would begin to droop. The next day she’d be back in her seat, her hair neatly combed, her blouse tucked in, her socks pulled up tight with the ribs perfectly straight, her hands folded lightly on her maplewood desk.

Clara had one friend, a girl named Helen Jacoby, who sat with her in the cafeteria and met her at the lockers after class. Helen was a long-boned girl who played basketball and laughed at anything. When she threw her head back to drink bottles of soda, you could see the ridges of her trachea pressing through her neck. She seemed an unlikely companion for Clara Schuler, but we were used to seeing them together and we felt, without thinking much about it, that each enhanced the other — Helen made Clara seem less strange and solitary, in a sense protected her and prevented her from being perceived as ridiculous, while Clara made good old Helen seem more interesting, lent her a touch of mystery. We weren’t surprised, that summer, to see Helen at the laugh parties, where she laughed with her head thrown back in a way that reminded me of the way she drank soda; and it was Helen who one afternoon brought Clara Schuler with her and introduced her to the new game.

I began to watch Clara at these parties. We all watched her. She would step into the circle and stand there with lowered eyes, her head leaning forward slightly, her shoulders slumped, her arms tense at her sides — looking, I couldn’t help thinking, as if she were being punished in some humiliating way. You could see the veins rising up on the backs of her hands. She stood so motionless that she seemed to be holding her breath; perhaps she was; and you could feel something building in her, as in a child about to cry; her neck stiff; the tendons visible; two vertical lines between her eyebrows; then a kind of mild trembling in her neck and arms, a veiled shudder, an inner rippling, and through her body, still rigid but in the grip of a force, you could sense a presence, rising, expanding, until, with a painful gasp, with a jerk of her shoulders, she gave way to a cry or scream of laughter — laughter that continued to well up in her, to shake her as if she were possessed by a demon, until her cheeks were wet, her hair wild in her face, her chest heaving, her fingers clutching at her arms and head — and still the laughter came, hurling her about, making her gulp and gasp as if in terror, her mouth stretched back over her teeth, her eyes squeezed shut, her hands pressed against her ribs as if to keep herself from cracking apart.