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1970

The Left Hand of Darkness wins both the Hugo and Nebula Awards for best novel, selected, respectively, by fans and fellow writers. The Science Fiction Foundation is created in England with Le Guin and Arthur C. Clarke as patrons. The Tombs of Atuan, second Earthsea novel, is serialized in December in Worlds of Fantasy and published by Atheneum in June the following year.

1971

The Lathe of Heaven is serialized in the March and May issues of Amazing Science Fiction and published in October by Charles Scribner’s Sons. Le Guin’s first science fiction novel set on Earth, it incorporates her thoughts on dreaming (pioneering dream researcher William Dement is a consultant), ecological catastrophe, and Taoist ideas of inaction and integrity. At a Science Fiction Writers of America meeting in Berkeley meets Vonda N. McIntyre, who will become a close friend and collaborator. McIntyre invites Le Guin to teach science fiction writing at the first Clarion West workshop at the University of Washington.

1972

The Tombs of Atuan is selected as a Newbery Honor Book by the American Library Association. The Lathe of Heaven wins the Locus Award for best novel. “The Word for World Is Forest,” written in 1968–69, appears in Harlan Ellison’s anthology Again, Dangerous Visions in March. In part an allegory of the Vietnam War, the novella (published as a separate volume in 1976) influences James Cameron’s 2009 movie Avatar. Third Earthsea novel, The Farthest Shore, is published in September by Atheneum.

1973

The Farthest Shore wins the National Book Award for Children’s Literature. Le Guin’s acceptance speech, “Why Are Americans Afraid of Dragons?,” is a major defense of fantasy literature. “The Word for World Is Forest” wins the Hugo Award for best novella. “The Ones Who Walk Away from Omelas,” a story inspired by philosopher William James, is published in New Dimensions 3 in October.

1974

“The Ones Who Walk Away from Omelas” wins the Hugo Award for best short story. Douglas Barbour publishes an academic investigation of Le Guin’s work in Science Fiction Studies. Completes novel The Dispossessed, its main character Shevek partly based on a childhood memory of physicist Robert Oppenheimer; revises ending at the urging of her friend Darko Suvin, a Croatian literary critic. Senior editor Buz Wyeth acquires the novel for Harper & Row, which publishes it in May. Wyeth remains her editor for several years.

Takes part in a virtual symposium on “Women in Science Fiction,” organized by editor and fan Jeffrey D. Smith. Participants such as Suzy McKee Charnas, Virginia Kidd, Samuel R. Delany, Vonda N. McIntyre, Joanna Russ, and James Tiptree Jr. write a round robin of letters and responses on a variety of topics, starting in October 1974 and continuing until May 1975. Their discussions are published in the fanzine Khatru in November 1975. Tiptree, believed by the other participants to be a man (the writer’s identity as Alice Sheldon is not revealed until 1977), expresses a number of challenging ideas about gender and power.

1975

Poetry collection Wild Angels is published in January. The Dispossessed wins the Hugo, Locus, and Nebula Awards. In August, attends the World Science Fiction Convention, or Worldcon, in Melbourne, Australia, where she is a guest of honor, and also spends a week conducting a science fiction writing workshop using the Clarion method. In May, dystopian novella “The New Atlantis” is published as part of a triptych with novellas by Gene Wolfe and James Tiptree Jr. The first collection of Le Guin’s short stories is published under the title The Wind’s Twelve Quarters. The Le Guins spend another sabbatical year in London starting in the fall; Ursula is a visiting fellow in creative writing at the University of Reading. In November Science Fiction Studies devotes a special issue to her work.

1976

During their stay in England, the Le Guins travel to Dorset to meet writer Sylvia Townsend Warner, who was an early influence on her work; Ursula says later, “I hold it one of the dearest honors of my life that I knew her for an hour.” Young adult novel Very Far Away from Anywhere Else published in August by Atheneum. A second collection of stories, Orsinian Tales, published in October by Harper & Row.

1977

At the invitation of utopian scholar Robert Elliott, teaches a term at the University of California, San Diego. Among her students are aspiring writers Kim Stanley Robinson and Luis Alberto Urrea.

1978

Again rewrites early novel Malafrena, finishing in December. Science fiction novella “The Eye of the Heron” appears in the original anthology Millennial Women, edited by Virginia Kidd, in August. Mother falls ill.

1979

Wins the Gandalf Grand Master Award for life achievement in fantasy writing. Susan Wood edits the first volume of Le Guin’s speeches and essays, The Language of the Night. Around this time she discovers the poetry of Rainer Maria Rilke, a favorite and acknowledged influence. Mother dies of cancer on July 4. Le Guin’s first children’s picture book, Leese Webster, is published with illustrations by James Brunsman in September by Atheneum. Malafrena is published in October by G. P. Putnam’s Sons. Le Guin is invited to take part in a symposium on narrative at the University of Chicago, October 26–28, along with scholars and writers such as Seymour Chatman, Paul de Man, Jacques Derrida, Frank Kermode, Barbara Herrnstein Smith, Robert Scholes, Victor Turner, Paul Ricoeur, and Hayden White. Her contribution at the end of the symposium is “It Was a Dark and Stormy Night; or, Why Are We Huddling Around the Campfire?”, a piece that is both a witty summary of the discussions and a metanarrative about the value of story. She wrote in a headnote to the published version that “I had bought my first and only pair of two-inch-heeled shoes, black French ones, to wear there, but I never dared put them on; there were so many Big Guns shooting at one another that it seemed unwise to try to increase my stature.” Short story “Two Delays on the Northern Line” is published in The New Yorker in the November 12 issue.

1980

On January 9, television movie of The Lathe of Heaven airs, filmed by PBS station WNET with a script by Roger Swaybill and Diane English with extensive contributions by David Loxton and Le Guin. Charles and Ursula appear as extras, an experience she writes about in an essay called “Working on ‘The Lathe.’” Le Guin likes the film and finds the whole experience quite positive, in contrast to later experiences with film adaptations of her work. Young adult novel The Beginning Place published in February by Harper & Row. It is reviewed in The New Yorker by John Updike in June. Collaborates with Virginia Kidd as editors of the anthologies Edges and Interfaces. From 1980 to 1993, teaches many times at The Flight of the Mind writing workshop for women in McKenzie Bridge, Oregon, in her opinion her most valuable teaching experience.

1981