‘I need you to bless this, Monsignor.’
He frowned. ‘I cannot.’
‘You must.’
‘I blessed the boat, Suzanne. To what avail?’
‘Just do it, please. Matters are different now. The circumstances have changed. I myself have altered them. Do it with the spear point held in your hand. Do it for Magnus and Martin’s sake.’
He hesitated. Then he nodded, relenting. And when it was done, Suzanne slept eight hours of wretched, troubled sleep, dreaming of women writhing as they bled to death under the ground.
Suzanne knew the boat would beach by night. Spalding liked to think himself the sun god, the bright, Jazz Age boulevardier who quoted poetry and possessed an incandescent sophistication and dazzled with the white innocence of his smile. He was dapper and wealthy and well connected and generous. But he was a creature of the night. He was a thing of the Devil. And all his most distinguished work had been done in darkness. The Jericho Crew, which had first given him his name and status in the world, was a nocturnal entity. The crew slouched out from their hides in the earth and killed and maimed after the sun had gone down and before it rose again. It was his preference and his habit. He had done his digging above Rotten Row in the darkness, she was certain. He played by day and worked by night. His days had been in Southport for golf with Tommy Rimmer and the track at Aintree. His nights had been for murder and ritual. Muffled to silence in its shroud of mist, the boat would beach with the sun shining on the other side of the world.
She stood and waited on the night beach at Birkdale. She had the beach to herself. Off to her right, she could see pricks of light delineating the outline of the pier. She fingered her penny from 1927, still the talisman carried everywhere in her pocket. It seemed a long time since she had first come across her lucky coin. It had come from the pier, her penny. It seemed she had possessed it for eternity. In fact she had owned it only for a couple of days. Out over the hard-packed sand and the distant water, she could see the lights of an oil or gas rig twinkle. The structure was tiny and vague from here, miles out on the brink of a horizon she could only sense and guess at. The lights aboard it would be fierce, bright orbs, gigantic electric lamps. But from here, they were scarcely visible.
She suffered a moment, then, when the futility of what she was attempting came close to overwhelming her. The boat would not come. The boat had sunk in the fathomless, indifferent depths of the North Atlantic, its hapless crew of two lost in some shared, hopeless delusion at the moment they perished. And she could not fight Harry Spalding. He was a phantom and a monster and she had not the means to confront and beat him. She had not the power or the knowledge. Her legs buckled and dumped her on the sand. She did not try to get up. The sand was soft here and still warm from the heat of the long summer day. It was a small, radiant comfort through her clothes against her skin. She let it sift through her fingers in tiny, countless grains. They were very fine, the grains of sand. And she could no more fight Harry Spalding than she could guess at their number.
Suzanne began to cry. She looked up, blinking out at the sea, and the tears blurred and clouded her vision. She wiped at her eyes with the back of her hand. And the cloud was still there. But it was not a cloud. It was a rolling patch of mist. It was tumbling over itself, growing or seeming to, as it neared the shore. Steadily and in eerie silence, it was approaching the land. Suzanne climbed wearily back to her feet. She sniffed. She brushed sand from her fingers. She felt for her lucky penny and clutched the strap of the bag on her shoulder. She looked around, but she sensed that she was entirely, profoundly alone. She began to walk towards where the mist approached. The sand firmed under her feet until it was packed hard in dry rivulets baked by the sun after the going-out of the last tide. The tide was coming in again though, wasn’t it? And the Dark Echo was coming ashore on the flood.
She heard footsteps then. She heard a rhythmic plucking of feet out of the mud sucking at them. She remembered there was quicksand here. In the past, it had swallowed the wheels of their cars, those fools who sometimes tried to drive to Blackpool over the treacherous illusion of solid ground. She steeled herself for the onslaught of the beast and turned and looked. But it was not Spalding. It was a woman in a fur stole and a cloche hat, struggling through slime and seaweed in a pair of buttoned boots.
‘Jane?’
‘I’m not Jane.’
The woman came closer. She peered. Her kohled eyes were bloodshot and her face was pale. Her lipstick looked black in the darkness and she was dead. ‘Do you know who I am?’
‘You’re Vera Chadwick.’
‘And I’ve come to say I’m sorry, Jane. I wish I’d listened to you. If I’d listened to you, we might have saved poor Helen’s life.’
Suzanne nodded. She had seen Helen lying in the ground. They had known it was the wealthy woman from the jewellery her bones still wore. There had been a bracelet, earrings. Helen had been taller than the other victims, a tall and slender woman. And, as Bernard Hodge had observed, she had not died well.
Vera Chadwick sighed. In the freshness of the night beach, her breath was the cold odour of the crypt. ‘It was nothing to do with you being a Fenian, of course, Jane. I only said that. Philip’s family were Bootle Catholics. He’d probably have approved.’
Suzanne said nothing.
‘I discouraged you from meeting him because I thought he’d be taken with you. Everyone was, you know. You’re very beautiful, Jane. You always were. It was never fair, really. It wasn’t.’
‘Nothing is fair,’ Suzanne said.
‘Anyway,’ the ghost of Vera Chadwick said, ‘I’m very sorry. I really am so very sorry.’ She took gloves from the pocket of her coat and struggled to pull them on to pale, flapping hands. Then she wandered into the darkness with that sucking noise her feet made and was gone.
Suzanne turned back to the sea, to the direction from which the boat had been approaching. Tendrils of mist were snaking now around her ankles on the sand. She could make out the bulk of the Dark Echo, at rest and canted slightly to one side on its hull, aground and huge in front of her, wrapped in its cloak of fog.
A rope ladder hung from the stern when she reached it. She walked from the bow, the length of the hull, unable to believe how weathered and barnacled the boat had become over the course of a single voyage. The wood was scarred and scraped. In places it looked soft and spongy with incipient rot. Patches of her timber smelled waterlogged. She dripped and oozed from a dozen small breaches in her superstructure. Whatever magic had been used to bring her here had taken a terrible toll on the integrity of the vessel. It was as though immense strain had been put on her. She had not travelled willingly. She had been aged and wearied by her perverse trail through a thousand miles of reluctant ocean.
Suzanne climbed the rungs of the ladder carefully to the deck. There was no one there to greet her. She climbed into the open hatch at the stern, down the steps that led to Magnus Stannard’s master cabin. There was a dim, yellowy sort of illumination below, the light cast by oil or paraffin lamps. There was a smell of paraffin. And she saw that the master cabin door was open. She walked into it. And she saw that the rot afflicting the Dark Echo was not confined to her hull.
The cabin walls were hung with mildewed pictures. They were photographs. They were framed black and white prints. Many were so rotted that the image they portrayed had been completely spoiled. But others retained some detail as her eyes adjusted to the gloom. They were everywhere on the walls. She thought there must have been close to a hundred of them. She felt compelled to look more closely.