"Tomorrow I'll get you stashed in a safe place in Lauderdale. It will be four or five days before I can wind up a few things hanging fire. There'll be all the time in the world to get acquainted then, Del."
"Sure thing," she said flattered and picked up the purse and flight bag and went into the head and banged the door shut.
When the door opened again, I had turned the stateroom lights off. I had arranged slacks, shirt and shoes in a handy pile on the floor half under my bed, on the side away from the other bed, with the thick envelope, folded once, in the hip pocket of the slacks, and my stateroom key in a side pocket. I was in my bed in underwear shorts. Through the il of lashes I saw her stand braced in the open doorway. her heavy hair was combed long like Alice's. She wore the thing she called a jama shift. It fit loosely, blocked very little the light behind her, had lace at the hem, throat, short sleeves, and stopped about four inches above her knees. Costume for a drowning.
The light clicked off. Darkness loudened the noises of the Monica D., the buckety-swash of her rolling corkscrewing motion, the almost subsonic grumble of the marine drive downstairs, and the little phased chitters and whines that came and went as bulkhead portions picked up sympathetic sonances.
A weight came onto the bottom corner of my bed, tightening the blanket across my feet. A hand found my knee, stayed there.
In a sing-song plaint, in that teeny little-girl voice sweet carnival candy, and while her plump little fingers massaged my blanketed knee, she said, "It's like you're leaving me out. It's like you're making all the rest of it lies and tricks, not wanting to make out with me. Words don't ever mean much. How am I supposed to feel? Jesus, Travis! Am I such a terrible pig you couldn't stand touching me? They were going to kill me. I don't feel safe at all. Please, honey, hold me. Make love to me. So than I'll really and truly belong to you and it will all come out fine for us. Please!"
The thing that astounded and disheartened me was to find a very real yen to take a hack at this spooky little punchboard. There had been a lot more to Vangie in both looks and substance, but she hadn't tingled a single nerve. I wanted to grab at this one. Maybe everybody at some time or another feels the strong attraction of something rotten-sweet enough to guarantee complete degradation. I wanted to pull her down and roll into that hot practiced trap which had clenched the life out of fourteen men. And there was the big shiny rationalization. It's the way to make her trust you, fella. Go right ahead, lull the broad. It'll take about nine minutes out of your life. You're a big boy. A broad is a broad is a broad, and who'll know the difference? You will, McGee. For a long long time.
But she had to have some gesture. She had to have some assurance. So I sat up, hitched toward her, put my arms around her, tucked her face into my neck. "Everything's going to work out fine, kiddy."
Her sigh was deep and shuddering. She had shucked herself out of that jama thing, and her skin felt whisper-soft, super-heated. She clung hard and said, "Hurry, dear. Gee, I'm so ready I'm practically there already."
"No, honey. Let's wait and make it in style. I have a thing about the right time and the right place, and waiting just makes it a better blast. Why do we have to rush anything? Once we're off this nervous boat and tucked away safe, we'll spend days in bed."
"We can have that too."
I knew the quickest way to cool me off. That fat little mouth made me squeamish. So I kissed it hard enough and long enough to creak her neck, mash the lips against her teeth, bend her rib cage.
She was puffing like a little furnace when I let her loose, hoisted her off my bed, turned her and welted that behind with a pistol-crack slap.
"Hey! Ow!"
"Back to your own sack, kiddy."
She made grumbling sounds, but once she was in her own bed she giggled. "Anyways, I got proof you're not lavender, dearie."
"Try to get some sleep."
I guessed that the exhaustion of fear would catch up with her. I gave her what I hoped was enough time, then got up and dressed swiftly and silently. I leaned over her and heard slow deep buzzing snores, bee sounds that came up from the deepest part of the pool of sleep. I locked the door behind me when I left.
Meyer, squinting as he opened his door for me, looked like a sideshow bear in his awning-stripe pajamas in green, black and orange. He yawned and sighed, sat where the light was best and read Del's confession. There was no more yawning and sighing. He gave it his total attention, as if he had forgotten I was there. When he finished it, he refolded it, took it over and put it into the inside pocket of his suit jacket in the locker.
As he turned, he frowned beyond me, saying, "It is too absurd a simplification, Travis, to try to relate her actions to moralistic terms. Wickedness. Heartlessness."
"For God's sake, Meyer!"
"We can find a more appropriate answer in a book written by a woman whose name escapes me at the moment. It's called, I believe, The I and the Not-I. It is an extension and interpretation of one facet of Jungian theory."
"At this time in the morning?"
"She develops the concept that a frightening number of people in the world are unaware of the actual living reality the human beings around them. It is the complete absence of empathy in action. They believe themselves to be real, of course, yet they merely lack the imagination to see that other persons are also real in the same way and on the same terms. Thus, even though they go through the obligatory social forms and personal relationships, all people are objects rather than people. If all other people are objects, then there can be no psychic trauma involved in treating them as objects. That pair disposed of fourteen objects, not fourteen brothers. Their uneasiness comes not from any pity, not from any concern for the dead objects, but merely from their awareness that society frowns upon such actions."
"Meyer, please!"
"In a sense one can envy them because, unlike you and me, Travis, they cannot identify, they cannot project. We can, and so we do a lot of bleeding. We bled for a woman as wretched as Miss Bellemer. You keep remembering the look of the back of Griff's neck. This pair drifts through life without the inconvenience of such uncomfortable baggage. Interesting, isn't it, to relate this concept to conscience and to individual goals?"
"Are you through?"
"Vocalization always helps me develop such relationships."
"Meyer, how did it go?"
"Oh! My little visit. I slid in there like a veritable wraith. After a few moments I began to realize I could have marched through leading a LIFE and drum corps. At that point my heart stopped banging into my larynx and slid back down where it belongs. I selected a more effective place for our voodoo doll. The sink stopper seemed tight. I left her under water in the sink, and fortunately it is a very deep sink. She has some buoyancy. The porous stone has absorbed enough water to hold her down. She sways with the motion of the ship. An eerie effect. Drunks often have to make a bathroom journey in the small hours. I left the bathroom light on for the fellow. When you are beginning to emerge into hangover, the world is slightly hallucinatory. It might take him quite some time to identify the real and the unreal."