And when it was over? When the big meeting took place, tonight’s meeting, when Simon got what he needed, surely then he’d turn her over to the Sheriff’s Department-
Or not. I thought of Sammy “the Bull” Gravano, a confessed killer, living in the witness protection program, having ratted out the mob. If Sammy could do it, why not Savannah?
The Feds could make a deal to get her to testify against Tcheiko, offer immunity, and turn a blind eye to the plight of one little German girl. Who wasn’t a citizen anyway, so who cared? Maybe to the FBI, it was the cost of doing business, a small price to pay for a guy everyone wanted. Savannah would get witness protection, but Annika and her mother-would they stay missing? Afraid of what Tcheiko or his compatriots would do if they surfaced? Assuming they weren’t already dead.
Simon’s conflict of interest. The thing that would so appall me I wouldn’t want to know him after tonight: that Rico, despite his prominent father, would never be found, or his case solved. That Annika would not be looked for, ever. Or her mother.
And everything I’d found was of no use to anyone because the Feds didn’t care and the cops didn’t know, and without evidence-
But I had evidence. I’d had it since yesterday. In my dirty, malfunctioning Integra.
And now I knew what to do with it.
I walked out of the Mansion, introduced myself to Esterbud, and asked him to buy me some paint rollers. He wouldn’t take the twenty-dollar bill I offered. Special Agent Alexander, he said, had told him he might have to do a paint run.
But the cab driver was happy to take my money, forty dollars of it, to get me home.
Only the pill wasn’t there. Not in the Integra’s front seat, not in the back. I found the Williams-Sonoma shopping bag that had been rattling around in the car for ages, I found coins, paper clips, a valet-parking receipt, but I couldn’t find the evidence Britta had so kindly donated to the cause. I tried sitting in the driver’s seat to re-create the circumstances of the flying pill, and I still couldn’t find it. It was here somewhere, someplace I couldn’t see without dismantling the car.
Great. So now I was in permanent possession of an illicit drug.
There was only one thing left to do. I fastened my seat belt and started up the car. My pill had a twin, and if I was lucky Maizie Quinn had not yet flushed it down the toilet. I was betting she hadn’t. She was a lot like me. A woman who saved things.
38
The entire block of Moon Canyon where the Quinns lived was cordoned off for the film shoot, overflowing with cars and trucks and equipment and people. I hailed a sunburned man in a muscle shirt and the leather back-support belt of a weight lifter or furniture mover, who advised me to park on Moon Crater, two streets ahead, and walk back. From somewhere on Moon Canyon, the sound of a megaphoned voice intoned, “Background… and… action!”
I did as advised, wedging my car between an Explorer and a Lexus in front of an Italianate castle, and approached the Quinns from the opposite direction. The houses here were set close to the street. Presumably they had yards in the back, a place for the pool, but from the front they were like multimillion-dollar tract houses. Through windows I saw wallpaper, books… children. Maybe someday when I grew up I would live in a real house, rather than a succession of cramped apartments. Maybe not. Uncle Theo lived in a converted hotel. My mother lived in an ashram. P.B., in two days, would be living in a house, but it was a halfway house, which wasn’t the same thing. We probably weren’t house people.
I carried the Williams-Sonoma shopping bag. Since I was never going to return the utensils I’d bought there, I’d offer them to Maizie. If ever there was a person for kitchen gadgets, it was Maizie Quinn. Not that she was needy, with her fleet of cars and exquisite house, but I was always showing up unannounced and asking for things, so this felt right. A hostess gift. Even very wealthy people, in my experience, loved free stuff.
I reached the back of the Quinn property and a gate set in a wood fence displaying a Guard Dog on Duty sign. Packages were stacked up against the gate, FedEx and UPS, from Banana Republic, Martha by Mail, and Sur la Table. I noticed a doorbell on the fence. I rang it, then tried the gate. It was open.
I tried to pick up the packages, but there were too many. I took the Williams-Sonoma gadgets out of their shopping bag, stuffed them in the pockets of my jacket, forced the Martha by Mail box into the shopping bag, picked up the other two packages, and squeezed through the gate.
I followed a path through a profusion of fauna that must’ve taken some tending, to be blooming in late November. It was quiet here, the foliage seeming to mute the sounds of the film shooting out front. The door of the artist’s studio was open. I knocked and stuck my head in.
“You look like Santa Claus,” Maizie said, welcoming me. “Is all that mine?”
“Left at the back gate.” I handed her the shopping bag and the packages and moved past her into the room. A fire blazed in the fireplace, making me want to stay forever.
“That damn film.” Maizie headed to the kitchen area. “My across-the-street neighbors rented out their house. On and off for weeks. Just when we think we’ve seen the last of it, they’re back. So inconvenient. Some workers don’t even try to get through. Service people just take the day off. Garbage trucks. I’ve actually faxed the UPS people maps to the backyard. I can’t live without my deliveries. Hot cocoa?”
“Yes. Great.” I sneezed. “What are you making?” Wood in interesting shapes covered the studio floor, getting a coat of primer. The sawhorse and circular saw I’d seen a week earlier had been replaced by a professional sander. Maizie wore a denim apron over her white shirt.
“Lawn ornaments. I’ve never found a really satisfactory Santa and reindeer, so I’m making some. It shocks me, how people have gorgeous homes and landscaping, then stick a plastic- Cat, move.” She made a pass at the yellow cat, who leaped out of the way, something in his mouth. She stood, hands on hips, then turned to me. “What’s up?”
“I’m wondering if you still have the pill you found under Annika’s bed.”
“Well, I’m not… sure. Why?”
I told her about the logo on Rico’s bedroom wall, and the pill Britta had given me. “Rico tried to recruit Annika and Britta as couriers, but this woman on my show, Savannah Brook, is the kingpin. Queenpin. Whatever. She’s the woman Rico told his mom about, the woman he was dating when he vanished.” I sneezed again. The cat was rubbing against my leg.
“God, that’s wild.” Maizie shooed the animal away. “And the police don’t know this?”
“No, but they will tonight. If I can pull it off.” If I had the pill, I told Maizie, I’d show it to Savannah, I’d tell her Rico had given it to me, that I was interested in a deal, in doing what Britta and Annika would not, because I needed the money. Savannah liked deals.
I did not, of course, tell Maizie I’d be wearing an FBI wire. I’d do what I had to for Simon, then get Savannah alone. She’d say something incriminating. If I had the pill. The pill would give me credibility with her, and then with Yellin, at the Sheriff’s Department. The pill in my hand, the logo on Rico’s wall, Savannah’s natural blond hair, her Capricorn birthday, her affair with Rico, an incriminating conversation caught on an FBI tape-whether or not the FBI acknowledged its existence-if all this wasn’t enough for the cops to investigate, it would be enough for the TV news. Especially when I, an FBI cooperating witness and incidental celebrity, was willing to give interviews. And explain that Annika Glück and Rico Rodriguez, two people who could tie Savannah to Vladimir Tcheiko, were now missing. What news station wouldn’t be interested? Three out of four of those people were celebrities.