But my fingers were pretty horrible to look at, as was the rest of my left hand. I didn't have much movement in them anymore, but I spread them as best I could and reached out to feel the energies of magic moving around the envelope once more.
I might as well have kept the glove on. There was nothing odd about the envelope. No magical booby traps.
Right, then. No more delays. I picked up the envelope in my weak left hand and tore it open, then upended the contents onto the coffee table.
There were three things in the envelope.
The first was an eight-by-ten color photo, and it was a shot of Karrin Murphy, director of Chicago PD's Special Investigations division. She wasn't in uniform, though, or even in business attire. Instead she was wearing a Red Cross jacket and baseball hat, and she was holding a sawed-off shotgun, an illegal model, in her hands. It was belching flame. In the picture you could also see a man standing a few feet away, covered in blood from the waist down. A long, black steel shaft protruded from his chest, as if he'd been impaled on it. His upper body and head were a blur of dark lines and red blobs. The shotgun was pointing right at the blur.
The second was another picture. This one was of Murphy with her hat off, standing over the man's corpse, and I was in the frame with her, my face in profile. The man had been a Renfield, a psychotically violent creature that was human only in the most technical sense-but then the camera shot of his murder was a most technical witness.
Murphy and I and a mercenary named Kincaid had gone after a nest of vampires of the Black Court led by a deadly vampire named Mavra. Her minions had objected pretty strenuously. I'd gotten my hand badly burned when Mavra herself took the field against us, and I had been lucky to get away that lightly. In the end, we'd rescued hostages, dismembered some vampires, and killed Mavra. Or at least, we'd killed someone we were meant to think was Mavra. In retrospect, it seemed odd that a vampire known for being able to render herself all but undetectable had lurched out at us from the smoke and ash of her ruined stronghold to be beheaded. But I'd had a full day and I had been ready to take it on faith.
We tried to be as careful as we could during the attack. As a result, we saved some lives we might not have if we'd gone in hell-for-leather, but that Renfield had come damn close to taking my head off. Murphy killed him for it. And she'd been photographed doing it.
I stared at the photos.
The pictures were from different angles. That meant that someone else had been in the room taking them.
Someone we hadn't even seen.
The third item that fell to the coffee table was a piece of typewriter paper, covered in the same handwriting as the address on the envelope. It read:
Dresden,
I desire a meeting with you, and offer a truce for the duration, bound by my word of honor to be upheld. Meet with me at seven P.M., tonight at your grave in Graceland Cemetery, in order to help me avoid taking actions that would be unfortunate to you and your ally in the police.
Mavra
The final third of the letter had a lock of golden hair taped to it. I held the picture up next to the letter.
The hair was Murphy's.
Mavra had her number. With pictures of her committing a felony (and with me aiding and abetting, no less), Mavra could have her out of the cops and behind bars in hours. But even worse was the lock of hair. Mavra was a skilled sorceress, and might have been as strong as a full-fledged wizard. With a lock of Murphy's hair, she could do virtually anything she pleased to Murph, and there wouldn't be squat anyone could do about it. Mavra could kill her. Mavra could worse than kill her.
It didn't take me long to make up my mind. In supernatural circles, a pledge of truce based upon a word of honor was an institution- especially among the old-world types like Mavra. If she was offering a truce so that we could talk, she meant it. She wanted to deal.
I stared down at the pictures.
She wanted to deal, and she was going to be negotiating from a position of strength. It meant blackmail.
And if I didn't play along, Murphy was as good as dead.
Chapter Two
The dog and I went to my grave. Graceland Cemetery is famous. You can look it up in just about any Chicago tour book-or God knows, probably on the Internet. It's the largest cemetery in town, and one of the oldest. There are walls, substantial ones, all the way around, and it has far more than its share of ghost stories and attendant shades. The graves inside range from simple plots with simple headstones to life-sized replicas of Greek temples, Egyptian obelisks, mammoth statues-even a pyramid. It's the Las Vegas of boneyards, and my grave is in it.
The cemetery isn't open after dark. Most aren't, and there's a reason for it. Everybody knows the reason, and nobody talks about it. It isn't because there are dead people in there. It's because there are not-quite-dead people in there. Ghosts and shadows linger in graveyards more than anywhere else, especially in the older cities of the country, where the oldest, biggest cemeteries are right there in the middle of town. That's why people build walls around graveyards, even if they're only two feet high-not to keep people out, but to keep other things in. Walls can have a kind of power in the spirit world, and the walls around graveyards are almost always filled with the unspoken intent of keeping the living and the unliving seated at different sections of the community dinner table.
The gates were locked, and there was an attendant in a small building too solid to be called a shack, and too small to be called anything else. But I'd been there a few times, and I knew several ways to get in and out after dark if need be. There was a portion of the fence in the northeast corner where a road construction crew just outside had left a large mound of gravel, and it sloped far enough up the wall that even a man with one good hand and a large and ungainly dog could reach the top.
We went in, Mouse and I. Mouse might have been large, but he was barely more than a puppy, and he still had paws that looked too big for his lean frame. The dog had been built on the scale of those statues outside Chinese restaurants, though-broad chested and powerful, with that same mountainous strength built into his muzzle. His coat was a dark and almost uniform grey, marked on the tips of his fuzzy ears, his tail, and his lower legs with solid black. He looked a little gangly and clumsy now, but after a few more months of adding on muscle, he was going to be a real monster. And damned if I minded the company of my own personal monster going to meet a vampire over my grave.
I found it not far from a rather famous grave of a little girl named Inez, who had died a century before. The little girl's grave had a statue mounted on it. I'd seen it often, and it looked mostly like Carroll's original Alice -a cherub in a prim and proper Victorian dress. Supposedly the child's ghost would occasionally animate the statue and run and play among the graves and the neighborhoods near the graveyard. I'd never seen her, myself.
But, hey. The statue was missing.
My grave is one of the more humble ones there. It's standing open, too-the vampire noble who bought it for me had set it up to be that way. She'd gotten me a coffin on permanent standby, too, sort of like the president gets Air Force One, only a little more morbid. Dead Force One.
My headstone is simple white marble, a vertical stone, but it's engraved in bold letters inlaid with gold: HARRY DRESDEN. Then a gold-inlaid pentacle, a five-pointed star surrounded by a circle-the symbol of the forces of magic contained within mortal will. Underneath it are more letters: HE DIED DOING THE RIGHT THING.