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"You didn't hear that from me, okay?"

"Tell me how you know," said Coffey.

"Well, the station manager goes home at six. So it was my job to unlock the producer's booth after Zack left for the night. A couple of real producers use it for the morning shows. I was told it was a joke, just a way to get back at the bastard and drive him nuts. And that was fine with me, but I didn't believe it. If that was true, why not just give the other producers keys of their own?"

Lieutenant Coffey seemed smug as he turned on Mallory, saying, "Good reasoning. I might give this kid your job." Crazy Bitch sensed a note of payback in his voice as he rested one hand on her shoulder, saying, "Go on, kid. Tell us how you cracked the payroll scam."

"I screwed the hundred-year-old bookkeeper. He gets a cut from the producer's paycheck – and he told me."

Mallory missed the moment of the lieutenant's disappointment. Her head was turned, listening to the whispers of a policewoman. And now she ran down the hall. Lieutenant Coffey turned to the officer. "What did you say to her?"

"I gave her a message from Detective Janos," said the police officer. "Her car was stolen. Some firemen got the license plate number after the car hit their truck. They saw the thief driving south."

Johanna stood before the sink, looking down at the pimpernel Riker had drawn on the palm of her hand. She washed away his flower and his blood.

After leaving the bathroom, she walked into the kitchen, pulled down a wineglass from a rack on the wall, then rummaged in a drawer. The noise attracted Zachary. He was at her side when she pulled out the corkscrew.

The muzzle of the gun was pressed to the back of her head, yet her voice was perfectly calm. "Sorry," she said. "Looks dangerous, doesn't it?" She held up the twisty metal and made a show of inspecting it. "So sharp." Johanna walked past him, pretending that the gun did not exist. She sat down in an armchair and plunged the tip of the screw into the cork of the wine bottle. "Your plan is falling apart." She twisted the corkscrew by a full turn, driving it deeper. "Wondering how many other mistakes you made?" And now she noticed her crime-scene bag open on the floor by the couch.

Zachary pulled on one of her disposable gloves, then picked up a rag and proceeded to clean Riker's revolver. "Tell me what you think of my new plan – my improvisation. First I shoot you in the head. You see? I can be flexible. Then I put the gun in your dead hand and shoot poor Riker in the heart." He held up his gloved hand. "When the police arrive, yours are the only fingerprints on the weapon. A clear case of murder and suicide. That works so nicely with all your guilt for those dead jurors."

"You're making this too complicated," she said, twisting the screw deeper. "More mistakes." She pulled out the cork. "I washed Riker's blood off the bottle. I hope you don't mind me tampering with your evidence."

He made a long reach across the cocktail table and ripped the bottle from her grasp. "No problem. There's still a bloodstain on the label. I think that's enough to point the way for the police. How dumb can they be? Incidentally, you have excellent taste in wine. The last time I saw this vintage – "

"Was the night Timothy saw you in the liquor store. That's when you thought he'd pegged you as the Reaper. And that's why you killed him." She gave him a benign smile. "You can't fob that off as just another detail in your great plan. You killed him because you panicked. One more murder might be dicey. You've botched so many things."

He leveled the gun at her face. "Are you sure you want to piss me off?"

"Not my intention – just a symptom of something called the Stockholm syndrome."

He nodded. "Hostages bonding with their kidnappers. I don't see the – "

"There's more to it. The hostages actually work with the kidnappers. You see, it's in their best interests to help the kidnapper get the result he wants so the victim can survive. That's why I'm going to help you fix your errors – like the one with the business card."

"No, you're stalling for time. Waiting for reinforcements? Do you actually believe that Riker would tell another cop he'd lost his gun to a woman? Absurd. No one is coming to your rescue. Time to make a decision, Dr. Apollo." He walked to the kitchen and pulled another goblet from the rack on the wall. On his way back to the couch, he paused to nudge Riker's body with his foot, then moved on to pour some wine into Johanna's glass and more into his own.

"Are you sure you want to drink that?"

"Are you insane?" He held the bottle high. "It's impossible to find this vintage anymore."

That might well be true. She had inadvertently cornered the market with her collection. "What if the wine is poisoned?"

His glass hovered in midair, and his face was also frozen.

"You're not sure, are you? Lost your edge?" She sipped from her wineglass and assumed what she hoped was a Mallory smile.

Perversely, he found that reassuring, and tipped back his own glass for a long draught. "You still believe you can talk your way out of this?"

She nodded and drank her wine. And he drank.

"Just as I remember it – fabulous." His gaze fell on Riker's body. "Too bad. I actually liked that man."

"He's not dead yet," said Johanna.

"He'll be dead soon enough, Doctor. And it's all your fault, you know. All those murders. If only you'd hung that jury when you had the chance. It would've taken one vote – yours. If you'd voted guilty, my plan would have died right there in the courtroom. You see that now, don't you? All your fault. And now poor Riker has to die."

"You're making everything too complicated. That's how they'll catch you."

"You'll never know, Doctor. You'll be dead. Or… one phone call to Victor Patchock and you get to live." He perused the bottle's label. "So Timothy Kidd put you onto this wine. That night in the liquor store – was he following me?"

She sipped from the glass. "That's been driving you crazy, hasn't it? How did Timothy know it was you? What did you do wrong?"

"He found me in the neighborhood of a fresh corpse."

"That wasn't it. The body hadn't been found yet. No, the odd note was when you recognized him. In hindsight, it's so simple. You haunted your crime scenes. That's part of the kick, isn't it? The police activity, the media frenzy. That's how you knew Timothy was FBI. Forgive me – I'm digressing. Of course he recognized you. Your face was on the news every night. But he had to wonder why you'd be surprised to see him, a man you'd never met. And then you disappeared so quickly. Details like this are food for a paranoid personality. He was only suspicious that night. When another juror turned up dead the next day, that's when he – "

"Still trying to buy time? You really think the cavalry is coming over the hill to save you. Now, that's odd, because you're the one with the rescuer complex." He yawned. "Let's get this over with, shall we?" He aimed the gun at her face.

"Actually, I was just about to pay you a compliment." He lowered the gun. She knew he would.

"The idea was brilliant," she said. "And you almost pulled it off. You nearly disemboweled the justice system." "With a little help from the ACLU."

"Yes, a nice touch." She watched the rise and fall of Riker's chest, and found comfort in this.

"I don't have to kill him, Doctor. Choose. Riker or Victor." His gun hand warred a moment with the hand that held the wine. The revolver was left to rest on the couch cushion. He drained his glass, then filled it again. "Perhaps I shouldn't rush you. As victims go, you're miles more entertaining than the rest of them." "Even my friend Timothy?"