Trisha had been on the phone. Now she put the receiver down with a gloomy face. “Bad news, I’m afraid, sir. The boss wants you.”
“It is always a pleasure to see the chief constable,” Coleridge said. “It makes me feel so much better about retiring.”
DAY FIFTY-THREE. 8.00 p.m.
The chief constable of the East Sussex Police was sick to death of the Peeping Tom murder. “Murder is not what we here in New Sussex are all about, inspector. Here I am, trying to build a modern police service” – the chief constable did not allow the term police force - “a service that is at ease with itself and comfortably achieving its goal targets in the key area of law upholdment, and all anybody wants to talk about is your failure to arrest the Peeping Tom murderer.”
“I’m sorry, sir, but these investigations take time.”
“New Sussex is a modern, thrusting, dynamic community, inspector. I do not like having our customer service profile marred by young women falling off lavatories with knives in their heads.”
“Well, I don’t think any of us do, sir.”
“It’s an image-tarnisher.”
“Yes, sir.”
“Quite apart, of course, from the human dimensions of the tragedy vis-a-vis that a customer is dead.”
“That’s right.”
“And now we have this appalling new development of further threats being made. We are a modern community, a dynamic community and, I had hoped, a community where groups of sexually and ethnically diverse young people could take part in televised social experiments without being threatened with illegal life termination.”
“By which you mean murder, sir.”
“Yes, I do, chief inspector, if you wish to so put it, yes I do! This new threat is making us look like fools! We must be seen to be taking it very seriously indeed.”
“By all means, sir, let us be seen to take it seriously, but I am of the opinion that we do not need to actually take it seriously.”
“Good heavens, chief inspector! A murder has been announced! If the law upholdment service doesn’t take it seriously then who will?”
“Everyone else, no doubt, sir, particularly the media,” said Coleridge calmly. “But as I say, I do not think that we need to. I do not think that there will be another murder.”
“Oh yes, and what grounds do you have for this confidence?”
“I don’t think that the killer needs a second death. One was enough, you see.”
The chief constable did not see, and he did not think much of Coleridge’s enigmatic tone. “One was too bloody many, Coleridge! Do you know that when this story broke I was about to make public my new policy document style initiative entitled Policing The Rainbow?”
“No, sir, I was not aware.”
“Yes, well, you weren’t the only one who was not aware. No one was aware. The damn thing sank without trace. Weeks of work, ignored, absolutely ignored because of this ridiculous murder. It’s not easy catching the eye of the Home Secretary these days, you know.”
DAY FIFTY-SIX. 7.30 p.m.
“Moon,” said Chloe “you have been evicted from the house.”
“Yes!” Moon shouted, punching the air, and for once an evictee actually meant what she said. Moon had her million pounds plus the two hundred thousand Geraldine had promised for the next one out, and she was ecstatic to be free. She had no desire to be one of the last three, not now one of them was under sentence of death.
The three remaining inmates looked at each other. Gazzer, Jazz and Dervla. One more week. Another million to the winner. Half a million to the runner-up. Three hundred thousand even for the one who came third.
If all three survived, of course.
Worth the risk, certainly. Gazzer would use it to pursue a life of luxury. Jazz would start his own TV production company. Dervla would save her family from ruin ten times over. Definitely worth the risk.
Nobody spoke. They did not speak much at all any more, and they had all taken to sleeping in separate parts of the house. Even Jazz and Dervla, who had become close, could no longer trust each other. After all, it was they who had been closest to the exit on the night Kelly was killed. And now there was this new threat. The whole process was nothing more than a long, grim waiting game.
Gazzer, Jazz, Dervla and the whole world, all waiting for the final day.
DAY SIXTY. 1.30 a.m.
Woggle was digging for as much as sixteen hours a day now. Not consecutively: he would dig for a few hours then sleep a while and, on waking, begin again immediately. Days did not matter to Woggle. It was hours that counted. Woggle had one hundred and fifteen of them left until the final episode of House Arrest began. He would have to hurry.
DAY SIXTY-TWO. 9.00 a.m.
Coleridge decided that it was time to take Hooper and Patricia into his confidence and admit to them that he knew who had killed Kelly.
He had had his suspicions from the start. Ever since he had seen the vomit on the seat of that pristine-clean toilet bowl. But it was the note that convinced him he was right, the note predicting the second murder. The murder he did not believe would happen because it did not need to.
What Coleridge lacked was proof and the more he thought about it, the more he knew that he never would have proof, because no proof existed, and therefore the killer was going to get away with the crime. Unless…
The plan to trap the killer came to Coleridge in the middle of the night. He had been unable to sleep and in order to avoid disturbing his wife with his shifting about and sighing he had gone downstairs to sit and think. He had poured himself a medium-sized Scotch and added the same amount again of water from the little jug shaped like a Scottish terrier. He sat down with his drink in the darkened sitting room of his house, the room he and his wife referred to as the drawing room, and considered for a moment how strange all the familiar objects in the room looked in the darkness of the middle of the night. Then his mind turned to the killer of Kelly Simpson, and how it might be that Coleridge could arrange to bring that foul and bloody individual to justice. Perhaps it was the words “foul” and “bloody” falling into his head that turned his thoughts from Kelly to Macbeth and the rehearsals that would commence a fortnight hence and thereafter take place every Tuesday and Thursday evening throughout the autumn. Coleridge would have to attend these rehearsals because Glyn had asked Coleridge if, given that he was in only the last act, he would be prepared to take on various messenger roles and attendant lords. “Lots of nice little lines,” Glyn had said. “Juicy little cameos.”
Oh, how Coleridge would have loved to play the bloody, guilty king, but of course it was not to be. He had never been given a lead.
Coleridge’s mind strayed back in time to the first production that had stirred him as a boy: the Guinness Macbeth. How Coleridge had gasped when Banquo’s ghost had appeared at the feast, shocking the guilty king into virtually giving the game away. They had done it quite brilliantly: Coleridge had been nearly as shocked as Macbeth was. These days, of course, the ghost would probably be on video screens or represented by a fax machine. Coleridge had already heard Glyn remark that his ghosts were going to be virtual, but way back then people weren’t embarrassed by a bit of honest theatre. They liked to see the blood.
“Never shake your gory locks at me,” Coleridge murmured under his breath. And it was then that it occurred to him that what was required to trap his murderer was a bit of honest theatre. Coleridge resolved that, if he could not find any genuine proof, natural justice required that he make his own. It was a desperate idea, he could see that, and there was scarcely time to put it into action. But it offered a chance, a small chance. A chance to avenge poor, silly Kelly.