“More like a radish,” I said. “And they tend to make you fart.”
“Good,” said Mark, laughing. “I might need my own train carriage home.”
Now, I decided, was the moment.
“Mark,” I said seriously, “I will have absolute discretion in any new restaurant, won’t I? Just like at the Hay Net?”
He sat and looked at me. I feared for a moment that I had misjudged things.
“Max,” he said, finally, “how often have I asked you how to sell a mobile phone?”
“Never.”
“Exactly. Then why would you ask me how to run a restaurant?”
“But you do eat in restaurants,” I said.
“And you use a cell phone,” he countered.
“Fine,” I said. “I promise I won’t discuss cell phones with you if you promise not to discuss restaurants with me.”
He sat in silence and smiled at me. Had I really outflanked the great Mark Winsome?
“Can I have a veto?” he asked at length.
“On what?” I asked rather belligerently.
“Venue.”
What could I say? If he didn’t like the venue, he wouldn’t sign a contract for a lease. He had a veto on the venue anyway.
“If you provide the finance, then you get a veto,” I said. “If you don’t, then you don’t.”
“OK,” he said. “Then I want to provide the finance. Same terms as before?”
“No,” I said. “I want more than fifty percent of the profit.”
“Isn’t that a bit greedy?” he said.
“I want to be able to empower my staff with participation in profit.”
“How much?”
“That’s up to me,” I said. “You get forty percent and I get sixty percent and then I decide, at my sole discretion, to give as much or as little of that as I want as bonuses to my staff.”
“Do you get a salary?”
“No,” I said. “Same as now. But I get sixty instead of fifty percent of the profit.”
“How about during setting up? Last time, you took a salary from my investment for the first eighteen months.”
“But I paid it back,” I pointed out. “This time, I won’t need it. I have savings, and I intend to back myself with it as far as my salary is concerned.”
“Anything else?” Mark asked.
“Yes,” I said. “Ten years is too long. Five years. Then I get the chance to buy you out at a fair price.”
“How do you define ‘fair price’?”
“I can match the best offer, public or private, made by an independent third party.”
“On what terms?”
“The cost of the lease plus forty percent of their valuation of the business.”
“Fifty,” he said.
“No, forty of the business value and one hundred percent of the lease.”
“How about if I want to buy you out?” he asked.
“It would cost you sixty percent of the business value, and I could walk away.” I wondered how much the value of the business might change if the chef walked away. But, then again, I could think of no circumstances in which he would buy me out.
Mark sat back in his chair and looked at me. “You drive a damn hard bargain.”
“Why not?” I said. “I have to do all the work. All you have to do is sign a big check and then sit on your arse and wait for the money to flood in.” At least, I hoped it would flood in.
“Do you know how many restaurants in London close within a year with huge losses?” he said. “I’m taking quite a risk with my money.”
“So?” I said. “You’ve got plenty of it. I’m gambling with my reputation.”
“For what it’s now worth,” he said, and laughed.
“You said to rise above it and have faith in myself. Well, I have. We won’t close in a year, not even in two.”
He looked at me with his head to one side, as if thinking. He suddenly leaned forward in his chair. “OK, you’re on,” he said, and stretched out his hand.
“Just like that?” I said. “We haven’t even found a place and we haven’t started to draw up a budget.”
“I thought you said that was your job. I just write the check, remember?”
“How big a check?” I asked him.
“As big as you need,” he said, again offering his hand.
“Fine,” I said. “You’re on too.”
I shook his hand warmly, and we smiled at each other. I liked Mark a lot. Even though his lawyers would have to draw up the contract, his word was his bond and mine was mine. The deal was done.
I COULD HARDLY sit still for the rest of our dinner, such was my excitement. Mark laughed when his cod arrived. I had been absolutely right.
The chef came out of the kitchen and joined the two of us for a glass of port at the end of the evening. The previous year, he and I had been the judges of a cooking contest on afternoon daytime television and we now enjoyed catching up on our friendship.
“How’s that place of yours doing out in the sticks?” he asked.
“Very well,” I said, hoping he didn’t have copies of the Cambridge Evening News delivered daily to his door. I also wondered if he would be quite so friendly if he knew that Mark and I had been sitting in his restaurant planning our move into his territory. “How’s business here?” I asked by way of conversation.
“Oh, the same,” he said without actually explaining what “the same” meant.
The conversation progressed for a while in a similar, noncommittal and vague manner, neither of us wanting to pass on our professional judgment to the other. The world of haute cuisine could be as secret as any government intelligence service.
The need to catch the last train home finally broke up the dinner at eleven o’clock, and Mark and I walked in easy companionship along the Thames embankment towards Waterloo station. We strolled past some of the lively pubs, bistros and pizza parlors that had transformed the south bank. Late on this Friday evening, loud music and raucous laughter spilled out across the cobblestones towards the river.
“Where and when will you start looking for a venue?” asked Mark.
“I don’t know, and as soon as possible,” I said, smiling in the dark. “I suppose I will contact some commercial real estate agents to see what’s available.”
“You will keep me informed?” he said.
“Of course.” We walked past an advertising board. A poster read RPO AT THE RFH in big bold black letters on a white background. Thanks to Bernard Sims, I knew what RPO stood for-the Royal Philharmonic Orchestra. “What’s the RFH?” I asked Mark.
“What?” he said.
“What’s the RFH?” I repeated, pointing at the poster.
“Royal Festival Hall,” he said. “Why?”
“No reason. Just wondered.” I looked closely at the poster. The RPO, with, I presumed, Caroline Aston playing the viola, was due to appear next month at the Royal Festival Hall. Perhaps I would go and listen.
Mark and I said our good-byes outside the National Theatre, and he rushed off to get his lonely ride home while I decided to walk across the Golden Jubilee footbridge to the Embankment tube station, north of the river. Halfway across, I briefly leaned on the bridge rail and looked eastwards towards the tall city buildings, many of them with all their windows bright in the night sky.
Among the high-rises, and dimly lit by comparison, I could see the majestic dome of St. Paul’s. My history master at school had loved that building with a passion, and he had drummed some of its facts into the heads of his pupils. I recalled that it had been built to replace the previous cathedral that had been destroyed by the Great Fire of London in 1666. Constructed in just thirty-five years, it had, amazingly, remained the tallest building in London for more than a quarter of a millennium, right up until the glass-and-concrete towers of the nineteen sixties.
As I stood there, I wondered whether Sir Christopher Wren had ever believed that he had embarked on a project that was beyond him. Was I now embarking on a project that was beyond me?