“You don’t mean that.” She said that in the way people always do when they know you do mean what you say, they just can’t believe you had the nerve to say it. “Admit it, you’re feeling proprietary about your team. You’re feeling good about Cemetery Survivor. You’re taking real pride in your work. It’s because-finally!-you’ve developed a real love for what you’re doing. Don’t be afraid to admit it. You know you can always tell me the truth.”
“OK, I admit it.” It wasn’t true, of course, but I didn’t have time to worry about it, and if it made Ella happy to think I’d morphed into a cemetery geek, that was all that mattered. “I’m glad things are going well with the restoration. But if we don’t get a few more people in here tonight…” Automatically, my gaze traveled to the teal blue doors of the Memorial. They were closed at the moment, and we were waiting for one of the maintenance crew, who said he’d be there any minute, to unlock the building and let us in.
“Not to worry.” Ella patted my arm. “We were here… how late last night? You and your team were a great help. Everyone worked so hard! You know your displays look gorgeous. Everything is going to be just perfect.”
I guess in a weird kind of way, she was right. We’d worked like dogs on making sure the art show looked good, and now, it was time to just sit back (figuratively speaking, of course) and enjoy.
I pulled in a calming breath, picturing it all. As guests walked into the rotunda of the memorial, the first display on the right was Absalom’s. He’d made a bunch of new voodoo dolls specially for the show, and the wild colors of their outfits along with their crazy hairstyles and the flashes of beading and jewelry on them set just the right mood, especially since his display was across from the imposing statue of the president at the center of the memorial.
The next display was Jake’s, a mishmash of photos-some black and white, some in color-of everything from our team working at Monroe Street to the bus Jake took to the cemetery each day. Delmar’s drawings were next, and though I hadn’t said a word to anyone, I thought they were going to get the most attention. The kid had talent, that was for sure. His renderings of what he thought Monroe Street could look like with a lot more work and some big donor contributions were sure to inspire folks to pitch in and join the cause.
Sammi (who was considerably mellower since her last close encounter of the physical kind with Virgil) had insisted on having her stuff in the last display area. She’d made a couple purses for the show (one out of a coffee can and another out of red velvet and gold braid that looked as if it had come from either a church or a bordello). She’d also chosen to display her white vinyl shorts and top outfit, a bikini crocheted from dental floss, and a pair of sneakers that she’d studded with rhinestones and embroidered with Christmas tree tinsel. There was some talk of including the Wonder Bread dress until Sammi discovered that in his eagerness to get it off her, Virgil had left a nasty hole in it. But remember, this was a kinder, gentler Sammi. She actually didn’t seem to mind all that much.
“I know it all looks pretty good,” I said, talking to myself as much as to Ella.
“Considering how creative it all is, I think it’s going to cause quite a sensation.” Ella grinned. “I talked to the art critic from the Plain Dealer this morning. They’re planning to run a whole photo spread.”
“That’s good. It’s all good.” It was. I knew it. That didn’t stop the familiar rat-a-tat of jitters from starting up inside me again. “But now we need more people. Maybe our groupies don’t love us anymore.”
“Maybe your groupies just aren’t people who do things like buy tickets ahead of time. They’ll show up. You know they will. I think they’d pay money just to see Delmar and Reggie. I’ve got to say, that Reggie…” Ella’s face turned a shade of red that matched her pantsuit. “Obviously, he’s not my type. I mean, he’s a criminal after all, and he’s so rough around the edges and so-”
I cut her off with a laugh. “No apologies necessary,” I told her. “Reggie’s a tough guy, and a lot of women are attracted to that type.”
She cringed. “A lot of women, yes. But I’m usually not one of them. I’m level-headed, remember. My goodness! What would my girls say if they knew that when I was watching last week’s episode and saw Reggie stripped down to his denim shorts digging that hole where the new fountain is going to go… and he was all hot, and the sweat outlined every muscle in his body… I felt this rush of heat, you know, and one of the girls-I don’t remember which one-one of the girls asked if I was having hot flashes, and I didn’t want to tell her what it really was, and-”
Fortunately, Tony, the maintenance man, arrived, and we didn’t have any more time to discuss Ella’s bad-boy fantasies. As Tony was walking up the steps to the doors of the monument, Absalom showed up in a silver Hummer. He had Sammi with him, and they got out, waved, and came up the stairs, too.
Remember how I said I was planning on going all-out for the art show? Well, I think I really outdid myself. I was wearing a body-hugging, Empire-style, strapless satin dress with a V bodice that showed off just enough cleavage. The dress was what they called an “ikat tribal print” at the store where I bought it, with streaks of color that ranged from vivid canary yellow to lemon to a nice, clear white that perfectly matched my round-toe sling-backs and my chunky bead necklace and bracelet.
Oh yeah, I looked good, all right, and Absalom acknowledged as much with a tip of his head. He was wearing a three-button tuxedo with a long jacket, and I guess he and Sammi had decided to color-coordinate. His lime green brocade vest was a perfect match for her gown with its see-through lacy midriff and flounced hem. I recognized the pattern and the color. I’d seen a shower curtain just like it at Target.
“We are going to rock tonight!” Absalom slapped me a high five and did the same to Ella. She didn’t know him as well as I did, so she didn’t brace herself for the impact, and she nearly fell over. As a way of apologizing, Absalom wound an arm through hers and escorted her to the door. “After you,” he said to me, and waved me into the building first.
Immediately inside the door to the memorial is an entryway with a winding staircase on the left that leads down to that crypt where the caskets of the president and his missus are on display for everyone to see. On the other side of the entryway is the tiny gift shop/office where the docent who usually mans (or womans) the building waits for visitors. Ahead of us and up two shallow steps was the rotunda, and though I’m not usually impressed with monuments (and never with cemeteries), even I am willing to acknowledge that this was a special place. The entire inside of the building is decorated with mosaic tiles and marble columns. There are even thirteen stained glass windows around the rotunda, each symbolizing one of the original states. In the center of it all is a larger-than-life statue of James A. Garfield in all his presidential splendor. Tony followed us inside and touched a hand to the light switch. Floodlights bathed the statue and hit our displays. I stepped into the rotunda and-
“Oh my gosh!” I stopped cold and Ella slammed into the back of me. After a moment of stunned paralysis, I forced myself to move. I stumbled into the rotunda with Ella, Absalom, and Sammi right behind me.