“I’m sorry about Noel, honey,” her mom said softly. “And I know not going to Holland seems like a setback. But you’re resilient. And you don’t need to go to some faraway country to be happy. You can find an amazing art scene here in Rosewood.”
Aria sniffed. “Yeah, right.” Rosewood’s idea of cutting-edge art was painting the apples in a still life slightly off-red, the pears a marginally unnatural shade of green.
“I think I know of something that might cheer you up. There’s an opening for a part-time assistant at the gallery. If you want the job, it’s yours.”
Aria resisted the urge to snicker. Her mother worked at an art gallery in Hollis that sold tame, tepid landscapes of old Pennsylvania barns and detailed paintings of local birds. Aria got a headache every time she went in there because the place smelled overwhelmingly like the Yankee Candle store that was next door.
“It’ll be good for you to be around people,” Ella urged. “And bring your portfolio—maybe Jim will frame one of your pieces and give you a mini-show.”
Maybe Ella had a point. A job would give her something to do in the afternoons—she had so many hours to fill now that she and Noel weren’t together. And though Aria hated the idea of someone buying one of her paintings and hanging it next to a hokey Amish hex sign, she did like the idea of selling her work.
“Okay, I guess I could do that,” she said.
“Great.” Ella went to stand, then paused and looked at Aria again. “And you’re positive I don’t have to worry about the cop car?”
Aria pretended to be interested in the psychedelic swirls on the couch. “Of course not,” she mumbled.
“Good!” Ella pretended to wipe her brow. “I’ve got enough gray hairs as it is!”
Aria managed a chuckle. Ella was using that gray-hair line on the kids long before Aria was ever getting tormented by A. But this time, she was pretty sure she could hold up her side of the bargain. From now on, there would be no drama. No trouble. No lies.
And maybe, now that A was out of her hands, Ella would get her wish.
11
ONE MAN’S TRASH . . .
On Wednesday afternoon, Spencer and Chase stood on the lawn of Mr. Pennythistle’s model home. It had carefully trimmed hedges and a weed-free front walk. Daffodils exploded out of ceramic pots by the door. Birds chirped from the branches of the big oak on the front lawn. The only eyesore was the yellow police tape across the front door.
Spencer walked up to it and moved it aside. Then she looked at Chase. “Are you sure you want to help? It’s a huge mess in there.”
“Of course,” Chase insisted, walking up to the house and gingerly stepping over the police tape. “That’s why I’m here, Spencer.” Chase had called her this morning, asking what she’d been up to, and the whole story of her arrest had spilled out of Spencer before she could stop herself. He had insisted on driving out to Rosewood to comfort her, which Spencer had to admit felt . . . well, comforting.
Spencer reached for the keys Mr. Pennythistle had left for her earlier that day, but as she was about to push them into the lock, the door swung open. She froze, listening for whoever might be inside. Then she glanced over her shoulder at the tough-looking security guy behind the wheel of the SUV. He was staring straight ahead, impassive behind his dark sunglasses.
“Hello?” Spencer called into the house, her heart pounding.
“Hello?” a voice called back.
There were footsteps, and Officer Gates stepped into the living room, navigating around the four couch cushions that lay on the floor and the tipped-over furniture. He blinked at Spencer. “What are you doing here?”
“I’m supposed to clean up,” Spencer answered. “What are you doing here?”
“Dusting for prints.” Gates held up his palms; he was wearing plastic gloves. “The forensic team just left. I’m heading out, too.”
Spencer’s heart lifted. Fuji was taking her seriously. Gates was searching for Ali.
“Did you find anything?” she asked eagerly.
Gates ran his hand over his bristly red hair. “A few prints here and there, but nothing conclusive.” His cell phone bleated out a calypso ringtone, and he held up a finger to Spencer. “Hello?” he said into the speaker. After a moment, he added, “I’m on my way.”
He turned back to Spencer. “Family emergency, sorry. I bagged a couple of things as evidence, but I’m not sure it’s going to give us much.” He cast an uncertain look at Chase. “Anyway, we’re done here. You can start cleaning up the place.” He nodded at Spencer and strode out of the house.
Spencer shut the door behind him, leaned against the wall, and heaved a huge sigh. “Well, that’s disappointing.” She looked around the room. Though she’d come and gone from this place several times while the girls were investigating Ali, it looked so different now. Desk drawers hung open, and there were crayon slashes all over the walls. There was a big crack in the glass on the grandfather clock. A ceiling light had been pulled out of the plaster, the wires dangling. “How is it that there’s no trace of Ali anywhere?”
Chase poked his head into the kitchen, which had broken glass on the floors and trash strewn everywhere. It smelled like rotten milk. “Ali’s wickedly smart. I’m sure she thought everything through before trashing this place.” He cleared his throat. “That cop was looking at me as though he thought I did it.”
“No, he just didn’t want to say anything about Ali,” Spencer assured him, picking up a flattened Coke can and dropping it into the trash. “They don’t want us to tell anyone else.” She paused, peering at him. “Are you okay with knowing? It could be dangerous.”
Chase shrugged. “It’s not like you told me anything I didn’t already know. I’ll be fine.”
Spencer turned back toward the door to get the cleaning supplies from the car. “I guess we should get this over with, huh?”
“Wait a sec,” Chase called from the kitchen. “C’mere.”
He was standing in the middle of the kitchen, gesturing at the ceramic tile floor. Nestled between broken pieces of plates and glass was something shiny.
Spencer knelt to pick it up and frowned, holding it up to the light. It was a silver keychain, minus the key. An Acura emblem was etched into the metal. “I can’t believe Gates missed this,” she murmured. “Do you think it’s Ali’s?”
“Maybe,” Chase said. “Or maybe it’s her helper’s.”
Spencer pulled out her phone. Her finger hesitated on Fuji’s number, but she dialed Hanna instead.
“Do we know anyone who drives an Acura?” she asked when Hanna answered.
Hanna didn’t miss a beat. “Scott Chin. Mason Byers. My mom’s divorce lawyer. One of my neighbors. That lady who—”
“Whoa,” Spencer interrupted. “I didn’t realize you knew every Acura driver in Rosewood.”
“They’re nice cars,” Hanna answered matter-of-factly. “Why do you want to know?”
Spencer explained what she’d just found. “Could her helper be one of those people? Scott Chin doesn’t make sense as Ali’s secret boyfriend—he’s gay. I’m not sure Mason does, either—he moved here in sixth grade, remember? And he and Ali never seemed to get along.”
“Spence, weren’t we just at the police station turning over the case to a team of professionals? Hand the keychain over to Fuji and forget about it.”
Spencer knew Hanna was right, but it was more difficult to relinquish control than she realized. At school, when they had to do group projects, Spencer always insisted on doing most of the work. The others will just screw it up, she always thought. They won’t do it as well as I can.