"You know, I've always wanted to go on the stage, you know," he said. "But my jolly old guv'nor wouldn't stick it at any price. Put the old Waukeesi down with a bang, and turned bright purple whenever the subject was mentioned. That's the real reason why I came over here, if you want to know. I knew there wasn't a chance of my being able to work this stage wheeze in London without somebody getting on to it and tipping off the guv'nor, so I rather brainily sprang the scheme of popping over to Washington to broaden my mind. There's nobody to interfere on this side, you see, so I can go right ahead!"
I tried to reason with the poor chump.
"But your guv'nor will have to know some time."
"That'll be all right. I shall be the jolly old star by then, and he won't have a leg to stand on."
"It seems to me he'll have one leg to stand on while he kicks me with the other."
"Why, where do you come in? What have you got to do with it?"
"I introduced you to George Caffyn."
"So you did, old top, so you did. I'd quite forgotten. I ought to have thanked you before. Well, so long. There's an early rehearsal of 'Ask Dad' to-morrow morning, and I must be toddling. Rummy the thing should be called 'Ask Dad,' when that's just what I'm not going to do. See what I mean, what, what? Well, pip-pip!"
"Toodle-oo!" I said sadly, and the blighter scudded off. I dived for the phone and called up George Caffyn.
"I say, George, what's all this about Cyril Bassington-Bassington?"
"What about him?"
"He tells me you've given him a part in your show."
"Oh, yes. Just a few lines."
"But I've just had fifty-seven cables from home telling me on no account to let him go on the stage."
"I'm sorry. But Cyril is just the type I need for that part. He's simply got to be himself."
"It's pretty tough on me, George, old man. My Aunt Agatha sent this blighter over with a letter of introduction to me, and she will hold me responsible."
"She'll cut you out of her will?"
"It isn't a question of money. But—of course, you've never met my Aunt Agatha, so it's rather hard to explain. But she's a sort of human vampire-bat, and she'll make things most fearfully unpleasant for me when I go back to England. She's the kind of woman who comes and rags you before breakfast, don't you know."
"Well, don't go back to England, then. Stick here and become President."
"But, George, old top——!"
"Good night!"
"But, I say, George, old man!"
"You didn't get my last remark. It was 'Good night!' You Idle Rich may not need any sleep, but I've got to be bright and fresh in the morning. God bless you!"
I felt as if I hadn't a friend in the world. I was so jolly well worked up that I went and banged on Jeeves's door. It wasn't a thing I'd have cared to do as a rule, but it seemed to me that now was the time for all good men to come to the aid of the party, so to speak, and that it was up to Jeeves to rally round the young master, even if it broke up his beauty-sleep.
Jeeves emerged in a brown dressing-gown.
"Sir?"
"Deuced sorry to wake you up, Jeeves, and what not, but all sorts of dashed disturbing things have been happening."
"I was not asleep. It is my practice, on retiring, to read a few pages of some instructive book."
"That's good! What I mean to say is, if you've just finished exercising the old bean, it's probably in mid-season form for tackling problems. Jeeves, Mr. Bassington-Bassington is going on the stage!"
"Indeed, sir?"
"Ah! The thing doesn't hit you! You don't get it properly! Here's the point. All his family are most fearfully dead against his going on the stage. There's going to be no end of trouble if he isn't headed off. And, what's worse, my Aunt Agatha will blame me, you see."
"I see, sir."
"Well, can't you think of some way of stopping him?"
"Not, I confess, at the moment, sir."
"Well, have a stab at it."
"I will give the matter my best consideration, sir. Will there be anything further to-night?"
"I hope not! I've had all I can stand already."
"Very good, sir."
He popped off.
The part which old George had written for the chump Cyril took up about two pages of typescript; but it might have been Hamlet, the way that poor, misguided pinhead worked himself to the bone over it. I suppose, if I heard him his lines once, I did it a dozen times in the first couple of days. He seemed to think that my only feeling about the whole affair was one of enthusiastic admiration, and that he could rely on my support and sympathy. What with trying to imagine how Aunt Agatha was going to take this thing, and being woken up out of the dreamless in the small hours every other night to give my opinion of some new bit of business which Cyril had invented, I became more or less the good old shadow. And all the time Jeeves remained still pretty cold and distant about the purple socks. It's this sort of thing that ages a chappie, don't you know, and makes his youthful joie-de-vivre go a bit groggy at the knees.
In the middle of it Aunt Agatha's letter arrived. It took her about six pages to do justice to Cyril's father's feelings in regard to his going on the stage and about six more to give me a kind of sketch of what she would say, think, and do if I didn't keep him clear of injurious influences while he was in America. The letter came by the afternoon mail, and left me with a pretty firm conviction that it wasn't a thing I ought to keep to myself. I didn't even wait to ring the belclass="underline" I whizzed for the kitchen, bleating for Jeeves, and butted into the middle of a regular tea-party of sorts. Seated at the table were a depressed-looking cove who might have been a valet or something, and a boy in a Norfolk suit. The valet-chappie was drinking a whisky and soda, and the boy was being tolerably rough with some jam and cake.
"Oh, I say, Jeeves!" I said. "Sorry to interrupt the feast of reason and flow of soul and so forth, but——"
At this juncture the small boy's eye hit me like a bullet and stopped me in my tracks. It was one of those cold, clammy, accusing sort of eyes—the kind that makes you reach up to see if your tie is straight: and he looked at me as if I were some sort of unnecessary product which Cuthbert the Cat had brought in after a ramble among the local ash-cans. He was a stoutish infant with a lot of freckles and a good deal of jam on his face.
"Hallo! Hallo! Hallo!" I said. "What?" There didn't seem much else to say.
The stripling stared at me in a nasty sort of way through the jam. He may have loved me at first sight, but the impression he gave me was that he didn't think a lot of me and wasn't betting much that I would improve a great deal on acquaintance. I had a kind of feeling that I was about as popular with him as a cold Welsh rabbit.
"What's your name?" he asked.
"My name? Oh, Wooster, don't you know, and what not."
"My pop's richer than you are!"
That seemed to be all about me. The child having said his say, started in on the jam again. I turned to Jeeves.
"I say, Jeeves, can you spare a moment? I want to show you something."
"Very good, sir." We toddled into the sitting-room.
"Who is your little friend, Sidney the Sunbeam, Jeeves?"
"The young gentleman, sir?"
"It's a loose way of describing him, but I know what you mean."
"I trust I was not taking a liberty in entertaining him, sir?"
"Not a bit. If that's your idea of a large afternoon, go ahead."
"I happened to meet the young gentleman taking a walk with his father's valet, sir, whom I used to know somewhat intimately in London, and I ventured to invite them both to join me here."
"Well, never mind about him, Jeeves. Read this letter."
He gave it the up-and-down.
"Very disturbing, sir!" was all he could find to say.
"What are we going to do about it?"