"Look!" he said.
She looked.
"I do them. I have done them every week for three years. No, don't speak yet. Listen. This is where all my money came from, all the money I lost when B. and O. P. Rails went smash. And this is where the money came from to buy 'The Coming of Summer.' It wasn't Brackett who bought it; it was myself."
Mrs. Archie was devouring the Doughnuts with wide-open eyes. I caught a glimpse of them myself, and only just managed not to laugh, for it was the set of pictures where Pa Doughnut tries to fix the electric light, one of the very finest things dear old Archie had ever done.
"I don't understand," she said.
"I draw these things. I have sold my soul."
"Archie!"
He winced, but stuck to it bravely.
"Yes, I knew how you would feel about it, and that was why I didn't dare to tell you, and why we fixed up this story about old Brackett. I couldn't bear to live on you any longer, and to see you roughing it here, when we might be having all the money we wanted."
Suddenly, like a boiler exploding, she began to laugh.
"They're the funniest things I ever saw in my life," she gurgled. "Mr. Pepper, do look! He's trying to cut the electric wire with the scissors, and everything blazes up. And you've been hiding this from me all that time!"
Archie goggled dumbly. She dived at a table, and picked up a magazine, pointing to one of the advertisement pages.
"Read!" she cried. "Read it aloud."
And in a shaking voice Archie read:
You think you are perfectly well, don't you? You wake up in the morning and spring out of bed and say to yourself that you have never been better in your life. You're wrong! Unless you are avoiding coffee as you would avoid the man who always tells you the smart things his little boy said yesterday, and drinking
SAFETY FIRST MOLASSINE
for breakfast, you cannot be
Perfectly Well.
It is a physical impossibility. Coffee contains an appreciable quantity of the deadly drug caffeine, and therefore——
"I wrote that," she said. "And I wrote the advertisement of the Spiller Baby Food on page ninety-four, and the one about the Preeminent Breakfast Sausage on page eighty-six. Oh, Archie, dear, the torments I have been through, fearing that you would some day find me out and despise me. I couldn't help it. I had no private means, and I didn't make enough out of my poetry to keep me in hats. I learned to write advertisements four years ago at a correspondence school, and I've been doing them ever since. And now I don't mind your knowing, now that you have told me this perfectly splendid news. Archie!"
She rushed into his arms like someone charging in for a bowl of soup at a railway station buffet. And I drifted out. It seemed to me that this was a scene in which I was not on. I sidled to the door, and slid forth. They didn't notice me. My experience is that nobody ever does—much.
THE TEST CASE
Well-meaning chappies at the club sometimes amble up to me and tap me on the wishbone, and say "Reggie, old top,"—my name's Reggie Pepper—"you ought to get married, old man." Well, what I mean to say is, it's all very well, and I see their point and all that sort of thing; but it takes two to make a marriage, and to date I haven't met a girl who didn't seem to think the contract was too big to be taken on.
Looking back, it seems to me that I came nearer to getting over the home-plate with Ann Selby than with most of the others. In fact, but for circumstances over which I had no dashed control, I am inclined to think that we should have brought it off. I'm bound to say that, now that what the poet chappie calls the first fine frenzy has been on the ice for awhile and I am able to consider the thing calmly, I am deuced glad we didn't. She was one of those strong-minded girls, and I hate to think of what she would have done to me.
At the time, though, I was frightfully in love, and, for quite a while after she definitely gave me the mitten, I lost my stroke at golf so completely that a child could have given me a stroke a hole and got away with it. I was all broken up, and I contend to this day that I was dashed badly treated.
Let me give you what they call the data.
One day I was lunching with Ann, and was just proposing to her as usual, when, instead of simply refusing me, as she generally did, she fixed me with a thoughtful eye and kind of opened her heart.
"Do you know, Reggie, I am in doubt."
"Give me the benefit of it," I said. Which I maintain was pretty good on the spur of the moment, but didn't get a hand. She simply ignored it, and went on.
"Sometimes," she said, "you seem to me entirely vapid and brainless; at other times you say or do things which suggest that there are possibilities in you; that, properly stimulated and encouraged, you might overcome the handicap of large private means and do something worthwhile. I wonder if that is simply my imagination?" She watched me very closely as she spoke.
"Rather not. You've absolutely summed me up. With you beside me, stimulating and all that sort of rot, don't you know, I should show a flash of speed which would astonish you."
"I wish I could be certain."
"Take a chance on it."
She shook her head.
"I must be certain. Marriage is such a gamble. I have just been staying with my sister Hilda and her husband——"
"Dear old Harold Bodkin. I know him well. In fact, I've a standing invitation to go down there and stay as long as I like. Harold is one of my best pals. Harold is a corker. Good old Harold is——"
"I would rather you didn't eulogize him, Reggie. I am extremely angry with Harold. He is making Hilda perfectly miserable."
"What on earth do you mean? Harold wouldn't dream of hurting a fly. He's one of those dreamy, sentimental chumps who——"
"It is precisely his sentimentality which is at the bottom of the whole trouble. You know, of course, that Hilda is not his first wife?"
"That's right. His first wife died about five years ago."
"He still cherishes her memory."
"Very sporting of him."
"Is it! If you were a girl, how would you like to be married to a man who was always making you bear in mind that you were only number two in his affections; a man whose idea of a pleasant conversation was a string of anecdotes illustrating what a dear woman his first wife was. A man who expected you to upset all your plans if they clashed with some anniversary connected with his other marriage?"
"That does sound pretty rotten. Does Harold do all that?"
"That's only a small part of what he does. Why, if you will believe me, every evening at seven o'clock he goes and shuts himself up in a little room at the top of the house, and meditates."
"What on earth does he do that for?"
"Apparently his first wife died at seven in the evening. There is a portrait of her in the room. I believe he lays flowers in front of it. And Hilda is expected to greet him on his return with a happy smile."
"Why doesn't she kick?"
"I have been trying to persuade her to, but she won't. She just pretends she doesn't mind. She has a nervous, sensitive temperament, and the thing is slowly crushing her. Don't talk to me of Harold."
Considering that she had started him as a topic, I thought this pretty unjust. I didn't want to talk of Harold. I wanted to talk about myself.
"Well, what has all this got to do with your not wanting to marry me?" I said.
"Nothing, except that it is an illustration of the risks a woman runs when she marries a man of a certain type."