Formal as always in tweed jacket, starched white shirt, and bow tie, Drayton ladled four heaping teaspoons of jasmine pearl into a carefully warmed white ceramic teapot. This was followed by a gush of hot water heated to precisely 150 degrees Fahrenheit. As steaming water infused tea particles, a rich ginger color developed, followed by a sweet scent reminiscent of almonds.
“How do you know how long to allow tea to steep?” asked a white-haired woman who wrinkled her nose appreciatively.
“Green and white teas are best at between one and two minutes,” said Drayton. “A Darjeeling, which we all know is delicate and fruity, shouldn’t be infused longer than three minutes. And that is a hard and fast rule.” Drayton Conneley peered over tortoiseshell half glasses that were perpetually sliding down his long, aquiline nose, giving him a slightly owlish appearance.
“Even fifteen seconds too long, and a Darjeeling will go bitter. But a Formosan oolong, especially if the leaves are tightly rolled, is an entirely different matter. Have no fear in boldly pushing the steeping time to seven minutes,” advised Drayton in the carefully modulated tones his friends described as his basso contante voice.
Sixty-two years of age, the only child of missionary parents who originally hailed from Sullivan’s Island, across the Intracoastal Waterway from Charleston, Dray-ton had spent the first twenty years of his life in Canton, China. It was in south China that Drayton developed his taste for tea and his passion for it, spending weeks at a time on the Panyang Tea Plantation in the high steppes of the Hangzhou region while his parents ministered to Christian Chinese in far-flung provinces. Upon returning to Charleston, Drayton attended Johnson & Wales University, the area’s prestigious culinary institute, then spent several years in London working at Croft & Squire Tea Ltd. and commuting to Amsterdam where the major wholesale tea auctions of the world are conducted.
Today Drayton had arranged six different teapots on the lazy Susan that occupied center stage of the table. Each teapot was crafted in a unique motif, ranging from a colorful ceramic cabbage to a Chinese Yi-shing teapot of molded purple clay. Steeping inside each teapot was a different type of tea, and fanned out in front of each taster were six small cups for sampling. An ornate silver tray with a rapidly dwindling assortment of cookies seemed to be in constant rotation around the table.
“I’m never quite sure when the water is ready,” a woman in a yellow twin set drawled in the slow tones of a Savannah, Georgia, native as she eagerly reached for what proved to be the last butter cookie.
“Then, dear lady, I shall teach you a famous Japanese adage that is both edifying and rippingly depictive,” said Drayton. “Carp eyes coming, fish eyes going...”
“Soon will be the wind in the pines,” finished Theodosia as she bustled out from the back room.
“The fish eyes are the first tiny bubbles,” Theodosia explained as she set a fresh plate of butter cookies on the table. “The carp eyes are the large bubbles that herald a good, rolling boil. And the wind in the pines is, of course, the beginning rush of the teapot’s whistle.”
These charming metaphors drew a quick spatter of applause from her delighted guests as Drayton looked on, pleased by the dramatic entrance of his beloved employer.
But then, most people were charmed by Theodosia Browning the moment they met her. She was all sparkling blue eyes and barely contained energy, with a broad, intelligent face, high cheekbones, and full, perfectly formed mouth that could pull into a pucker when she was feeling perplexed.
Theodosia retrieved an apron from behind the counter, and tied it around the waist of her Laura Ashley dress. Although not overweight, neither was Theodosia thin. She was solid, had been all her life. A size ten that occasionally veered toward a twelve, especially around Christmas and New Year’s when the tea shop overflowed with scones, benne wafers, cream breads, and sweet butter biscuits. And holiday parties up and down Church Street featured buffet tables groaning with she-crab soup, roast duckling, and spicy shrimp with tasso gravy.
Theodosia’s mother, a confirmed romantic and history buff, had named her only daughter after Theodosia Alston, wife of former South Carolina governor Joseph Alston and daughter of former vice president Aaron Burr.
In the early 1800s, when Theodosia Alston reigned as First Lady of the state, she had cut a colorful figure. But her notoriety was short-lived. In 1812 she was a passenger on a sailing ship that sank off the coast of North Carolina. When the bodies of the unfortunate souls washed up on shore, only the remains of Theodosia Alston were missing.
As a young child, Theodosia had sat with her mother in the garden swing and speculated on what had really become of the historical Theodosia. As they whiled away afternoons, listening to the gentle drone of bees, it was exciting to imagine any number of chilling scenarios.
Had she been kidnapped by her father’s enemies? Did the pirates who plied their sinister trade off the coastal waters capture poor Theodosia Alston and sell her into slavery? And years later, when the estate of an old North Carolina woman was sold, why did a portrait of the old woman, painted when she was young, look startlingly similar to the missing Theodosia?
But in Charleston, that fine city that began as Charles Town, when rice, indigo, and tobacco from the plantations were in demand throughout the world, legend and history blended into a rich patois.
And Theodosia Browning found running a tea shop to be a civilized melding of merchant and Southern hostess. Rather like throwing open one’s parlor and awaiting whatever surprise guests might drop in. But Theodosia, now at the age of thirty-six, had not always been the owner of a tea shop.
Years ago (though she’d prefer not to count them) Theodosia had been a student at the prestigious University of Charleston. As an English literature major, she’d been swept up in the poetry and prose of Jane Austen, Mary Shelley, and Charlotte Brontë. Determined to compose her own romantic, lyrical poetry, Theodosia had adapted the bohemian style of wearing a flowing purple velvet cape, walked the grounds of the old Magnolia Cemetery for inspiration, and taken a part-time job at the Charleston Rare Book Company.
But a month before graduation, Theodosia’s father passed away and, with her mother long dead since she was eight, she had only a small inheritance on which to live. Knowing the life of a poet can be one precarious step down from that of starving artist, Theodosia took a job in an advertising agency.
Because she was blessed with a knack for creativity as well as a genius for business and marketing, she rose through the ranks swiftly. She began her career as a lowly media estimator, graduating to account coordinator, eventually becoming vice president of client services.
But fourteen years in a cutthroat, results-driven arena took its toll. Long hours, tight deadlines, nervous clients, and high-stakes creative decisions led to her gradual disenchantment. Theodosia searched for a way to step off the merry-go-round.
While serving on a pro bono marketing committee for Spoleto, Charleston’s annual arts festival, Theodosia stumbled upon a quirky opportunity. The artistic director for a participating theater organization was trying to unload a little tea shop on Church Street that his mother had run years ago. Intrigued, Theodosia took a hard look at the dusty, unoccupied little tea shop that was up for sale and thought, What if?
Mulling her decision for one long, sleepless night, Theodosia made the ultimate executive decision and used her small savings to put a down payment on the property.
Convinced that the congenial atmosphere of a tea shop would be far more satisfying for the soul than helping to market credit cards, computer peripherals, and pharmaceuticals, Theodosia threw herself wholeheartedly into her new venture.