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‘Do we know why?’ asked Johnny. ‘Is there a motive lurking behind the promotion?’

‘Motive? Did I hear you say motive, Johnny? Do I detect the ghost of Lord Francis Powerscourt lurking in the shadows behind your shoulder? The great investigator himself?’

‘Well, as a matter of fact, you do, Sweetie. And he doesn’t like humbugs either. But come, before we move on to the last two Wagstaffs, is there a family Wagstaff? Little Wagstaffs in Little Lord Fauntleroy suits scampering around Barnes Pond? Any of those?’

‘I see you are still at first base, my friend. Richard Wagstaff is single. His heirs, if you like to go there, and I feel sure you do, are all nephews, offspring of his two younger sisters. There was a daughter to one of them, but she died of some terrible illness.’

‘Would you happen to have the names and addresses of these married Wagstaff sisters, Sweetie?’

‘You can have them for a consideration, my friend. The times are not so generous that a man can give valuable information away for nothing.’

‘You shall have my consideration when I leave, Sweetie. I take your point. But what of the other Wagstaffs? We have only been introduced to two.’

Sweetie Robinson looked very serious all of a sudden. ‘These are deep and troubled waters, my friend. The last two may hold the key to all the others.’

‘You’re speaking in riddles, Sweetie. Out with it, and you can have another humbug.’

‘The third Waggers is an obsessive card player, so successful that few men who know him will play with Waggers for money.’

‘And the fourth? What of the fourth?’

‘The fourth is so dangerous that it could finish him off and end his position in society.’

‘That sounds pretty serious, Sweetie. Tell me all.’

‘It is. The fourth Richard Wagstaff Gilbert cheats at cards.’

7

Plié

Probably the most commonly known exercise performed in ballet. A plié is a bending of the knees, a bending action where the knees bend over the toes while the dancer’s heels remain on the floor. A demiplié is simply a small bending of the knees while a grand-plié is a full bending of the knees where the heels do actually come off of the floor. Pliés assist a dancer in many exercises performed, especially in jumping.

The real Francis Powerscourt was pacing about his drawing room in Markham Square. He was expecting a state visit from Lady Ripon and the prospect did not make his heart sing with joy. Lady Lucy had deserted him, saying that she would be going shopping in Sloane Street and trusted that the dreadful woman, as she referred to Lady Ripon, would be gone on her return.

‘I don’t expect it’ll take long. I’m not sure if I’ll be treated like the tenant of one of the farms on her estate or like a junior footman who has committed some unspeakable crime, like setting the forks out in the wrong order at a dinner party.’

‘Lady Ripon, my lord.’

As she advanced into hostile territory, she managed to secure Powerscourt’s favourite armchair by the side of the fire.

‘Have you solved the murder mystery yet, Powerscourt? And if not, why not?’

Powerscourt protested that they had had little time so far, and that the language difficulty was proving to be a problem.

‘I’ve always found, Powerscourt, in my experience in society, which is considerably wider than yours, that if you speak English loudly and often enough to these foreign persons, they will understand in the end.’

‘Doesn’t seem to work with the Russians, Lady Ripon. Perhaps it’s the different alphabet and so on. Makes things even more difficult; a different sort of language, I think you’ll find.’

‘Stuff and nonsense. You haven’t been trying hard enough. So you haven’t solved the mystery and located the murderer. Pretty poor, if you ask me. So what exactly have you been doing?’

‘Well, Lady Ripon. .’ Powerscourt had now established that in the Lady Ripon pecking order, he was the butler, personally responsible for some vast disaster on the catering front. ‘We have talked to the corps de ballet through the good offices of Natasha Shaporova, whom I believe you know.’

‘I do know Mrs Shaporova, and I have heard reports of these rather intimate gatherings where information is passed around with the tea. But they can’t have done it, Lord Powerscourt. Even you must see that. They were on stage at the time. Were you talking of Mrs Shaporova’s kind offer to help, Powerscourt? Are you carrying on with that young woman? It has been suggested to me, I have to report. It would explain your tardiness in detection. Are you carrying on with Natasha Shaporova, Powerscourt?’

‘I am not, Lady Ripon, and I regard it as a gross breach of my hospitality to even suggest it in my house.’

‘Oh well, I suspect you’re far too old for her, Powerscourt. What, pray, are your plans for the future in this investigation?’

‘We shall continue our work, Lady Ripon. I shall, of course, inform you of any developments.’

‘I happen to have with me a most interesting development, as you choose to call it. I have in my bag — ’ a capacious vehicle it was too — ‘an invitation from the Duke of Marlborough for Diaghilev’s Ballets Russes to perform two or three short ballets at Blenheim Palace, one for the Duke and his friends in the Great Hall, and the other in the open air for the surrounding populace. And a generous fee! What do you think of that?’

Powerscourt wondered if the real purpose of this visit hadn’t been to show off what was in her handbag. ‘I shall certainly attend, Lady Ripon, it sounds most interesting.’

‘You will have to find your place among the agricultural labourers and the poor of Woodstock, Powerscourt. I shall take great care over the guest list for the palace itself. Maybe you’ll find more enlightenment among the rabble in the park than you have been able to do so far in the people of the Ballets Russes.’

Word reached Diaghilev in one of the dressing rooms of the Royal Opera House. There were a couple of cleaned and freshly ironed shirts to the side of the dressing table and a long purple scarf hanging on the back of the door. There was the usual chaos of make-up jars, cleansing lotion, cold creams and all the apparatus needed to make up a ballerina for her performance. Diaghilev and his choreographer, and Bakst his principal designer, were discussing a new ballet to be performed in Paris the following year. The note was handed to Diaghilev. He passed it round.

‘This is ridiculous,’ he said. ‘These English must think we are some travelling circus, pitching our tents here and there as the will takes us. Or travelling monks, maybe, processing through Siberian villages with some mystery plays. What do you think, Fokine?’

‘Well, Sergei Pavlovich, I had the good fortune to be briefed by the Duke’s man of business last night. But his French was very bad, so I am not clear at all on many points.’

‘What is this Blenheim Palace? Where is it? I thought the only palace here was that little one they call Buckingham with the toy soldiers marching up and down.’

‘I believe,’ Fokine was scratching his head now, ‘that Blenheim was a battle in southern Germany that ended in an English victory. The General was made Duke of Marlborough and they gave him a palace as a thank-you present. The house was built in the early seventeen hundreds and is considered to be one of the finest in England.’

‘Pshaw,’ said Diaghilev. ‘They speak of a performance in the open air for the surrounding peasantry. How are we to do that, in heaven’s name? I think we should say no. Bakst, what is your view?’

‘There are obviously great difficulties. But five thousand pounds is a great deal of money. And we have always argued, from the earliest times, that art should be brought to as many people as possible. We could at least aspire to that here.’