Now, balanced precariously, she moved carefully to the left, leaning forward at the waist, her left hand flat against the roof. With her right hand, she managed to yank the window sash down far enough so that it would not be apparent that she had escaped through it-although she seriously doubted that a man with as little imagination as a Scotland Yard detective would dream that a mere woman would clamber onto a roof three floors above the street.
Three floors. Giddily, Charlotte pushed the thought out of her mind. If she gave in to womanish fears, she’d be lost. Her mind carefully blank, her lower lip pinched tightly between her teeth and her palms flat against the wet and sooty slate, she inched awkwardly along the gutter. She had gone only a few feet when she heard a brusque shout from within, the sash was flung up, and a head popped out. Fearing discovery, Charlotte held her breath and pressed herself tight against the roof, her heart pounding like a trip-hammer.
“Well, she didn’t jump,” a disgusted male voice said. “Leastwise, I don’t see ’er down there. She must’ve sneaked out.”
“Don’t see ’ow,” a second man said, puzzled. “We’ve ’ad the entrances watched all morning. Inspector Ashcraft was most partic’lar about that. She came in at seven and ’asn’t come out since.”
“Well, she ain’t ’ere,” the first man said roughly, “unless she’s learnt ’ow to make ’erself invis’ble. Or maybe she’s learnt to fly. Ashcraft’ll be in a ravin’ paddy-wack about losin’ ’er.” Furiously, he slammed the window.
Pulling in her breath and willing herself not to look down to the street so dizzyingly far below, Charlotte began to move toward the corner of the building, sliding one foot at a time along the gutter, first her left, then her right, then her right again. It was hard going, made even more difficult by the rain that slicked the slate and the wet hair that fell across her eyes and-
Her foot struck an obstruction. There was a fierce squawk and a wild flurry, and suddenly something with beak and claws flew into her face, beating at her with hard wings. Terrified by the unexpected attack, she raised her arm to ward it off, almost losing her balance and pitching over backward. But as she swallowed a scream, she realized what had happened. A pigeon had built its nest in the gutter and she had dislodged it with her foot, sending nest and eggs hurtling down to smash in the street-as she would have smashed, if she had fallen, too.
For another moment she clung to the roof, breathless and giddy, the sour taste of fear in her mouth. But since she couldn’t go back, she had to go on. One foot, another foot, another-and in a few minutes she had reached the corner of the building. She looked to her left and saw, with a vast relief, that she had remembered correctly. This building and its four-story neighbor were only a few feet apart, and she was almost within arm’s reach of the iron fire-ladder that was bolted to the other building’s brick wall. Almost. All she had to do was lean out across that horrid, empty space, reach for the ladder, and…
Charlotte squeezed her eyes shut, her breath coming hard, the blood pulsing in her throat. The ladder was a full yard away, at least a foot out of reach. Only a foot, she thought, paralyzed with fright, but it might as well be a mile. She couldn’t reach the ladder unless she let go of the roof. And no matter how hard she willed herself to relinguish her grip, her fingers clung to-
From the street below, she heard the shrill of a police whistle and more loud shouting, and saw two uniformed policemen wrestling Adam out of the building and into a police van. Now! she thought. It’s now, or not at all! Closing her mind to her fear, she turned toward the ladder and launched herself across the void, her right hand grasping the rusty iron, her right foot reaching, slipping, leaving her swinging like a circus wire-artist above the emptiness.
And then her right foot found a rung, and then her left, and she was clinging to the ladder, then stepping smartly down, praying that her foot would not catch in the hem of her blasted skirt. A few moments later, she was safely on the sidewalk, to the delight of a strongly-built, dark-haired young man in a coal stoker’s singlet, worn trousers, and a green cloth cap, who had apparently been watching her descend. As she dropped lightly to the ground from the last rung of the ladder, the man gave her a look that seemed full of recognition, and she saw that he had very blue eyes, deeply fringed with black lashes. Then, his eyes still fastened on hers, he grinned engagingly and tipped his cap. His hair was dark, too, tousled and rakish.
Charlotte felt the immediate attraction between them as if it were an electrical charge. But this was no time for such things. She threw him a dazzling smile, put a warning finger to her lips, and disappeared into the crowd.
CHAPTER THREE
“GETTING INTO PRINT: ADVICE TO YOUNG WRITERS”
Don’t quit your job in order to write unless there is no one dependent on you. Fiction pays best of all, and when it is of fair quality is more easily sold… Avoid the unhappy ending, the harsh, the brutal, the tragic, the horrible-if you care to see in print the things you write… And keep a notebook. Travel with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than grey matter, and lead pencil marking endures longer than memory.
Jack London,
The Editor Magazine, 1903
Jack London stripped off his coal-smudged stoker’s jacket and splashed water from the basin over his face. Then he put on a clean white shirt and exchanged the clumsy leather brogans for his own soft leather shoes. With a sigh of relief, he pulled out a flask of gin, took a swig, and dropped down on one of the two narrow beds, surveying his surroundings.
The small upstairs room was rudely furnished and uncomfortable, but adequate for his purposes. It had been found for him by members of the Social Democratic Federation in the home of an East End police detective, an irony that was not lost on Jack, who during his vagabond days had developed an intense dislike of all policemen. But he was in something of a dilemma, for his research-he was conducting what he thought of as a sociological study-required him to go about the East End dressed in ragged, dirty clothes, while other business would take him out in his ordinary clothing. A decent landlady would be apt to be suspicious of a gentleman leading a double life, while lodgings in a house where nobody gave a damn might not be entirely safe. And Jack needed a safe house, a refuge where he could sleep comfortably, work on his book, and go and come as he pleased.
So when the S.D.F. had found him a lodging in the home of Detective John Palmer, known to East Enders as Johnny Upright, Jack had jumped at it. The room-which contained two beds, a table, and two chairs-was at the back of the house and had its own private stair. It was, of course, a far cry from his country home in the Piedmont Hills of California, a large redwood bungalow with a panoramic view of San Francisco Bay, the Golden Gate Bridge, and the Pacific Ocean. There, he entertained his artistic friends and lived the lavishly hedonistic life that was entirely suited to a successful writer. If this luxury seemed at odds with his rough, rugged stories of life-and-death adventure in the wilds of the Yukon Territory or his well-known stance as a Socialist who advocated the abolition of the class system-well, so be it. Jack had left school to work in a cannery at fourteen, and had known a decade of poverty since. Now that his writing had begun to bring in money, he deserved (he felt) to revel in his prosperity, although he somehow managed to spend more than he earned and was continually in debt.