“His study is on the other side of the hall. Take whatever you want. Now if you will excuse me, I would like to be alone.” Without waiting for his answer, she walked past him with a faint waft of perfume-something sweet and mildly flowery-and went out the door.
He spent the rest of the morning looking through the books and papers in Pomeroy’s study, trying to form some picture of the man’s life, his nature.
Pomeroy emerged as a meticulous, pedestrian man who had taught mathematics ever since he had graduated with academic qualifications. Most of his students seemed to have been aged about twelve or fourteen, and of quite average ability, except an occasional one of real promise. He tutored families privately, both boys and girls together.
It seemed a conscientious and blameless life, without any outward mark of humor. The flamboyant silk flowers in the withdrawing room could never have been his. In fact, the lavender silk gown with its foam of lace seemed far beyond his imagination-or his financial reach.
Pitt was offered luncheon by a cook who burst into tears every time he spoke to her. Then in the afternoon he copied out all the names and addresses of the current pupils, plus a few of those from the recent past, and those of acquaintances and tradesmen. He took his leave without seeing Adela Pomeroy again.
He went home earlier than usual. He was tired and beginning to feel the chill of the day spread through him. He had been woken to the news of another death, had gone to see the corpse lying grotesquely on the steps of a house of charity, then had had to bear the news of it to the widow whose shock he had been helpless to reach. He had spent the long hours of the day intruding into the details of the man’s life, searching it and taking it apart, looking for the flaws that had led him to the Devil’s Acre … and murder. He had accumulated a multitude of facts, and none of them told him anything that seemed to matter. He felt helpless, hemmed in on every side by grief and trivia.
If Charlotte made one cheerful or inquisitive remark, his temper would explode.
Pitt spent the next four days picking at ragged edges, trying to unravel enough to find one thread sufficiently strong to evoke something better than the random destruction of a madman.
He spoke to Pomeroy’s students, who seemed to think well of their tutor despite the fact that he had spent his entire time instilling into their minds the principles of mathematics. They stood in front of Pitt, each in his own separate, overcrowded parlor. They were sober and scrubbed, and spoke respectfully of their elders, as became well-brought-up children. He thought he even detected beneath the ritual phrases a genuine affection, pleasant memories, perceptions of beauty in mathematical reason.
Occasionally, in spite of himself, ugly thoughts crossed Pitt’s mind of intimacies between man and child, of cases he had known in the past. But he could discover no instance where any child, boy or girl, had been tutored alone.
Ernest Pomeroy emerged as an admirable man, even if there was too little humor or imagination to make him likable. But then it is hard to catch the essence of a man when all you know is his dead face, and the memories of stunned and obedient children who had been grimly forewarned of the consequences of speaking ill of the deceased-and of the general disgrace of having anything to do with the police for any reason. The majesty of the law was better observed from afar. Respectable people did not become involved with the less savory minions who served to enforce its rule.
Pitt also, of course, asked Mrs. Pomeroy if he might look through the dead man’s personal effects to see if there were any letters or records that might suggest enmity, threat, or any motive at all to harm him. She hesitated and stared at him out of eyes that still looked frozen in shock. It was an intrusion, and he felt no surprise that she should resent his request. But it seemed that she realized the necessity and that to refuse would be pointless. And of course if she had any guilt or complicity in the murder, she would have had more than enough time to destroy anything she wished before he had first come with the news.
“Yes,” she said at last. “Yes, if you wish. I do not believe he had much correspondence. I recall very few letters. But if you feel it would be useful you may have them.”
“Thank you, ma’am.” She made him feel peculiarly awkward because her grief was so inaccessible. If she had wept, there was no sign of it in her face; her eyes were smooth, the lids pale and unswollen. And yet she did not move with the stilted, sleepwalking gait of those who are so profoundly shocked that emotion is still petrified inside them-before the shell cracks and the pain bursts free.
Had she loved Pomeroy? More probably it had been one of the many marriages arranged by parents and suitor. Pomeroy was considerably older; he might have been her father’s choice rather than her own.
Yet even in this state of limbo between the news of death and the beginning of acceptance of life as it must become, Pitt could see that she was a woman of grace and delicacy. Her clothes were very feminine, her hair soft. Her bones were just a little too fine to appeal to him. But to many men she must have been beautiful. Surely Pomeroy was not the best she could have done for herself?
Had she loved him or was it perhaps a debt of honor? Did her parents know Pomeroy, and owe him something?
He searched through all of Pomeroy’s rooms and read every letter and receipt. As Adela Pomeroy had said, his affairs were meticulously kept. From the accounts, the age and quality of the furnishings, the number of house servants, and the stock in the kitchen and pantry, it appeared they lived frugally. There was no sign of extravagance-except the vase of colored silk flowers in the withdrawing room and Adela’s gowns.
Had he bought them as gifts for her, an indulgent expression of his love? He could not imagine it of a man with the face he had seen in the Devil’s Acre. But by then he had already been robbed of that quickening that inhabits the flesh, of the capability for passion and pain, moments of tenderness, dreams or illusions.
Even in life we mask our vulnerability. What right had Pitt, or anyone else, to know what this man had felt for his wife? What vain or hopeless ideas still haunted him?
Or was her indifference apparent now because there had long ago ceased to be any real emotion between them? Was his death merely the formal ending of a relationship that was merely a facade? They had been married fifteen years; that much she had told him. There were no children. Had there ever been?
Could that even have been the reason she chose this plain, older man-a kindness to a woman whose moral character had been blemished? Or perhaps who already knew she was barren? Had gratitude turned over the years to hatred?
Had she sought love elsewhere? Was that where the silk flowers and the gowns came from? It was an obvious question, and he would be obliged to search.
He asked her if she had ever heard of Bertram Astley, Max Burton, or Dr. Pinchin. The names produced no answering flicker in her face. If she was a liar, she was superb. Neither did he find any mention of the other victims in Pomeroy’s papers.
There was nothing to do but thank Mrs. Pomeroy and leave with a peculiar feeling of unreality, as if all the time she was speaking she had barely been aware of him. He was an usher in the theater, and she was watching the main drama somewhere else, out of his sight.
The next obvious thing was to try the Acre again, and the best source was Squeaker Harris. Pitt found him in his grubby attic, hunched over the table by the window-the cleanest thing in the place-so that the winter light could fall onto his paper. Too many careful, suspicious eyes would examine his work. It must meet the highest standards of perfection or he would not remain in his trade.
He glared at Pitt balefully. “You ain’t got no right bustin’ inter a man’s ’ouse!” he exclaimed as he covered the paper he was working on as inconspicuously as possible. “I could ’ave yer-fer trespassin’. Vat’s agin ve law, Mr. Pitt. An’ wot’s more, it ain’t right.”