“But we didn’t. They’re the same roses.”
Trevor clamped his hands over his ears to show that he didn’t want to listen to any more of this lunacy.
“I don’t care if they are the same roses. You expect me to believe that Molly’s two sketches came to life and murdered all of those people? Drawings can’t hurt people, Momma. Only people can.”
“Those drawings are people. But they’re drawings, too, which is why we need your father to hunt them down.”
“You’re nuts,” Trevor repeated, in total exasperation. “I mean, where’s your respect? Where’s your morality?”
“What difference does it make, if we can’t actually do it?”
“It makes all the difference in the world, Momma. Look.”
Trevor took a silver-framed photograph of his father from the bookshelf. Thin faced, serious, with that same diamond-shaped scar on his cheek.
“This is Dad we’re talking about. My father and your husband. This is the man who loved us and looked after us, and who died in the line of duty. This is not some — some superhero out of a comic book.”
“I know that, Trevor. But think of all the innocent people who have been killed already. Do you think your father would have allowed that to happen, if he thought that he could stop it?”
“Momma, read my lips. Dad is dead. Dad doesn’t know anything about this Red Mask character, and never will. He’s in the Morningside Cemetery on Squash Hollow Road, and that’s where he’s going to stay. At peace. Undisturbed. Not chasing homicidal drawings all around Cincinnati.”
Sissy took a deep breath. Victoria had gone to her bedroom, supposedly to finish her homework, but they could hear her chatting and laughing on the phone to her friend Alyson.
Molly finished wiping the dishes. She said nothing. Trevor was her husband, and Trevor was Frank Sawyer’s only son, so if he was adamant that he didn’t want his father to be resurrected, there was nothing she could do.
Sissy said, “These Red Masks, they’re going to kill many more people, you know that, don’t you?”
“So your cards say.”
“Yes, they do. And so far they’ve been absolutely right.”
“So far they’ve been totally confusing. And if you think I’m going to allow you to bring Dad back to life simply because you imagine that you can see his face reflected in some goddamned dish — ”
“But you don’t believe that it’s possible.”
“It isn’t! How the hell can it be? But it’s sacrilegious enough, just thinking of doing it.”
Sissy sat down on the end of the couch. “That’s your last word, then, is it?”
The television was on, even though the sound was mute. WKRC’s 11:00 P.M. news was on, showing downtown Cincinnati and anxious shoppers being interviewed. Sissy picked up the remote in time to hear Kit Andrews saying, “ — avoiding the elevators in almost all office buildings and major department stores.”
Colonel Thomas H. Streicher, Cincinnati’s chief of police, appeared on the screen. “I cannot deny that there has been a wave of panic throughout downtown Cincinnati. This afternoon, it was virtually a ghost town, with office workers leaving early and shoppers staying well away.
“But at the same time I cannot emphasize strongly enough that my officers are hunting for these murderers round the clock, and I am satisfied that we can not only apprehend them, but that we can protect the good people of Cincinnati before we do.
“So, please. Be vigilant. Be careful out there. But go about your daily business as usual. These Red Mask individuals want to cause as much fear and disruption as possible, and we should not allow them to succeed.”
“There you are,” said Sissy. “Do your bit for the city’s morale. Go out and get yourself stabbed to death by red-faced maniacs.”
“You’re a cynic, Momma. You always were.”
“I’m not a cynic, Trevor. I’m a realist.”
“A realist? That’s pretty rich, coming from a woman who wants to bring her dead husband back to life by having his picture painted.”
Sissy reached for the Cherry Mashes on the table, unwrapped one, and popped it into her mouth. She didn’t trust herself to say anything polite, so she thought it better that she say nothing at all.
That night, she dreamed that she was somewhere in the South of France, on a very hot afternoon. The sky was intensely blue and the fields were stacked with bright yellow corn. All she could hear was the sewing-machine sound of crickets in the hedgerows and the cawing of crows as they circled overhead.
She was walking along a dry, rutted road, beside a long stone wall. At the far end of the stone wall there was a gateway, with two dilapidated oak gates. A man was standing in the gateway with his back to her. He had a shock of gingery hair, and he was wearing a red checkered shirt. He seemed to be having trouble with a complicated wooden structure like a deck-chair frame without any canvas.
“Monsieur,” she said. “Do you need any help?”
The man finished folding up the deck chair and propped it up against the gate. He turned around to face her and he was Red Mask. His eyes shone like silver ball bearings, and his forehead was shiny with sweat.
“What’s done is done,” he challenged her. “What’s painted is painted.”
“You can’t escape,” she replied. “It doesn’t matter where you go, somebody will find you. I can promise you that.”
Red Mask seemed to be amused. “Even if you find me, child, what can you do? Je suis deux personnes.”
With that, he turned and walked away through the archway behind the gates and into the orchard beyond. He reached the corner of a sagging stone barn and disappeared. Sissy waited, but she was reluctant to go after him. She was only seven years old, after all.
She was just about to continue on her way when the same man appeared, walking very briskly. In each hand he was carrying a large triangular butcher knife. Sissy stepped back, frightened, to let him pass.
When he reached gateway he stopped and stared at her as if he had never seen her before. “What are you waiting for, child? It’s no use waiting. What’s done is done, and all we can do is more of the same. No rest for the wicked. No justice for the innocent. Je suis un fou qui crois qu’il est moimême. I am a madman who believes that he is me.”
With that, he stalked through the gateway toward the orchard and disappeared behind the old stone barn. Sissy felt a cold tingle of fear, and she began to run away from the gateway as fast as she could.
Up ahead of her, however, the sky began to grow black, and she saw flickers of lightning. The poplar trees along the side of the road began to rustle uncomfortably and sway. Then, on the horizon, she saw the silhouette of a giant. He was standing beside the road, as if he was waiting for her.
She stopped, panting. She didn’t know what to do. She didn’t want to go back to the gateway, in case she met the gingery-haired man with the knives. But she was too frightened of the giant to carry on. Perhaps she should run across the fields.
The sky grew darker and darker, and the wind began to whistle. In the field to her left, she saw several gravestones, some of them tilted at odd angles.
Frank, she thought. Frank can save me. He may be dead, but he can save me.
Molly set a glass of freshly squeezed grapefruit juice on the nightstand beside Sissy and went across the room to pull up the blinds. It was a gloomy morning, with heavy gray clouds. Scores of cicadas were still crawling around the window frame.